Ben could see her troubled thoughts clouding her eyes. ‘I know you don’t want to go over all this again,’ he said. ‘But we need to know what’s happening.’

She looked down at her feet. ‘I can’t understand it.’

‘Are you positive they couldn’t have been after something in your flat?’

Leigh sighed. ‘I told you, I only used the place as a base for the Opera House. I hardly had anything there, I didn’t spend much time there.’

‘And you’re absolutely sure that the place was empty when you moved in? There’s nothing that could have been left behind by the previous occupants?’

She shook her head. ‘Like I said, it was all cleaned out when I rented it. No, it’s me they’re after. Something to do with me, but what it is I…’

Ben didn’t reply. He reached out his arm and gently squeezed her shoulder, feeling the tension in her muscles. She took a step away from him, breaking the contact.

He looked up at the sky. It was threatening to rain. They’d been walking for almost an hour. ‘Let’s go back,’ he said.

Gunmetal clouds had passed over the sun’s face by the time they had walked the path back through the woods and up the gently sloping lawns to the manor. A thin, steady drizzle was drifting on the rising wind. Leigh opened the back door and Ben led the way up the passage to the kitchen, where he’d left his haversack. He was reaching for his phone when he froze. His eyes narrowed.

Leigh saw his expression. ‘What’s up?’

He looked at her hard and pressed a finger to his lips. She made a gesture to say ‘I don’t understand’.

He said nothing. He reached out, grasped her by the upper arm and jerked her roughly across the room. He tore open the door of the walk-in pantry and pushed her inside.

‘Ben…’ Leigh’s eyes were wide with fear and confusion.

‘Don’t move, don’t make a sound,’ he whispered, and shut her in.

He looked around him and quietly grabbed the heavy cast-iron skillet from the range. He slipped through the gap in the kitchen door and moved fast and silently up the panelled hallway.

He found them in the study. There were two of them, their backs to him. They were masked and armed. Identical combat jackets and semi-automatic pistols in cordura rigs.

They’d been busy. Packing cases were overturned, their contents spilled across the bare floorboards. Music manuscripts were scattered everywhere. Letters, business documents. The guy on the left was rifling through a trunk, tossing clothes in a rough pile on the floor. The guy on the right was kneeling down near the fire place and using a double-edged killing knife to slice open a large cardboard box that was wrapped up in brown packing tape.

Neither one heard Ben step into the room.

The cardboard box fell open and the contents tumbled out-papers, books, folders. The man reached inside and pulled out a slim box-file. He studied it for a moment and waved it at his companion.

The guy on the left was half turned round when Ben buried the edge of the iron skillet in his skull. It went in like an axe and he dropped to the floor with his legs kicking.

The other threw aside the box-file and went for his pistol. Ben was faster. He hit him a blow to the throat that was meant to disorientate rather than kill. He kept a pincer grip on the man’s windpipe as he went down. ‘Who are you working for?’ he asked quietly. As he spoke he took the gun from the man’s trembling fingers with his free hand. It was a big, heavy pistol. A Para-Ordnance .45, high-capacity magazine, stainless steel, cocked and locked. It was shiny and smelled of fresh gun oil.

Ben was a believer in simple, straightforward interrogation. He flicked off the safety, then pressed the muzzle of the .45 against the intruder’s temple. ‘Tell me quick or you’re dead,’ he said.

The man’s eyes rolled in the oval slits in his mask. Ben let some pressure off his windpipe. He looked down at the slim box-file. It was lying on the floor, face-up. Written across its front in neat marker pen were the words THE MOZART LETTER.

Ben pressed the gun harder into the man’s head. ‘What’s this about?’ he said.

The door crashed open. A third intruder burst inside the room shooting. The room was filled with gunfire. Ben had nowhere to take cover. He felt the shockwave of a heavy bullet passing close by his head.

He grasped his prisoner by the collar and swung his body up and round in front of him, using him as a shield. The man screamed and jerked as bullets thudded into him. His thrashing foot caught the box-file. It burst open and papers flew into the fireplace.

Ben aimed the Para-Ordnance over the man’s shoulder. The pistol kicked and boomed twice in his hand. The attacker twisted, slammed against the wall, slumped to the floor.

Ben let the dead body of his human shield fall. The contents of the file were strewn across the hearth. Paper curled and blackened as the flames spread hungrily. The corner of the rug was burning. He stamped out the flames and kicked the blackened fragments of paper away from the fireplace.

He strode across the study and squatted down to examine the third man. His mask, weapon and clothing were identical to the others’. The first bullet had caught him in the chest. The second, rising on recoil, had taken the top off his head. Ben sighed. None of the three would be doing much talking to him.

He tensed. A door had slammed somewhere in the house. Leigh? He sprang to his feet and ran out across the wide hallway. He could hear shouts and the noise of a diesel engine revving hard outside. Rapid footsteps across the gravel at the front of the house. He ran up the passage into the front entrance hall, slipping on the polished parquet. He ripped the front door open just in time to see a fourth intruder jump into the Transit van. It took off down the drive with its wheels spinning.

He raised the .45 and punched a line of six holes across the back doors of the van. The rear windows shattered.

The van slewed and kept going. Ben fired three more rounds at the tyres, the target diminishing now. A plastic hubcap spun across the gravel. The van disappeared down the drive. Then it was gone.

Ben swore and ran back into the house. He hurried to the kitchen and opened the pantry door.

Leigh flew at him with a scream and swung the long steel Maglite torch at his head with all her strength. If it had landed it would have put him in a coma. He dodged it and caught her wrist. She was panting. Her eyes were wild. She didn’t seem to recognize him.

He shook her. ‘Leigh-it’s me. It’s Ben.’

She came to her senses and looked up at him. Her face was white.

‘We’ve had some unexpected visitors,’ he said. ‘You’re safe now. But we need to leave quickly. More of them will be coming back here.’ He turned to head out of the room.

She was shaking. ‘Where are you going?’

‘Get your things together,’ he said. He picked up his bag and carried it to the study. Closing the door behind him, he knelt down and gathered up the fire-damaged papers. He sighed as some of them crumbled apart in his hands.

Among the documents was a small padded envelope, about four inches square, light and slim. One of its corners was singed from the fire but otherwise it was undamaged. It hadn’t been opened. It was addressed to Leigh in Monte Carlo. The postmark was Vienna-stamped just the day after Oliver’s death.

Ben tossed everything together into the box-file. Across the label THE MOZART LETTER, a spatter of blood was still wet and glistening. He unbuckled the straps of his bag and put the file inside.

He collected the two identical .45 pistols from the dead men and took the spare magazines from the pouches on their tactical rigs. Clearly these men had been professionals. He searched them. No papers, no ID of any kind.

He looked up to see the door handle turning. Before he could stop her, Leigh had stepped into the study.

She froze as she took it all in. The three dead men lying there with their eyes glazed and staring through the holes in their ski-masks, arms and legs out-flung. The pool of blood on the floor. The long smear of it on the far wall. The handle of the skillet still protruding from the head of one of the corpses. She reeled, swaying a little on her feet.

‘I didn’t mean for you to see this,’ he said, steadying her. He took her by the elbow and guided her out of the room.

‘Did you do this?’ Her voice was barely audible.

Вы читаете The Mozart Conspiracy: A Novel
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату