'You spoke to him?' she asked suddenly.
'To whom? Oh, to Harry?' returned Durrance. 'Yes, afterwards, when I found out it was he who was playing the zither.'
'Yes, how did you find out?' Ethne asked.
'The waltz came to an end. The old woman sank exhausted upon the bench against the whitewashed wall; the young man raised his head from his zither; the old man scraped a new chord upon his violin, and the girl stood forward to sing. Her voice had youth and freshness, but no other quality of music. Her singing was as inept as the rest of the entertainment. Yet the old man smiled, the mother beat time with her heavy foot, and nodded at her husband with pride in their daughter's accomplishment. And again in the throng the ill-conditioned talk, the untranslatable jests of the Arabs and the negroes went their round. It was horrible, don't you think?'
'Yes,' answered Ethne, but slowly, in an absent voice. As she had felt no sympathy for Durrance when he began to speak, so she had none to spare for these three outcasts of fortune. She was too absorbed in the mystery of Harry Feversham's presence at Wadi Halfa. She was listening too closely for the message which he sent to her. Through the open window the moon threw a broad panel of silver light upon the floor of the room close to her feet. She sat gazing into it as she listened, as though it was itself a window through which, if she looked but hard enough, she might see, very small and far away, that lighted cafe blazing upon the street of the little town of Tewfikieh on the frontier of the Soudan.
'Well?' she asked. 'And after the song was ended?'
'The young man with his back towards me,' Durrance resumed, 'began to fumble out a solo upon the zither. He struck so many false notes, no tune was to be apprehended at the first. The laughter and noise grew amongst the crowd, and I was just turning away, rather sick at heart, when some notes, a succession of notes played correctly by chance, suddenly arrested me. I listened again, and a sort of haunting melody began to emerge-a weak thin thing with no soul in it, a ghost of a melody, and yet familiar. I stood listening in the street of sand, between the hovels fringed by a row of stunted trees, and I was carried away out of the East to Ramelton and to a summer night beneath a melting sky of Donegal, when you sat by the open window as you sit now and played the Musoline Overture, which you have played again to-night.'
'It was a melody from this overture?' she exclaimed.
'Yes, and it was Harry Feversham who played the melody. I did not guess it at once. I was not very quick in those days.'
'But you are now,' said Ethne.
'Quicker, at all events. I should have guessed it now. Then, however, I was only curious. I wondered how it was that an itinerant Greek came to pick up the tune. At all events, I determined to reward him for his diligence. I thought that you would like me to.'
'Yes,' said Ethne, in a whisper.
'So, when he came out from the cafe, and with his hat in his hand passed through the jeering crowd, I threw a sovereign into the hat. He turned to me with a start of surprise. In spite of his beard I knew him. Besides, before he could check himself, he cried out 'Jack!''
'You can have made no mistake, then,' said Ethne, in a wondering voice. 'No, the man who strummed upon the zither was-' the Christian name was upon her lips, but she had the wit to catch it back unuttered-'was Mr. Feversham. But he knew no music I remember very well.' She laughed with a momentary recollection of Feversham's utter inability to appreciate any music except that which she herself evoked from her violin. 'He had no ear. You couldn't invent a discord harsh enough even to attract his attention. He could never have remembered any melody from the Musoline Overture.'
'Yet it was Harry Feversham,' he answered. 'Somehow he had remembered. I can understand it. He would have so little he cared to remember, and that little he would have striven with all his might to bring clearly back to mind. Somehow, too, by much practice, I suppose, he had managed to elicit from his zither some sort of resemblance to what he remembered. Can't you imagine him working the scrap of music out in his brain, humming it over, whistling it uncounted times with perpetual errors and confusions, until some fine day he got it safe and sure and fixed it in his thoughts? I can. Can't you imagine him, then, picking it out sedulously and laboriously on the strings? I can. Indeed, I can.'
Thus Ethne got her answer, and Durrance interpreted it to her understanding. She sat silent and very deeply moved by the story he had told to her. It was fitting that this overture, her favourite piece of music, should convey the message that he had not forgotten her, that in spite of the fourth white feather he thought of her with friendship. Harry Feversham had not striven so laboriously to learn that melody in vain. Ethne was stirred as she had thought nothing would ever again have the power to stir her. She wondered whether Harry, as he sat in the little bare whitewashed cafe, and strummed out his music to the negroes and Greeks and Arabs gathered about the window, had dreamed, as she had done to-night, that somehow, thin and feeble as it was, some echo of the melody might reach across the world. She knew now for very certain that, however much she might in the future pretend to forget Harry Feversham, it would never be more than a pretence. The vision of the lighted cafe in the desert town would never be very far from her thoughts, but she had no intention of relaxing on that account from her determination to pretend to forget. The mere knowledge that she had at one time been unjustly harsh to Harry, made her yet more resolved that Durrance should not suffer for any fault of hers.
'I told you last year, Ethne, at Hill Street,' Durrance resumed, 'that I never wished to see Feversham again. I was wrong. The reluctance was all on his side and not at all on mine. For the moment that he realised he had called out my name he tried to edge backward from me into the crowd, he began to gabble Greek, but I caught him by the arm, and I would not let him go. He had done you some great wrong. That I know; that I knew. But I could not remember it then. I only remembered that years before Harry Feversham had been my friend, my one great friend; that we had rowed in the same college boat at Oxford, he at stroke, I at seven; that the stripes on his jersey during three successive eights had made my eyes dizzy during those last hundred yards of spurt past the barges. We had bathed together in Sandford Lasher on summer afternoons. We had had supper on Kennington Island; we had cut lectures and paddled up the Cher to Islip. And here he was at Wadi Halfa, herding with that troupe, an outcast, sunk to such a depth of ill-fortune that he must come to that squalid little town and play the zither vilely before a crowd of natives and a few Greek clerks for his night's lodging and the price of a meal.'
'No,' Ethne interrupted suddenly. 'It was not for that reason that he went to Wadi Halfa.'
'Why, then?' asked Durrance.
'I cannot think. But he was not in any need of money. His father had continued his allowance, and he had accepted it.'
'You are sure?'
'Quite sure. I heard it only to-day,' said Ethne.
It was a slip, but Ethne for once was off her guard that night. She did not even notice that she had made a slip. She was too engrossed in Durrance's story. Durrance himself, however, was not less preoccupied, and so the statement passed for the moment unobserved by either.
'So you never knew what brought Mr. Feversham to Halfa?' she asked. 'Did you not ask him? Why didn't you? Why?'
She was disappointed, and the bitterness of her disappointment gave passion to her cry. Here was the last news of Harry Feversham, and it was brought to her incomplete, like the half sheet of a letter. The omission might never be repaired.
'I was a fool,' said Durrance. There was almost as much regret in his voice now as there had been in hers; and because of that regret he did not remark the passion with which she had spoken. 'I shall not easily forgive myself. He was my friend, you see. I had him by the arm, and I let him go. I was a fool.' And he knocked upon his forehead with his fist.
'He tried Arabic,' Durrance resumed, 'pleading that he and his companions were just poor peaceable people, that if I had given him too much money, I should take it back, and all the while he dragged away from me. But I held him fast. I said, 'Harry Feversham, that won't do,' and upon that he gave in and spoke in English, whispering it. 'Let me go, Jack, let me go.' There was the crowd about us. It was evident that Harry had some reason for secrecy; it might have been shame, for all I knew, shame at his downfall. I said, 'Come up to my quarters in Halfa as soon as you are free,' and I let him go. All that night I waited for him on the verandah, but he did not come. In the morning I had to start across the desert. I almost spoke of him to a friend who came to see me start, to Calder, in fact-you know of him-the man who sent you the telegram,' said Durrance, with a laugh.
