The Alchemist

west facade of the building.

He spent a long time walking up and down, his footsteps echoing off the stone tiles, gazing this way and that at the many statues and carvings. Under his arm was a secondhand copy of a book by the man he was supposed to be looking for-the elusive master alchemist Fulcanelli. The book was a translation of The Mysteries of the Cathedrals, written in 1922. When Ben had come across it in the Occult section of an old Paris bookshop he’d been excited, hoping to find something of value. The most useful leads he could have wished for were a photo of the man, some kind of personal information such as an indication of his real name or family details, and any sort of mention of a manuscript.

But there was none of these things. The book was all about the hidden alchemical symbols and cryptograms that Fulcanelli claimed were carved into the decor of the same cathedral walls that Ben now found himself staring at.

The Porch of Judgement was a great Gothic archway covered in intricate stone carvings. Beneath rows of saints were a series of sculpted images depicting different figures and symbols. According to Fulcanelli’s book, these sculptures were supposed to have some hidden meaning-a secret code that only the enlightened could read. But Ben was damned if he could figure any of it out. I’m obviously not enlightened, he thought. As if I needed Fulcanelli to tell me that.

In the centre of the massive portal, at the feet of a statue of Christ, was a circular image showing a woman seated on a throne. She was clutching two books, one open and the other closed. Fulcanelli claimed that these were symbols of open and hidden knowledge. Ben ran his eye along the other figures on the Porch of Judgement. A woman holding a caduceus, the ancient healing symbol of a snake wrapped around a staff. A salamander. A knight with a sword and a shield bearing a lion. A circular emblem with a raven on it. All, apparently, conveying some veiled message. On the north portal, the ‘Portal of the Virgin’, Fulcanelli’s book guided him to a sculpted sarcophagus on the middle cornice that depicted an episode in the life of Christ. The decorations along the side of the sarcophagus were described in the book as being the alchemical symbols for gold, mercury, lead, and other substances.

But were they really? To Ben, they just looked like flower motifs. Where was the evidence that the medieval sculptors had been consciously inserting esoteric messages into their work? He could appreciate the beauty and the artistry of these sculptures. But did they have anything to teach him? Could they possibly be of any use to help a dying child? The problem with this kind of symbology, he reflected, was that just about any given image could be interpreted pretty much as the interpreter wanted it. A raven might just be a raven, but someone looking for a hidden significance could easily find it, even if it was never intended to be there. It was all too easy to project subjective meanings, beliefs, or wishful thinking onto a centuries-old stone carving whose creator was no longer around to say otherwise. Such was the stuff of conspiracy theories and cults surrounding ‘hidden knowledge’. Too many people were desperate for alternative versions of history, as though the real facts of times gone by were insufficiently satisfying or entertaining. Perhaps it was to compensate for the drab truth of human existence, to inject a bit of intrigue into their own dull and unstimulating lives. Whole subcultures grew up around these myths, rewriting the past like a movie script. It seemed to him, from his research into alchemy, that this was just another alternative subculture chasing its tail in search of kicks.

He was getting itchy feet. Not for the first time, he regretted having taken this job. If it hadn’t been for the two hundred and fifty grand of Fairfax ’s money sitting in his bank account, he’d have sworn that someone was playing a joke on him. What he should do was to walk out of here right now, take the first plane to England and give the old fool back his money.

No, he’s not an old fool. He’s a desperate man with a dying grandkid. Ruth. Ben knew the reason he was standing here.

He sat on a pew and gathered his thoughts for a few minutes among the scattered figures who’d come to pray. He opened Fulcanelli’s book again, took a deep breath and ran back in his mind what he’d managed to glean from it so far.

The introduction to The Mysteries of the Cathedrals was a later addition to Fulcanelli’s text, written by one of his followers. It described how, in 1926, Fulcanelli had entrusted his Parisian apprentice with certain material-nobody seemed to know what exactly-and then promptly disappeared into thin air. Since then, according to the writer, many people had tried to find the master alchemist-including, apparently, an international intelligence agency.

Yeah, right. It was the same with most of the stuff he’d uncovered in his web searches. There were several other versions of the Fulcanelli tale, depending on which far-out website you visited. Some said Fulcanelli had never existed at all. Some said he was a composite figure drawn together out of a number of different people, a front for a secret society or brotherhood dedicated to exploring the occult. Others claimed that he was a real person after all. According to one source, the alchemist had been sighted in New York decades after his mysterious disappearance, when he must have been well over a hundred years old.

Ben didn’t buy any of it. None of the claims was substantiated. If there were no known photos of the alchemist, how could any reported sightings be trusted? It was all a mess of confusion. There was only one thing that all these sources of so-called information had in common, and it was that he couldn’t find a single mention anywhere of a Fulcanelli manuscript.

He didn’t spot anything very illuminating during his tour of Notre Dame. But one thing he did spot, not long after he came in, was the man following him.

The guy wasn’t doing an especially good job of it. He was too furtive, too careful to stay out of Ben’s way. One minute he was standing in a distant corner glancing over his shoulder, the next he was in the pews trying to hide his plump form behind a prayer book. If he’d smiled and asked Ben for directions he’d have been less conspicuous.

Ben’s eyes were on the cathedral decor, his body language was relaxed and his demeanour was that of Joe Tourist. But from the moment he’d seen him, he was studying his follower closely. Who was he? What was this about?

In such cases, Ben was a big believer in honesty and direct action. If he wanted to find out why someone was following him, he’d just ask them straight out who they were and what they wanted. The two things he needed to do first were to get the man into a quiet spot, and to cut off any chance he had of escaping. Then Ben could squeeze him like an orange. How politely he dealt with the situation depended entirely on the guy’s reaction to being cornered and challenged. An amateur like this might well just fold right away with only the gentlest pressure.

Ben moved to the inner corner of the cathedral, near the altar. A spiralling staircase led upwards to the towers, and he started climbing it. Just before he moved out of sight, he saw his man’s body language shift nervously. Ben carried unhurriedly on up the stairs until he arrived at the second gallery. He came out onto a narrow stone walkway that emerged outside into the sunlight, high over the Parisian rooftops. He was surrounded by nightmarish gargoyles, stone demons and goblins put there by the medieval stonemasons to ward off evil spirits.

The walkway connected the two high towers of the cathedral, right over the huge rose window in its facade. Only a stone latticework barrier, less than waist high, stood between him and a 200-foot drop to the ground below. Ben moved out of sight and waited for his follower to appear.

The man reached the parapet after a minute or two, looking around for him. Ben waited until he was far from the doorway to the stairs, and then he stepped out from behind a grinning devil statue. ‘Hey, there,’ he said, bearing down on him. The man looked panicky, his eyes darting this way and that. Ben pressed him into a corner, using his body to cut off his line of escape. ‘What’s your business following me?’

Ben had seen lots of men reacting under stress, and he knew they all reacted differently. Some folded, some ran, some resisted.

This guy’s reaction was instant lethal violence. Ben saw the twitch in his right hand a fraction of a second before it snaked into his jacket and came out with the knife. It was a military-style weapon with a black double- edged blade-a cheap copy of the Fairbairn-Sykes fighting knife that Ben knew from the past.

He dodged the stab, grabbed the man’s knife wrist and smashed the arm down over his knee. The blade clattered onto the walkway. Ben kept hold of the wrist, bending it into a lock that he knew from experience was extremely painful. ‘Why are you following me?’ he repeated quietly. ‘I don’t really want to hurt you.’

He wasn’t prepared for what happened next.

There is no way out of a good wristlock. Unless the person deliberately lets their wrist be broken. No sane