wire. Three strands, rusty and dangerous. While Payne considered how to avoid leaving a trail of blood, Tino jammed a sneaker on the middle strand and pushed it down. He grabbed a smooth spot on the top wire and pulled it up, gesturing to Payne to duck under. Payne got through, then he did the same for Tino, giving him an admiring look.
'Ay, Himmy. All Mexicanos know how to get through barbed wire.'
They jogged along the edge of the property, hunched over like commandos, staying as far as possible from the front cabin with the Office sign. Somewhere nearby, a dog barked. It sounded like a big, unhappy dog.
The closest cabins appeared empty. They circled the perimeter. Still nothing, until they reached the cabin at the rear of the property. From inside, a scratchy Spanish-language radio station played a ballad.
' 'Cielito Lindo,' ' Tino said. 'Ranchero music.'
As they drew closer, they heard overlapping voices, speaking in Spanish. The morning was already hot, and Payne wondered why no one was on the porch or in the yard. Then he saw the slab of wood, a two-by-four, in a slot, sealing the front door. The windows were covered with perforated metal screens. The residents were locked in.
Bienvenidos a los Estados Unidos.
They climbed the steps to the cabin. Payne lifted the board from its slot and opened the door. Stifling inside. Bare floors and walls. No beds, no chairs, no sofas. An open toilet and a sink toward the rear. But the place was not empty. Maybe three dozen men, women, and children, with backpacks, plastic bags stuffed with clothes, and water jugs. The talking stopped dead, everyone staring at them.
No Marisol Perez.
'?Hola, amigos!' Payne called out, with as much cheer as he could muster.
A man clicked off the radio. The only sound was a horsefly buzzing and banging against one of the screened windows. Then, a girl of about ten started to cry. The migrants exchanged glances and raised their hands in surrender.
'They think you're La Migra, ' Tino told Payne.
'Tell them I'm a friend. Ask where they're going from here. It might be the same place your mom was sent.'
Tino began chattering, and the hands eased down. As several men replied in staccato Spanish, Payne looked toward the migrants. Most avoided his gaze. Men with work-hardened hands and wary eyes. Exhausted women clutching their children.
Dark, broad Indian faces, their ancestry tracing back centuries, to the Aztecs. A man and woman with Asian features. Others seemed to be mestizos, the mixed-blood descendants of Europeans and indigenous peoples.
Tino nodded toward two men in wife-beater tees with bandannas low on their foreheads. 'Those two cholos say they're going to L.A. to get rich selling drugs and robbing gabachos.'
'Great. That'll make Cullen Quinn happy.'
'The Guatemalans over by the shitter say they're going to some vegetable farms upstate, but they don't know where. Those two guys by the window were promised jobs in a gypsum quarry right down the road.'
Payne remembered the signs for Plaster City, which wasn't a city or even a town. Just a quarry and a factory turning gypsum into plaster for drywall.
'So why are they still here? They could practically walk there.'
'Jobs never happened. There've been immigration raids. Everything's on hold.'
One of the men, thin and wiry in a long-sleeve plaid shirt, dusty jeans, and work boots, said, 'Sin papeles no hay trabajo.'
Without papers, no work.
'Different now. Very bad,' the man said, trying out his English.
Tino gestured toward a man in the rear of the cabin. 'That guero says he's a fisherman. The coyotes promised him a job on a sardine boat. A couple of others, landscaping work; and two of the women, janitors in office buildings in San Diego. But they've been here three days, and no one's shown up to get them.'
'Who the fuck are you? The employment agency?'
Payne wheeled at the sound of the gravelly voice. Filling the doorway was a humongous woman in purple L.A. Lakers shorts. 'Are you Wanda?' 'No, dipshit. Ah'm Paris Fucking Hilton.' The woman's thighs ballooned out of her shorts like sausages bursting through their casing. Massive breasts, pale as uncooked biscuits, oozed from the sides of her pink sleeveless cropped tee, the word 'Princess' spelled out in sequins. Her stringy, bleached hair was fastened to spongy curlers, though it was doubtful a formal evening was in the works. Her jelly-roll belly, the color of Crisco, spilled over the top of her shorts. She raised her right arm, the flesh quivering like flan on a slippery plate. Her meaty hand gripped a three-foot-long machete.
'Ya'all here to poach my beaners?' A voice like spoons banging tin pots. Hillbillies and hayrides and banjos.
'No, ma'am,' he said.
'Last time a low-life poacher came around, Ah fed his pecker to my bull mastiff.'
'I'm not a trafficker. I swear.'
Waving the machete in Payne's face, she said, 'You're not a cop. Ah pay enough of 'em to know.' She looked Payne up and down, exhaling a little piggy snort. 'You look like a city boy.' She pushed the flat end of the machete against his hip and turned him a full 360. 'Kind of cute, but you got a skinny butt. So what the fuck you doing on my property?'
'I'm looking for a woman.'
'Well, you found one, cutie pie.' She jabbed the tip of the machete into Payne's midsection, just south of his navel. 'But Ah doubt you got enough sweet meat on your bones to do the job.'
'The job?'
'Ah ride cowgirl style.'
Payne had no answer, other than a lip-trembling, openmouthed gape.
Wanda the Whale let out a laugh that shook her shoulders and rippled her stomach rolls. 'Jesus, Ah haven't seen a look like that since Ah strangled a man between my thighs.'
FORTY-SEVEN
Once Wanda the Whale was convinced that Payne didn't intend to kidnap her pollos, she put down her machete. When she started talking to Tino, she relaxed even more, calling him the 'cutest little burrito west of the Pecos.'
She took them to her cabin, the one with the Office sign, advising them not to pet the dog. As if anyone would try. Chained to the porch railing was a bull mastiff with watery eyes, drooping jowls, and a chest that resembled an iron breastplate. Payne guessed the dog could have boxed middleweight, about 160 pounds.
Once inside, Wanda opened a small fridge and handed them Cokes that could have been cooler. Like a newly christened ship easing down the slipway, she settled her giant buttocks into a sagging plaid recliner. Pleased to have guests who 'spoke American,' she spent several minutes talking about herself. Her real name was Wanda Baker from Arkadelphia, Arkansas. At eighteen, she'd been an exotic dancer in a bar near the Pine Bluff Arsenal, an army base where she collected sweaty dollar bills from soldiers who liked their women plump and jiggly. She ran off with a corporal, 'a cute little bugger,' who went AWOL to marry her.
'The smaller the man, the meaner the drunk,' she told them, recounting a maxim of married life.
Her husband had read a magazine article about this big lake down by the Mexican border. The Salton Sea. He figured he could earn a living pulling mullet from the water, so they headed west. His business ended when he caught more truck tires than fish. The marriage ended when he started washing down meth with cactus wine. One night, he came after Wanda with a tire iron. She whisked him off his feet and bear-hugged him until she heard his ribs snap like stalks of celery.
Wanda started up a low-rent whorehouse in the cabins, servicing the dust-covered, phlegm-hacking men who worked at the gypsum quarry just down the road. The 'Sugarloaf Spa,' she called it, in a triumph of marketing over reality. A small operation, with a few Mexican women, a few runaways from the Midwest. Wanda avoided arrest by
