what I'm meant to do.'
'Baby, you're twelve. How can you be meant to do anything?'
Her eyes snap to mine and fill with a coolness that shuts me up fast. Right now, she looks anything but twelve.
'Do you know the first thing I see, every time I close my eyes?' Her voice is calm, soothing, almost singsong. 'I see my mother's dead face. Just like I saw it for those three days when I was tied to her.' She stares off at nothing and everything, remembering. 'She was stuck in a scream. I cried on her a lot the first day. I remember feeling bad about that, because some of my tears went into her eyes and I thought that that just wasn't right, she couldn't brush them away or anything. Then I stopped crying and I started trying to sleep. I pretended like she wasn't dead, and she was just holding me. It even worked, for a little while. Until she started to smell. After that, it was all grays and blues and blacks. I paint those colors sometimes and think about that last day, because that last day wasn't real, but it was the most real day of all. When I dream about that last day, all I dream about is screaming and rain.'
These words transfix me. When I can speak again, my voice is rough with grief. 'I'm sorry, Bonnie. So so so so sorry.'
She comes back to the present. Her eyes lose that faraway coolness, that
'Yes,' I manage. 'Good steaks.'
'Yeah, and that's small, but it's also everything, you know?'
'I do, babe.'
'But the thing with my mom
I don't want to forget. I think the day I can't remember how my mom looked in that room is the day I'll really be in trouble.'
The simple mature wisdom of what she's saying takes the keen edge off the saw blade that had been attacking my heart. She's right. I used to think that if I stopped mourning Matt and Alexa, I was killing them all over again. I came to realize that suffering was not a requirement, not even guilt; remembering was enough. But--and here is the ocean-sized caveat--remembering is
'I understand,' I tell her.
She smiles at me. 'I know you do. So you should understand why I want to do what you do.'
'Because of what happened to your mom.'
Those cool, oh-too-speculative eyes are back. The twelve-year-old is gone again.
'Not just my mom. Because of what happened to me. Because of what happened to you. Because of what happened to Sarah.'
Sarah was the living victim of a case I'd been involved in a few years back. Even though she is six years older than Bonnie, they have found kinship in tragedy and remain close friends.
'Everyone I love most knows that the monsters are real, MommaSmoky. When you know they're real, you can't pretend anymore, and you have to do something about it.'
I stare at her. I don't want to hear these words coming from that mouth.
God, I hate this conversation. And you know what? I'm going to lose this argument. Because these wheels were put in motion the moment Bonnie was tied to her gutted mom and left there to change into what she is now.
It makes me sad. I've been living in a fantasy world, hoping that Bonnie would grow into a normal life, a normal job, get the white picket fence and the dog. Who had I been kidding?
Not her, that's for sure.
I sigh. 'I understand, babe.'
I may not like it, but I do.
'Going to a regular school is a part of that. I can't understand the monsters, not really, if I don't understand normal people, you know?'
And you're not one of the normal people, babe?
I think it, but do not ask it. I don't want to hear her answer.
'I thought maybe it was so you could make some friends your own age.'
'But
It finally happens, against my will. That little tidbit is enough to bring a tear. Just one. It rolls down my cheek in a straight line. Bonnie's face scrunches up in concern and she reaches her hand out to wipe it away.
'I'm sorry, I didn't mean to make you sad.'
I clear my throat. 'I don't ever want you to tell me anything less than the truth. However it makes me feel.'
'But you shouldn't feel bad. I could be dead. I could be in a mental institution. I could still be screaming in the middle of the night--
remember that?'
'Yes.'
We both used to do it, sometimes in stereo. Nightmares would walk us into memory and we'd wake up screaming ourselves hoarse.
'So things are better, see? I don't want you to think I'm not happy.'
She manages to drill down with that, to put words to the greatest, most basic mother-fear.
'Are you, babe? Happy?'
I'm a little shocked at the miserable, desperately hopeful sound of my own voice.
She gives me a new smile now, one that's unfettered, unadulterated, no fog, no screams or rain or cold, cold eyes. Just twelve-year-old cloudless blue-sky sunshine, the most beautiful sun there is.
'Eight days out of ten, Momma-Smoky.'
I remember what Alan said earlier, and know that he was right. Count your blessings is a cliche, but only because it's so damn true. Bonnie is here, Bonnie is beautiful, intelligent, talented, she talks, she doesn't fear life or wake up screaming in the night. Yes, she's been changed by what happened to her, but she hasn't been broken, and in the end, that's the biggest blessing of all. Almost a miracle, really. I grab her and hug her to me.
'Okay, okay. But can you wait till next fall? Finish out this year with Elaina?'
'Yes, yes, yes, thank you, thank you!'
I know the decision is the right one, because those squeals of delight are pure twelve-year-old again. We spend the rest of the night wrapped in normalcy, doing nothing much, just enjoying each other's company. For a little while, I don't worry if someone's dying.
Somehow, the world turns on without me.
I WAKE UP TO THE insistent buzz of my cell phone. I check the caller ID with bleary eyes. Alan.
'It's five A.M.,' I answer. 'Can't be good.'
'It's not,' he says. 'The shit's about to hit the fan.'
P A R T TWO
THE STORM
21
'I GOT A CALL FROM ATKINS. HE SURFS A LOT OF THOSE VIRAL video sites--'
'Come again?' I ask.
'Websites that allow users to post video clips,' James explains.