brains.

“You said that the villagers just broke over Philip and Carlos like a tidal wave, and when everyone retreated, there was nothing left but the altar.”

“Mmmm,” Hunter said, tasting her neck.

“I think in all the confusion, some of the worshippers took the codex, the god bundle, the mask, all of it, and disappeared back into the jungle. I think they put the sacred artifacts in a very safe place and went back to their usual lives. They’ll stay like that, apparently normal, working and waiting until their belief burns out or the Maya renaissance comes.”

Hunter’s body went still, then one hand slipped away from her. He found new flesh to touch, to caress. Her breath came in with a small whimper of pleasure and need.

“You want to find the artifacts,” he said.

“Yes.”

“Will it be safe?”

“The villagers could have killed me at any time while we climbed out of the cenote and walked back to the compound,” she said simply. “We were watched every step of the way.”

“I know.” The memory still could make his skin crawl.

“Philip was right about the cult of Kawa’il. It existed. It exists now. There is a sixth codex. I can’t just walk away from that.”

“I didn’t think you would.” Hunter’s voice was neutral.

“After we’re married—”

He turned her swiftly and kissed her like a man desperate for warmth.

“What?” she asked when she could talk again. “You asked me to marry you when we were climbing out of the cenote and I said yes.”

“All I heard was a cussword when you stubbed your toe.”

“Which time?”

He smiled.

“Just for the record,” she said, “yes”—she kissed his chin—“and yes”—she nipped the corner of his mouth —“and yes”—she licked his lips—“and—”

Whatever she was going to say was lost in a long, sensual tangle of tongues and breath and need.

Finally he lifted his mouth just enough to say, “Good and good and good and good.”

“Can you spend part of your time on the Reyes Balam lands with me? Celia agreed to fund the digs and pay me more than enough for—”

He shut her up by kissing her again. “I already talked to my uncles. I can work from the estate or from the moon, so long as they don’t lose their Mexico expert. And they expect to meet you real soon.”

Squirming until she could reach his shirt and begin unbuttoning it, Lina murmured in his ear, “Are you actually volunteering to be my bodyguard and site artist?”

“I’ll guard every sweet inch of your body.”

She smiled. “How about the artist part?”

“Can I draw you naked?”

“Only if mosquito netting is involved.”

He laughed softly. “I can work with that.”

AUTHOR’S NOTE

THE WRITTEN, PHONETIC VERSION OF THE MAYAN LANGUAGE is a work in progress. Scholars disagree about when or whether to use apostrophes to indicate a vocal hitch in a word. C and K are often used interchangeably. Names are spelled one way by one expert source and a different way by the next. About all I could find consistent agreement on was that “Maya” refers to the people, their customs, their artifacts, everything but their language. That is called “Mayan.”

I also was confronted with many choices as to accent marks. If a word is commonly understood and printed in the United States without any accents—for example, Mexico, Cancun, the Yucatan—I didn’t use accents, even though they are used in Mexico.

Some Maya scholars agree there is a God K. Some don’t.

Kawa’il, his cult, and his artifacts are my own invention.

About the Author

ELIZABETH LOWELL’s acclaimed suspense novels include the New York Times bestsellers Death Echo, Blue Smoke and Murder, Innocent as Sin, The Wrong Hostage, Always Time to Die, The Color of Death, Die in Plain Sight, Running Scared, and Moving Target, as well as four books featuring the Donovan family: Amber Beach, Jade Island, Pearl Cove, and Midnight in Ruby Bayou. Lowell has more than thirty million books in print. She lives in Nevada with her husband, with whom she writes mystery novels under a pseudonym.

www.elizabethlowell.com

www.facebook.com/ElizabethLowellFans

Also by Elizabeth Lowell

Death Echo

Blue Smoke and Murder

Innocent as Sin

The Wrong Hostage

Whirlpool

Always Time to Die

The Secret Sister

The Color of Death

Death Is Forever

Die in Plain Sight

Running Scared

Moving Target

Midnight in Ruby Bayou

Pearl Cove

Jade Island

Amber Beach

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