curtains and made his way across the stage. Behind the podium, Aragon’s Party slogan
Now, ranks of officers gathered tensely on standby behind riot shields, batons and tear gas at the ready. Well away from the trouble, television crews and newspaper reporters were out in force and hoping for blood.
Juste reached the podium. He raised his arms and the hum of excited chatter from the packed theatre dwindled. ‘Ladies and gentlemen,’ he began. ‘Our speaker tonight needs no introduction. No modern political figure has ever risen to prominence or gathered such overwhelming public support so surely and so quickly. He has been hailed as
The Chancellor stepped away from the podium and extended his arm as Philippe Aragon walked confidently out onto the stage. A hundred cameras focused. Five hundred people were on their feet. Tall and elegant, the young politician was wearing a well-cut suit and no tie. He waited until the applause had dwindled, and then he began his speech.
‘Ladies and gentlemen, I thank you for coming here tonight.’ Behind him on the high screen, the big slogan disappeared and the crowd murmured as a new image flashed up. It showed the far-right protesters outside. Shaven heads. Swastikas. Ugly faces frozen in expressions of hatred.
Aragon smiled. ‘And I also want to thank our neo-Nazi friends outside for showing up.’ He let this register for a beat, and then went on. ‘By their very presence here tonight they help me to make my case. Ladies and gentlemen, we are told we already
The crowd roared its approval. Behind Aragon, the image of the neo-fascists disappeared and the strident slogan flashed up in its place to mark his words.
Watching on her monitor backstage in a comfortable reception room, Colette Aragon sipped coffee from a styrofoam cup and smiled at her husband’s perfect control of his audience. Party staff and plain-clothed security personnel milled around her. Across the busy room stood Louis Moreau, the former GIGN counter-terrorist police response unit commander whom she’d appointed as her husband’s private head of security. She didn’t have much faith in the government agents. Moreau took his job extremely seriously. The lights glistened on his shaven head as he stood with his arms folded, scrutinizing the bank of screens that showed the crowd from different angles.
Colette stood behind her husband publicly, every step of the way. He was a good man. But privately, she wished he’d give all this up and go back to architecture. It wasn’t just the mayhem and madness of constant travelling and press interviews. Even Philippe hadn’t been prepared for how fast his political career had taken off. Colette knew that as his popularity grew, he would become more of a target. At public events like this, even the heaviest security presence couldn’t guarantee his safety. They couldn’t frisk everyone at the door. All it took was a fascist fanatic in the audience with a pistol in his pocket.
She shivered. She’d never believed that the incident last January in Cortina had been an accident.
When Leigh woke the next morning, Ben was already into his ninth phone call. The local directory didn’t have a listing for a Professor Arno, so he was having to try each Arno in turn. He’d worked his way down half the list before deciding to give up and pay a personal visit to the music institute where the old scholar had taught.
They ate a rushed breakfast in the
Past the Church of St Vitale, the Istituto Monteverdi was a tall and narrow building fronted with white stone columns and a flight of steps. A glass doorway led into a reception foyer. Their footsteps rang off the marble floor and echoed up to a high ceiling. From somewhere above them they could hear a cello playing, and from another room the sound of a woman singing arpeggios to piano accompaniment. The music mixed together in a discordant swirl that reverberated off the stone walls of the old building.
They approached the desk. The receptionist was a steely-haired woman dressed in black. She scowled at them. ‘Can I help you?’
‘We’re looking for Professor Arno,’ Ben said in Italian.
The woman shook her head. ‘Professore Arno does not teach here any longer. He is retired.’
‘Perhaps you could give me his phone number?’ As Ben asked, he knew he’d be refused.
‘We do not give out numbers.’
‘I understand, but this is very important.’
The woman crossed her arms with a severe look. ‘I am sorry. It is not possible.’
Ben was reaching for his wallet. Bribery was always an option, although this one didn’t look the sort. Leigh stopped him. ‘Let me deal with her,’ she said in English.
The woman was staring at them with a hostile expression. Leigh smiled and spoke in fluent Italian. ‘Signora, please call your Director.’
The woman looked shocked. ‘Why?’
Leigh smiled again. ‘Tell him Leigh Llewellyn is here and would like to speak to him. It’s urgent.’
The mention of Leigh’s name had an immediate, almost magical effect. The hostile receptionist was suddenly all smiles and apologies for not having recognized the famous soprano before. She led them up a flight of stone stairs to the first floor.
Leigh caught Ben’s look. ‘What?’ she whispered.
‘Maybe I didn’t make myself clear. I thought we’d agreed you were to keep a low profile.’
‘Can you think of a better way?’
‘I’m sure I could.’
‘Like putting a gun to her head?’
‘Wouldn’t be a bad idea,’ he muttered.
The receptionist hammered on a door and stuck her head through. She fired a burst of rapid Italian that Ben didn’t follow. A man’s voice replied from inside the room.
The Director burst out of the office. He was a short man, plump and round in a dark suit. He greeted them with furious pumping handshakes and ordered the receptionist to bring coffee and biscuits. ‘I am Alberto Fabiani,’ he said with a broad smile. He couldn’t take his eyes off Leigh. ‘This is a great honour,
They sat at his desk and Leigh repeated their need to see Professor Arno. Was it possible to be put in contact with him?
Fabiani looked unsure. He breathed in through his teeth.
‘He’s not dead, is he?’ Leigh asked.
‘No, no, he is not dead,’ Fabiani said hastily. ‘Not yet. He lives in the countryside about ten kilometres from here. I will gladly put you in touch with him. But I feel I should warn you…’ The Director paused. ‘Francesco Arno is a good man. In his day, he was thought of as one of the greatest Mozartian scholars of all time. But he is old now. Over the years he has become-how should I say it—
‘Strange? How?’ Ben asked.