downwards. Discovery, Mallory at once realized, was certain. One or both of the supporting floats were bound to be seen. Unhurriedly, and steadying himself against his float, Mallory unzipped the top of his rubber suit, reached under his tunic, brought out his Luger, unwrapped it from its waterproof cover and eased off the safety-catch.

The pool of light from the torch passed over the water, close in to the side of the dam wall. Suddenly, the beam of the torch remained still. Clearly to be seen In the centre of the light was a small, torpedo-shaped object fastened to the dam wall by suckers and, just beside it, a rubber-suited man with a gun in his hand. And the gun — it had, the sentry automatically noticed, a silencer screwed to the end of the barrel-was pointed directly at him. The sentry opened his mouth to shout a warning but the warning never came for a red flower bloomed in the centre of his forehead, and he leaned forward tiredly, the upper half of his body over the edge of the parapet, his arms dangling downwards. The torch slipped from his lifeless hand and tumbled down into the water.

The impact of the torch on the water made a flat, almost cracking sound. In the now deep silence it was bound to be heard by those above, Mallory thought. He waited tensely, the Luger ready in his hand, but after twenty seconds had passed and nothing happened Mallory decided he could wait no longer. He glanced at Miller, who had clearly heard the sound, for he was staring at Mallory, and at the gun in Mallory's hand with a puzzled frown on his face. Mallory pointed up towards the dead guard hanging over the parapet. Miller's face cleared and he nodded his understanding. The moon went behind a cloud.

Andrea, the sleeve of his left arm soaked in blood, more than half carried the hobbling Maria across the shale and through the rocks: she could hardly put her right foot beneath her. Arrived at the foot of the ladder, both of them stared upwards at the forbidding climb, at the seemingly endless zig-zags of the iron ladder reaching up into the night. With a crippled girl and his own damaged arm, Andrea thought, the prospects were poor indeed. And God only knew when the wall of the dam was due to go up. He looked at his watch. If everything was on schedule, it was due to go now: Andrea hoped to God that Mallory, with his passion for punctuality, had for once fallen behind schedule. The girl looked at him and understood.

'Leave me,' she said. 'Please leave me.'

'Out of the question,' Andrea said firmly. 'Maria would never forgive me.'

'Maria?'

'Not you.' Andrea lifted her on to his back and wound her arms round his neck. 'My wife. I think I'm going to be terrified of her.' He reached out for the ladder and started to climb.

The better to see how the final preparations for the attack were developing, General Zimmermann had ordered his command car out on to the Neretva bridge itself and now had it parked exactly in the middle, pulled close in to the right-hand side. Within feet of him clanked and clattered and roared a seemingly endless column of tanks and self-propelled guns and trucks laden with assault troops: as soon as they reached the northern end of the bridge, tanks and guns and trucks fanned out east and west along the banks of the river, to take temporary cover behind the steep escarpment ahead before launching the final concerted attack.

From time to time, Zimmermann raised his binoculars and scanned the skies to the west. A dozen times he imagined he heard the distant thunder of approaching air armadas, a dozen times he deceived himself. Time and again he told himself he was a fool, a prey to useless and fearful imaginings wholly unbecoming to a general in the Wehrmacht: but still this deep feeling of intense unease persisted, still he kept examining the skies to the west. It never once occurred to him, for there was no reason why it should, that he was looking in the wrong direction.

Less than half a mile to the north, General Vukalovic lowered his binoculars and turned to Colonel Janzy.

'That's it, then.' Vukalovic sounded weary and inexpressibly sad. 'They're across — or almost all across. Five more minutes. Then we counter-attack.'

'Then we counter-attack,' Janzy said tonelessly. 'We'll lose a thousand men in fifteen minutes.'

We asked for the impossible,' Vukalovic said. 'We pay for our mistakes.'

Mallory, a long trailing lanyard in his hand, rejoined Miller. He said: 'Fixed?'

'Fixed.' Miller had a lanyard in his own hand. 'We pull those leads to the hydrostatic chemical fuses and take off?'

'Three minutes. You know what happens to us if we're still in this water after three minutes?'

'Don't even talk about it,' Miller begged. He suddenly cocked his head and glanced quickly at Mallory. Mallory, too, had heard it, the sound of running footsteps up above. He nodded at Miller. Both men sank beneath the surface of the water.

The captain of the guard, because of inclination, a certain rotundity of figure and very proper ideas as to how an officer of the Wehrmacht should conduct himself, was not normally given to running. He had, in fact, been walking, quickly and nervously, along the top of the dam wall when he caught sight of one of his guards leaning over the parapet in what he could only consider an unsoldierly and slovenly fashion. It then occurred to him that a man leaning over a parapet would normally use his hands and arms to brace himself and he could not see the guard's hands and arms. He remembered the missing Maurer and Schmidt and broke into a run. The guard did not seem to hear him coming. The captain caught him roughly by the shoulder, then stood back aghast as the dead man slid back off the parapet and collapsed at his feet, face upwards: the place where his forehead had been was not a pretty sight. Seized by a momentary paralysis, the captain stared for long seconds at the dead man, then, by a conscious effort of will, drew out both his torch and pistol, snapped on the beam of the one and released the safety catch of the other and risked a very quick glance over the dam parapet.

There was nothing to be seen. Rather, there was nobody to be seen, no sign of the enemy who must have killed his guard within the past minute or two. But there was something to be seen, additional evidence, as if he ever needed such evidence, that the enemy had been there: a torpedo-shaped object — no, two torpedo-shaped objects — clamped to the wall of the dam just at water level. Uncomprehendingly at first, the captain stared at those, then the significance of their presence there struck him with the violence, almost, of a physical blow. He straightened and started running towards the eastern end of the dam, shouting 'Radio! Radio!' at the top of his voice. Mallory and Miller surfaced. The shouts — they were almost screams — of the running captain to the guard carried clear over the now silent waters of the dam.

Mallory swore.

'Damn and damn and damn again!' His voice was Almost vicious in his chagrin and frustration. 'He can give Zimmermann seven, maybe eight minutes' warning. Time to pull the bulk of his tanks on to the high ground.'

'So now?'

'So now we pull those lanyards and get the hell out of here.'

The captain, racing along the wall, was now less than thirty yards from the radio and where Petar and Reynolds sat with their backs to the guardhouse.

'General Zimmermann' he shouted. 'Get through. Tell him to pull his tanks to the high ground. Those damned I English have mined the dam!'

'Ah, well.' Petar's voice was almost a sigh. 'All good things come to an end.'

Reynolds stared at him, his face masked in astonishment. Automatically, involuntarily, his hand reached out to take the dark glasses Petar was passing him, automatically his eyes followed Petar's hand moving away again and then, in a state of almost hypnotic trance, he watched the thumb of that hand press a catch in the side of the guitar. The back of the instrument fell open to reveal inside the trigger, magazine and gleamingly-oiled mechanism of a submachine gun.

Petar's forefinger closed over the trigger. The submachine gun, its first shell shattering the end of the guitar, stuttered and leapt in Petar's hands. The dark eyes were narrowed, watchful and cool. And Petar had his priorities right.

The soldier guarding the three prisoners doubled over and died, almost cut in half by the first blast of shells.

Two seconds later the corporal guard by the radio hut, while still desperately trying to unsling his Schmeisser, went the same way. The captain of the guard, still running, fired his pistol repeatedly at Petar, but Petar still had his priorities right. He ignored the captain, ignored a bullet which struck his right shoulder, and emptied the remainder of the magazine into the radio transceiver, then toppled sideways to the ground, the smashed guitar falling from his nerveless hands, blood pouring from his shoulder and a wound on his head.

The captain replaced his still smoking revolver in his pocket and stared down at the unconscious Petar. There was no anger in the captain's face now, just a peculiar sadness, the dull acceptance of ultimate defeat. His eyes moved and caught Reynolds's: in a moment of rare understanding both men shook their heads in a strange and mutual wonder.

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