presence and he slips away.
The nurse is checking Jenny now. I can’t see anything different at all, not that I’d know what all the monitors are telling us, but to me it looks no different. But the nurse in the squeaky plimsolls is checking a piece of Jenny’s equipment.
Out in the corridor, the figure has disappeared.
I didn’t get close enough to see his face, just an outline in a long, dark blue coat. But the door to the burns unit is locked, so he must have been authorised to be in here. He must be a doctor, perhaps a nurse, probably going off shift, which is why he wasn’t wearing a white coat or nurse’s uniform, but an overcoat. Maybe he just wanted to check on Jenny before going home.
I see Jenny returning and I smile at her.
But I feel afraid.
Because who wears a long dark overcoat in the middle of July?
7
Garish artificial lights snapping on; doctors already alert and moving in packs; loud crashings of trolleys and nurses briskly whipping away breakfast trays and pulling out drugs charts. Christ, I think, you have to feel robust to face morning in a hospital. But at least all this noisy bright aggressive busyness turns my glimpsed figure last night into a quiet nothing.
When I arrive at my ward, I see that Mum’s already here and in an office with Dr Bailstrom. She’s aged years in a day; hard lines of misery are scraped across her face.
‘Grace chattered all the time when she was a little girl, such a bright button,’ Mum says, her voice quicker than usual. ‘I always knew that she’d grow up to be really bright, and she did. She got three As at A level and a scholarship to Cambridge to read Art History, with an option to switch to English, because they wanted her to come to their university.’
‘Mum,
‘She got pregnant before finals,’ Mum continues. ‘So she had to leave. She was a little disappointed, we all were, but she was happy too. About the baby. Jenny.’
I’ve never heard my life history potted before and it’s a little alarming. Is it really that simple?
‘That makes her sound like a brainbox, but she’s not really like that at all,’ Mum continues. ‘She’s a lovely girl. I know she’s nearly forty now, but she’s still a girl to me. And she’d do anything for anyone.
Mum never speaks in a rush. And hardly ever speaks more than two or three sentences at a time. Now she’s haring along in paragraphs as if she’s on a timer. And I wish there
‘I don’t know what I’d have done without her; juggling her whole life around for me. I don’t mean that she has to get better for me, though. You mustn’t think that. I mean I love her more than you can possibly know but it’s her children who really need her, and Mike. You think it’s Mike who’s the strong one, he looks it, but really it’s Gracie. She’s the heart of the family.’
She stops for a moment, and Dr Bailstrom pounces in.
‘We’ll do everything we possibly can. I can absolutely assure you of that. But sometimes, with a severe head injury, there’s not a great deal that we can do.’
Mum looks at her.
And for a moment Dr Bailstrom is the doctor who told Mum and Dad that he had Kahler’s disease.
‘
She doesn’t say that now. Because when Dad died, the impossible,
I look away from her face to Dr Bailstrom’s same-as-yesterday high red shoes. I bet from time to time Dr Bailstrom looks at them too.
‘We’ll let you know what we find out when we’ve done the next set of tests,’ Dr Bailstrom says. ‘We are having a specialists’ meeting about your daughter later today.’
Once Mum would have told them Dad was a doctor. Once she’d have thought it would make a difference.
She thanks Dr Bailstrom – too nicely brought up not to always thank people properly.
Adam is hunched by my bed.
Mum rushes over to him.
‘Addie, poppet? I thought you were going to wait with the nurses for five minutes?’
He’s lying with his face against mine, holding my hand, and he’s crying. A desperate, terrible sound.
I put my arms around him and I tell him not to cry, I tell him I’m alright. But he can’t hear me.
As he cries I stroke his soft silky hair and I tell him over and over and over that it’s alright, that I love him, not to cry. But he still can’t hear me and I can’t bear it a moment longer and I have to wake up for him.
I fight my way into my body, through layers of flesh and muscle and bone. And suddenly I’m here. Inside.
I struggle to move this heavy hulk of a body, but I’m again trapped under the hull of a ship wrecked on the ocean floor and moving is impossible.
But Adam is out there crying for me and I have to open my eyes for him.
A fragment of a poem echoes in the darkness.
I’ve left Jenny on her own. Oh God. What if I can’t get out again?
I hear the panic in my heartbeat.
But I can escape my body easily, just slipping out into the dark ocean and then struggling upwards towards the light.
Mum is putting her arm around Adam, magicking a smile onto her face for him, making her voice sound cheerful.
‘We’ll come back later, alright, my little man? We’ll go home now, then when you’ve had a bit of a rest, we can come back.’
And she’s mothering me by mothering my child.
She leads him away.
A few minutes later Jenny joins me.
‘Have you tried getting back into your body?’ I ask her.
She shakes her head. I’m an
She doesn’t ask me if I’ve tried getting back in. I think it’s because she’s afraid of the answer – either that I couldn’t; or that I could, but it made no difference.
No difference at all.
That ghastly poem I’d once thought so clever echoes still in our silence.
…
‘Mum?’
‘I was thinking about the metaphysical poets.’
‘God, you
I smile at her. ‘Absolutely.’