sobriety wore out, some of the braver souls began to exchange pleasantries across professional lines, and by midnight, the room had become one large mob of pros, driving less determined tourists to their rooms to contemplate The Best of Carson.

Sarah Ashley, agent for Ruben Mistral and architect of the Lan-thanides package, had hosted a prime-rib dinner for the group earlier in the evening, but she had wisely refrained from discussing business except to say that she for one felt privileged to be present at the making of a science fiction legend. After dinner, she had thanked everyone again for coming to the party and had gone up to her room, leaving the pack to speculate on the next day's events.

They had managed to avoid the subject for a good two hours, but finally weariness with the usual topics prevailed, and an Australian with one of the tabloids called out, 'What do you make of this bit of grave robbing that's going on tomorrow?'

'The Dante Gabriel Rossetti syndrome,' said Lily Warren, an editor who got her start in publishing with a university press.

'What has baseball got to do with it?' asked the USA Today reporter.

Lily winced. 'Rossetti was a nineteenth-century English poet. When his wife died, he buried some of his unpublished work with her, and then about a year later he… went back and dug them up again.'

'Geez,' said USA Today. 'Is anybody buried with the time capsule?'

The tabloid reporter had pulled out his pocket notebook and was already composing his lead.

'I wonder if Sarah Ashley would consider splitting up the package,' mused Enzio O'Malley, one of the New York editors.

Lily Warren shook her head. 'She'd be crazy to agree to that. Think of the publicity value in the time-capsule anthology story! Every book club in the country will grab it, for starters. Then there's the other sub rights. Films, foreign-'

O'Malley sighed. 'I know, but I was thinking in terms of actual literary merit.' He ignored the snickering of his colleagues. 'You see, we own Brendan Surn's back list, and he really is one of the great writers of the genre.' More snickering. 'I was thinking that it might be nice to acquire just his story-for a lot less money, of course-and put it in a new anthology of his short fiction.'

'No way,' said Lily. 'The package is too valuable as a whole. Besides-' She hesitated.

'Exactly,' said O'Malley. 'Selling that piece would gut the whole collection, because Surn's story might be the only thing in there that isn't crap.'

'Oh, come on!' another editor protested. 'Surely, Curtis Phillips-'

'Curtis Phillips was a fruitcake, and you can never tell whether he was being brilliant or deranged on this particular writing binge. Suppose he just raves for twenty pages? And most of the other contributing authors were one-book wonders, whose early work may turn out to be worthless.' Enzio O'Malley downed the last of his beer. 'Sarah's asking us to take a hell of a gamble here. I'd buy anything of Surn's in a minute, but the whole package? I don't know.'

'Suppose it isn't any good?' asked another editor.

Lily Warren chuckled. 'Goodness has nothing to do with it. The very act of paying serious money for this collection in an auction will make it famous, and the publicity generated by this reunion is priceless. Half the country will know about this collection months before the pub date. By the time the publisher runs major ads, books the old geezers on the morning talk shows, and intimidates the sales force with a six-figure print run, every rube in America will have heard of it, and thousands of them will buy it for the novelty value alone. Didn't The Satanic Verses sell big, despite the fact that no one actually read it? Oh, this time-capsule gimmick will sell, all right. Sarah Ashley is no fool when it comes to marketing.'

O'Malley stared mournfully into his empty beer mug. 'The critics will savage it, and the S-F crowd, which is notoriously poor, will wait for the paperback, and you'll have to eat fifty thousand hardcover copies of a shit-awful book,' he said mournfully.

The other editors fell silent. Enzio O'Malley's pessimistic, and probably accurate, assessment of the package had brought an unpleasant note of reality to the revels. For a moment they were forced to contemplate whether they actually ought to be trying to publish good books, instead of shilling for hyped books. But the feelings of gloom were brief, and almost instantly succeeded by a universally held conviction that Enzio O'Malley's negative comments were designed to throw them off the scent. Obviously, he had been issued firm orders by his publishing masters to acquire the time-capsule anthology at any cost. Silently they began to wonder what kind of money or treachery it would take to beat him out of it.

Jay Omega couldn't sleep. The party in the coffee shop had broken up an hour ago, and now the hotel was dark and quiet. He lay on the side of his bed, unable to relax, listening for night sounds and replaying the day's events in his head. Marion, unused to Lakecrest beer and long hours, was sleeping peacefully, but Jay was still wide awake. He thought he might have been able to fall asleep if he could have lain in bed and read a hard-science fiction novel, full of technical monotony, but the light would have disturbed Marion. He told himself that he needed to sleep because of the eventful day that would begin in just a few hours, but that only made him more alert. The more he pursued oblivion, the more restless he became. Finally, giving in to his own anxieties, he slipped on his jeans and sweatshirt and crept from the room. Perhaps a walk in the cool night air would calm his thoughts and allow him to sleep.

He crossed the deserted lobby and left the building, with the glass door swinging noiselessly behind him. The moon shone above the ridge of oak trees, and the air was crisp and cool, but the parking lot smelled of oil and burnt rubber. It was not a place he wanted to linger. Jay hurried away from it and found the path through the rhododendrons that led down to the edge of the lake. Now the steep moss-strewn trail ended in a gully of dry red clay, ringed like redwoods from the lapping waters of the receding Watauga.

Jay stood alone in the darkness, thinking that it was quiet, because like most country people he didn't register the ceaseless whine of crickets as noise. He looked up at the full moon, a small silver disk hanging above the distant hills, and saw it only as a dry lake bed suspended in the black sky. It illuminated the few clouds hovering near it, but there was no reflecting shine from the dark emptiness of Breedlove Lake, no response from the dead land.

Jay felt a disquieting urge to walk forward into the dark basin of the lake without caring where it would take him or whether he came back at all. Such moodiness was rare for James Owens Mega. Usually, he dealt logically with problems that he could solve, and he wasted little time fretting over the rest, but the Lanthanides troubled him. They seemed to him to be various projections of his own future: Erik, the sedentary academic who had given up writing; Mistral, the Hollywood mogul who had turned his hobby into an empire, and was universally accused of selling out; or George Woodard, who had allowed his alternate universe to consume his life, and lived in poverty and failure as a result. He supposed that Brendan Surn was the most enviable of the company, but he, too, presented a grim specter of a writer's future: obviously suffering from some mental impairment, he lived alone and friendless, except for his various business caretakers and the young nurse/companion who looked after him. Jay could see himself in any of those existences, and he did not like what he saw. Do writers live happily ever after, he wondered.

He was still pondering that waking nightmare when he heard footsteps on the path above him, coupled with the sound of rhododendron branches being brushed aside. The crickets fell silent. At last the figure stepped out from the shadows of the trees, and Jay could see the dark, emaciated figure of Pat Malone wending his way carefully over the rocks and coming toward him.

'You couldn't sleep, either,' he called out softly to Malone.

The older man shrugged. 'No. You're the young engineer, aren't you? I thought there would be a lot of sleepless people tonight, but I wasn't expecting one of them to be you.'

Jay Omega sat down on the concrete ramp that had been a boat dock. Now it lay two hundred yards up from the shallows of the receding lake. 'My sleeplessness wasn't on your account,' he told Malone. 'I was contemplating my own mortality, I guess.'

'You could always come back from the dead,' came the reply from the shadows. 'I did.'

'It's odd that you should turn up. I was just wondering what you had been doing for the last thirty years,' said Jay. He explained his feelings about the other Lanthanides, and his own unwillingness to become like any of them in succeeding decades. 'I had hoped that your life turned out happier than theirs,' he concluded, straining in the darkness for a glimpse at Pat Malone's expression.

Вы читаете Zombies of the Gene Pool
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