stationery the whole time he was stationed in Germany. Emmet did take over Mason’s Hardware in 1976, when Daddy Earl had his stroke, but by then he had lost interest in the commercial possibilities in Chandler Grove, Georgia.
“Let’s sell the store and go to California!” he’d say.
Clarine said she hadn’t lost a thing in the state of California.
“Life’s just passing me by here in the sticks!” Emmet would sigh. “I know I could make it as an actor.”
Emmet had played the role of Emily’s father in the Chandler Grove production of
Emmet followed up that success with a portrayal of James Oglethorpe, founder of the colony of Georgia, in the town pageant. After that, he figured the only thing keeping him out of the movies was geo graphical inconvenience.
Clarine said relocating was out of the question because she didn’t want to star in a real-life documentary about damn-fool Georgians caught in a California earthquake that they hadn’t ought to be in. And besides, there was her mother to think of, past seventy and suffering from arthritis. No, Clarine insisted, there were too many family obligations-not to mention the Mason family business-to keep them in Chandler Grove, and she wasn’t going to see Emmet throw it all away trying to become another Bob Eubanks.
She had been right, too, she thought, scowling at Emmet’s smarmy Kodachrome smile.
Look what had come of that.
The day before Emmet was due back, Clarine received a phone call from the California Highway Patrol, telling her that Emmet had been killed in a car wreck on the Ventura Freeway. The accident had been so bad that the car caught fire, the officer told her. There wasn’t much left of Emmet J. Mason. Did she want him cremated?
Before she thought about it, Clarine blurted out, “You might as well. A little more heat won’t matter to Emmet at this point.”
So they had. A couple of days after the phone call, the UPS truck had pulled up in the yard and the man made her sign for a heavy package, about the size of a shoe box, wrapped in brown paper. When Clarine took it in the house and unwrapped it, she found a blue-flowered ginger jar with a note attached that said:
Clarine put Emmet on the mantelpiece between the carved-oak rooster clock and the silver-framed photograph. For a long time she was too shocked to feel much of anything, except an occasional flare of anger when she looked at the jar. Gradually she came to realize that Emmet had probably died happy, pursuing his silly fantasy of stardom, and that she didn’t miss him all that much. So she sold the hardware store, banked the life-insurance money, and lived as frugally as she could, because she didn’t want to run out of money in her old age. She’d never had a job in her life; couldn’t even balance a checkbook till Emmet’s death forced her to learn. She didn’t want to have to clean other people’s houses for slave wages when she was old and feeble, so she did all the chores herself, and she watched every penny.
She was about to get up and dust the mantelpiece when the telephone rang. Clarine hurried out into the hall and got it by the third ring. “Hello?”
“Mrs. Mason,” said an unfamiliar voice, notably lacking a Southern accent.
“Yes,” she said warily, ready to slam down the receiver at the first sign of a sales pitch.
“Wife of Emmet J. Mason?” he continued.
“Yes.” She didn’t bother to correct him. Best not to let strangers know you lived alone. Maybe she’d won a sweepstakes, she thought.
“This is Sergeant Gene Vega of the California Highway Patrol. I’m sorry to have to tell you that your husband Emmet J. Mason was killed in an auto accident here this morning…”
“What,
Sheriff Wesley Rountree was reading this week’s edition of the
Wesley glanced at his coffee cup. It was nearly full, and he was already past the high point of the issue: the irate letter to the editor from Mr. Julian, the local curmudgeon.
Deputy Clay Taylor, on the other hand, was already on his second cup of herbal tea, deeply immersed in a crime novel. He was hunched over his desk, his rimless glasses teetering midway down his nose, lips pursed, as he turned the page of the thick paperback entitled
Wesley turned a page of the newspaper. “I see where the Chandlers’ niece is getting married,” he remarked. “I think we met her during the Chandler case, didn’t we? The one that kinda resembled Linda Ronstadt.”
Clay Taylor refused to rise to the conversational bait. He turned another page.
“Says here she’s studying forensic anthropology in graduate school. I used to think that meant analyzing the way different cultures talked, because back when I was in high school, speech class was called forensics. Turns out it means analyzing human remains. Interesting sort of job.”
With an absent nod in the direction of his boss, the deputy turned another page.
The reply was a grunt from behind the cover of
“No picture, though. Marshal Pavlock has written up the Halliburtons’ account of how they called you to save them from the wild animal in their cellar. Listen here:
With a weary sigh, the aforementioned intrepid deputy marked his place in his novel with a parking ticket and listened to Wesley’s dramatic reading. “I wish he hadn’t run that story,” he said.
Wesley chuckled. “Why not? It’s a corker.
Wesley took a sobering sip of black coffee. “What do you want to read that thing for anyhow?” he asked.
“It’s a modern parable of good and evil, full of riveting authenticity about the deadly game in the inner cities,” said Clay, consulting the back cover for blurbs.
“Oh crap,” said the sheriff. “It’s a male romance novel is what it is.”