“Real estate in Atlantic City. A horse farm somewhere, film companies…”
“Moxie, the figures mean nothing to you. They wouldn’t mean anything to me either. The way these business types do up their figures is meant to baffle all normal human beings.”
“Fletch,” she said like a scared child. “I am millions of dollars in debt. To the banks. To the Internal Revenue Service.”
She turned her chair and looked out the window.
Fletch gave her the moment of silence.
Frederick Mooney had opened another bottle from his flight bag and had poured into a champagne glass.
“Oh, look,” Moxie said finally. “The moon is rising.”
“It is?” Fletch said.
“Perfect timing.”
He leaned forward to look through the window. The moon really was rising. “How very romantic of me.”
“Right in the right spot in my window, too,” she said. “Mister Fletcher, are you trying to seduce me?”
“No. You’re too drawn and haggard.”
She shrugged. “It’s always the ones I’m attracted to who won’t have me.”
After a while, Fletch asked, “What did Steve Peterman say when you confronted him with all this?”
“Just what you said. That I didn’t know what I was talking about, everything was too complicated for me to understand, that after principal photography of the film was over he’d go over the books with me and explain everything.”
“And the Internal Revenue Service?”
“He said he’d take care of that.”
“And you left everything that way?”
“I spent a week trying to find you. I asked you to come down.”
“I’m not an accountant. I wish I were. I see three figures together and suffer vertigo.”
“I needed a shoulder to cry on.”
“I’ve got two of them.”
“Also, Fletch, I hate to speak well of you to your face but you did have one or two successes as an investigative reporter.”
“Only recognized as such in retrospect, I fear.”
“You’ve told me a few things you’ve done.”
“Anything to while away the time.”
“I thought maybe I’d get your opinion of Steve Peterman.”
“He was an annoying son of a bitch.”
Frederick Mooney swiveled around in his chair, to face them. “How could I have been seeing Broadway?” he asked.
“That’s a good question,” Fletch answered.
“We’ve been flying over Broadway,” Frederick Mooney told his daughter. “The Great White Way. The Star Spangled Street. The Magnificent Road Of Light In An Ocean Of Darkness.”
“Oh,” Fletch said. “We’ve been flying over the Florida Keys.”
“Well, young man.” Frederick Mooney burped. “I suspect we’re about to land on Herald Square.”
9
“Fletch! What have you done?”
“What do you mean, what have I done?”
In the dark, Moxie was squinting at the airport where they had landed. “Where are we?”
“Here.”
“We’re not in Fort Myers.”
“We aren’t?” He was trying to hustle Moxie and Frederick Mooney from the airplane to the taxi stand. Unfortunately there were signs in all the appropriate places saying KEY WEST.
“We’re in Key West!” Moxie said.
“We are?” Fletch took Mooney’s clanging flight bag from him. “Darned pilot. Must have landed us in the wrong place.”
“Union Square?” enquired Mooney.
“What are we doing in Key West?”
Fletch was walking them around the terminal rather than through it. “You said you were tired of Route 41.”
“So?”
“All roads end in Key West. Usually in a pile-up.”
There were two taxis at the stand.
“Fletch,” Moxie said seriously. “That woman. The Chief of Detectives. She told us not to leave the Fort Myers area. At least she told me not to leave the Fort Myers area.”
“She mentioned something of the same to me, too.”
Moxie faced Fletch on the sidewalk. “Then what are we doing in Key West?”
“Escaping.”
“We were told—”
“That has no force in law, you know.”
“It hasn’t?”
“No. It hasn’t. We’re not out on bail, or on parole. We haven’t been charged with anything.”
Frederick Mooney was climbing into the backseat of a taxi.
“Are we fugitives from justice?” she asked.
“Ah, that we may be. It’s just that if you run away under such circumstances people are more apt to think you’re guilty.”
“And we’ve run away. Great.”
“Well, hell, Moxie, aren’t you guilty?” Her eyes went from him to the patient taxi driver to Mooney’s dark bulk in the backseat. “Not too many people had the opportunity, given the unique circumstances which then prevailed, of sticking ol’ Steve. Up there—” Fletch pointed to the sky, “—you gave heavy enough reasons for killing him to bring the airplane down anywhere. Opportunity,” Fletch said. “Motive,” Fletch said.
“You mean I shouldn’t have told you all that?”
“Justification,” Fletch said. “Sounded a milimeter away from a confession, to me.”
For a moment under the arc lights, Moxie Mooney almost looked drawn and haggard.
“Come on,” Fletch said. “Let’s go with Freddy. Otherwise, he might not know where he’s going.”
Moxie sat between them in the backseat of the taxi.
“The Blue House,” Fletch said to the driver. “On Duval Street.”
The taxi started off.
To Moxie, Fletch said, “I’ve borrowed a house. From a friend.”
Mooney took a drink.
“Listen,” Fletch said to Moxie. “A few days of peace and quiet…”
Moxie got out of the taxi while Fletch was paying the driver through the side window. She looked up at the lit house.
“Irwin,” she said. “This Blue House is not blue.”
“It isn’t?”
“Am I going crazy? Even in this light I can tell this Blue House is not blue.”
Fletch helped Frederick Mooney out of the taxi.
“Key West is an eccentric town,” Fletch said.
“Doubt you’ll be here long enough to get used to it.”
Moxie hesitated on the sidewalk. She raised her head and spoke to the sky. “What am I supposed to do?”
