'Charlie?'

'Charlie Chan you know, the guy from that old black and white movie. That's not his real name, of course, just what people call him here. Not to his face, God forbid. His real name is Oscar Choi.'

'I like Charlie Chan a lot better,' I said.

'Suits him.'

Aaron nodded.

'For sure, he doesn't look an Oscar to me neither.'

What do you know about him?'

'He's really well known here. He's a very generous guy, plays the all-round good citizen thing patron of the arts, that kind of stuff. In fact, he funds the degree course I get to lecture on.'

This wasn't sounding much like a teenager.

'How old is he?'

'Maybe a bit younger than me. Say early fifties.'

I started to get a little worried.

'Does he have a family?'

'Oh, yeah, he's a big family man. Four sons and a daughter, I think.'

'How old are the kids?'

'I don't know about the older ones, but I know the youngest son has just started university. Chose a good course environmental stuff is cool right now. I think the others work for him downtown.'

My head was thumping big-time. I was finding it hard to concentrate. I got my fingers under the glasses and tried to get my eyes working.

Aaron obviously had views on the Chinaman.

'It's strange that men like him spend all their lives slashing, burning, pillaging to get what they want. Then, once they've amassed all their wealth, they try to preserve everything they used to try to destroy, but underneath never change. Very Viking, don't you think, Nick?'

What is he, a politician?'

'Nope, doesn't need to be, he owns most of them. His family has been here since the labourers started digging the canal in 1904, selling opium to keep the workers happy. He has his fingers in every pie, in every province and in everything from construction to 'import and export'.' Aaron gave the quote sign with his right forefinger.

'You know, keeping up the family tradition -cocaine, heroin, even supplying arms to PARC or anyone else down south who has the money.

He's one of the very few who are happy about the US stand-down. Business is so much easier to conduct now we've gone.'

He lifted his left hand from the steering-wheel and rubbed his forefinger and thumb together. This has many friends, and he has plenty of it.'

Drugs, guns, and legal business, it made sense: they usually go hand in hand.

'He's what my mother would have called 'someone's wicked son' he's smart, real smart. It's a well-known story round here that he crucified sixteen men in Colombia. They were local-government people, policemen, that kind of thing, trying to cut him out of a deal he'd made with them for moving coke. He had them nailed up in the town square for everyone to see and let them die someone's wicked son for sure.'

A chain-link fence line started to appear on the right.

This is,' he corrected himself once more, 'was Fort Clayton.'

The place was deserted. Through the fence was a line of impressive military buildings. The white flagpoles were empty, but still standing guard in front of them were perfect rows of tall, slim palm trees, the first four feet or so in need of another coat of whitewash.

As we drove further on, I could see the same accommodation blocks that were at Albrook, all positioned in a neat line with concrete paths crisscrossing the uncut grass. Road signs were still visible telling troops not to drink and drive, and to remember they were ambassadors for their country.

We lapsed into silence for a few minutes, surveying the emptiness.

'Nick, do you mind if we stop for a Coke? I'm feeling pretty dry.'

'How long is it going to take? How far until we get to Charlie's place?'

Maybe another six, seven miles after the Coke stop. It's only a few minutes off the route.'

Sounded good to me: I was going to be having a long day.

We passed the main gate of the camp and Aaron sighed. The bold brass letters that were secured to the entrance wall now just read 'Layton'. 'I think they're going to turn it into a technology park, something like that.'

'Oh, right.' Who cared? Now he'd talked about it, all I wanted was a drink, and maybe an opportunity to find out more from him about the target house.

TWELVE

We stayed on the main drag for maybe another half-mile before turning left on to a much narrower road. Ahead of us in the distance, on the high ground, I could just make out the superstructure and high load of a container ship, looking bizarre as it cut the green skyline.

That's where we're heading, the Miraflores locks,' Aaron said.

'It's the only place round here to get a drink now everyone moving along this road comes here, it's like a desert watering-hole.'

As we started to reach the higher ground of the lock a scene unfolded that made me wonder if Clinton was about to visit. The place was packed with vehicles and people. A line of brightly coloured buses had brought an American-style marching band and eighteen-year-old baton twisters. Red tunics, white trousers and stupid hats with feathers sticking out were blowing into white enamelled trombones and all sorts as the baton girls, squeezed into red leotards and white knee-high boots, whirled their chrome sticks and streamers. It was a zoo up here: teams putting up bunting, unloading fold-up wooden chairs from trucks, lumbering around with scaffolding poles over their shoulders.

'Uh-oh,' Aaron sighed, 'I thought it was going to be on Saturday.'

'What?'

The Ocaso.'

We drove into the large wired compound, jam-packed with private vehicles and tour company MPVs, around which were dotted some smart and well-maintained colonial-style buildings. The sounds of brass instruments tuning up and fast, excited Spanish poured into the cab.

'Not with you, mate. What's the Ocaso?'

It's a cruise liner, one of the biggest. It means sunset in English. Two thousand passengers plus. It's been coming through here for years, runs out of San Diego to the Caribbean.'

While trying to find a parking space, he checked out some posters stuck up along a chain-link fence.

'Yeah, it's this Saturday, the four hundredth and final transit. It's going to be a big deal. TV stations, politicians, some of the cast of The Bold and the Beautiful will be on board that show's a big deal here.

This must be the dress rehearsal.'

Just a few metres past the buses and chain-link, I caught my first glimpse of the enormous concrete locks, flanked by immaculately cut grass. None of it looked as breathtaking as I'd been expecting, more a hugely scaled-up version about three hundred metres long and thirty wide of any normal-sized set of canal locks.

Manoeuvring into the first lock was the rust-streaked blue and white ship, five storeys high and maybe two hundred metres long, powered by its own engines but being guided by six stubby-looking but obviously powerful aluminium electric locomotives on rails, three each side. Six cables slung between the hull and the lo cos four at the rear, the other two up front, helped guide it between the concrete walls without touching.

Aaron sounded off with the tour-guide bit as he squeezed between two cars.

'You're looking at maybe six thousand automobiles in there, heading for the west coast of the States. Four per cent of the world's trade and fourteen of the US's passes through here. It's an awesome amount of traffic.' He gave a sweep of his hand to emphasize the scale of the waterway in front of us.

'From the Bay of Panama here on the Pacific side up to the Caribbean, it only takes maybe eight to ten hours. Without the canal you could spend two weeks sailing round Cape Horn.'

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