‘It’s where they deserve to be, Inspector.’
Colbeck took another sip of his drink then told his friend about the conversation with Nigel Buckmaster. Stockdale listened intently. He was amused by what the actor had told him about identifying the dead body.
‘So he didn’t flinch, did he?’ he said. ‘Mr Buckmaster took one look at the body, nodded his head to signal that it was indeed Mr Kellow then rushed off to be sick somewhere. He’d never make a policeman.’
‘Murder victims are never pretty.’
‘The ones hauled out of the River Taff are the worst. If they’ve been in there long enough, they’re bloated. I doubt if Mr Buckmaster would even dare to look at such horrors.’
‘The most useful thing he told me was that Mr Voke and his son had parted company.’
‘It sounds to me as if the son needs more than a passing glance,’ said Stockdale. ‘There must have been bad blood between him and Hugh Kellow. That gives us a motive.’
‘We’ll certainly bear him in mind,’ agreed Colbeck, ‘though, in my experience, obvious suspects are often proved innocent.’
Stockdale guffawed. ‘Not if they live in Butetown!’
‘What did
‘Well, at least I discovered what was stolen,’ said the other, taking out the sketch and handing it over. ‘Mr Tomkins showed me this.’
Colbeck unfolded the paper. ‘It’s a locomotive based on the Great Western Railway’s Firefly class,’ he said after only a glance. ‘It was designed by Daniel Gooch in 1840 and has proved a reliable workhorse. There are, however, some modifications. In some respects, it’s been simplified but there are also refinements that never existed on the original engine – that crown on the smokestack, for example.’
‘You seem very well-informed, Inspector.’
‘I’ve always loved trains.’
‘I thought I’d show this to every pawnbroker and silversmith in town just in case the killer is tempted to try and sell it.’
Colbeck handed the sketch back. ‘I think that’s highly unlikely,’ he opined. ‘How did Mrs Tomkins respond to the news that her coffee pot has gone astray?’
‘She was livid,’ replied Stockdale with a scowl. ‘Nobody had told her that she ought to separate the message from the messenger. She more or less accused me of betraying her.’
‘Did she give you any names?’
‘Not at first – she refused to believe that anybody in her circle could be implicated in any way. It was only when I put it to her that one of them might inadvertently have passed on details of the coffee pot to someone else that she deigned to think again. Mrs Tomkins eventually provided the names of two people with a particular interest in that silver coffee pot.’
‘Who are they?’
‘The first one is Martha Pryde – she’s the wife of Sir David Pryde, who owns the largest shipping line in Wales. Lady Pryde and Winifred Tomkins used to be very close but the frost seems to have got into that friendship. Heaven knows why,’ he went on. ‘I’d be interested to find out why the two of them fell out.’
‘Would it be relevant to the investigation?’
‘It could be, Inspector. Mrs Tomkins described Lady Pryde as acquisitive. I could add several other adjectives to that and none of them is very complimentary. Mrs Tomkins is only a well-bred harridan,’ he said, ‘whereas Lady Pryde is a venomous snake.’
‘What about Sir David?’
‘That’s the curious thing. When I was leaving, Mr Tomkins mentioned something that might have a bearing on the case.’
Colbeck raised an eyebrow. ‘Well?’
‘Leonard Voke, the silversmith, was recommended to them by no less a person than Sir David Pryde.’
‘Links of the chain are starting to join up,’ said Colbeck, tasting more whisky. ‘It must have been very galling for Lady Pryde if her former friend was boasting about a coffee pot locomotive made by someone suggested to her by Lady Pryde’s own husband.’
Stockdale chuckled. ‘Yes,’ he said, ‘I can imagine that Sir David got a flea in his ear for making that recommendation. Of course, that was at a time when they were friendly with Mr and Mrs Tomkins. Now they seem to be at daggers drawn. But,’ he added, ‘that’s not the only link in the chain. Another name was mentioned.’
‘Who was that?’
‘Miss Carys Evans.’
‘Do you know the lady?’
‘Every red-blooded man in Cardiff knows Miss Evans.’
‘An attractive young woman, then,’ guessed Colbeck.
‘She’s rich, unmarried and obscenely beautiful,’ said Stockdale, rolling a tongue around his lips. ‘Carys Evans is the sort of woman who turns heads wherever she goes and who puts naughty thoughts into the purest minds.’
‘And you say that she’s another link in the chain?’
‘She could be, Inspector.’
‘Why is that?’
‘One of the few compensations of this otherwise joyless life in uniform is that you get to know what happens beneath the surface of a town. That’s how I come to know that the two names given to me by Mrs Tomkins are intimately connected. In short,’ he said, leaning over to speak in a whisper, ‘Carys Evans is Sir David Pryde’s mistress.’
Leonard Voke was so heartbroken at the horrific news about his young assistant that he hardly slept a wink. When he was not recalling happier memories of Hugh Kellow, he was listening for the sound of any disturbance below. A silversmith’s shop was always likely to be a target for burglars so he had taken care to secure his property. The most valuable items were locked away in a safe but there was nothing on display in the shop itself that was inexpensive. Voke produced quality work and expected to be paid for it. What continued to bore into his brain like a red hot drill was the thought that his own son might, in some way, be connected with the crime. They had parted after an acrimonious row and the father had let his tongue run away with him. Had his harsh words provoked a lust for revenge? Was he indirectly responsible for Kellow’s murder? Such fears made any sustained slumber impossible.
Propped up on the pillows, he had an old musket across his lap, a relic of the days when his father had run the shop and kept the weapon in good working condition. The only time it had ever been discharged was when Voke Senior mistook the passing shadow of a policeman for a burglar about to enter the premises at night. Firing by instinct, he had shot out the shop window and sent glass in all directions. It was one of the many reasons why Leonard Voke prayed that he would not have to use the musket. Simply holding it, however, was a comfort and, if his silverware was being stolen, he would not hesitate to use the musket.
Fortunately, his proficiency with the weapon was never put to the test. A false alarm sent him creeping downstairs in the dark and he was mightily relieved to find the shop empty. It was half an hour before his heart stopped thudding. Dawn found him dozing fitfully. As soon as light penetrated the gap in the curtains, he came fully awake. Putting the musket aside, he got up, reached for his glasses, slipped on his dressing gown and opened the curtains. London was already wide awake, Carts, cabs and pedestrians were flashing noisily past. People were going to work or hurrying to the markets to get early bargains. The daily cacophony from yowling dogs, hissing cats and clattering hooves was set up. Leonard Voke yawned.
Grabbing a bunch of keys from a drawer, he put on his slippers and padded downstairs. He unlocked the door to the shop and saw, to his intense joy, everything safely in its place. It was the same in his workroom. Nobody had come, nothing had been touched. The sense of relief flooded through him and he chided himself for his anxieties. Just because someone had stolen Hugh Kellow’s keys, it did not mean that his silverware was in danger of being stolen. The killer might have no idea what locks the keys would open. Voke had had an almost sleepless night for nothing. It was only later, when he went to the safe to collect some items to put on display in the shop, that he discovered his relief was premature. Inserting two keys into their respective locks, he turned each in turn then pulled the heavy door back on its hinges.
