composure, all icy cold. Placid. Calm and unruffled. But what you saw had in fact become what he was. Empty. Over the years the slaughterer's trade had taken his humanity from him. Spain was a hollow man.
Mr. Cipher. Blank stare. Distorted, flat vision. Bullet-proof sensibility, scarred soul, Wizard of Off. Death-man. This was the shell who answered the phone to hear the voice of Mel Troxell, flying in from Cleveland with bad news.
Spain made him tell it on the phone, of course, and listened to the entire report without interrupting. When Troxell was through, he simply thanked him and told him that he would see him when he got to St. Louis tomorrow.
At least Mel Troxell had the balls to bring the report and hand over his bill in person. For Spain's exorbitant bill from the P.I. firm he got a list of names and a small canister of film that he could not bring himself to watch. The list had cost Troxell a bundle. The report was as good as anything Spain had ever attempted himself. Maybe better. Beyond thorough. Meticulously double-referenced. Triple-checked. This guy's people were damn good. It was worth the money.
The man who called himself Spain answered a few questions, asked many, many more. He surprised Troxell with his coldness and lack of tears. He took the news like a man with a heart of stone. Clearly he felt something, but he must be one of those who chose to keep their grief a private matter. He would do his crying alone. Mel Troxell had broken his share of bad news to people, and his impression was that Spain would be able to deal with it. The only part he had any reservations about was the final payoff.
Then it became Spain's turn to talk. He knew instinctively that Troxell would have to be convinced, and he dredged up reserves of inner strength and managed a consummate piece of playacting. He knew the degree of conviction he would have to show to convince a pro like Troxell that he was incapable as a father of following through on the case. He would use the tools of the Method actor and let the report itself trigger his scene. It wouldn't be that tough. As soon as he heard who was involved he could feel the flood-gates starting to burst inside.
His own people. HIS OWN FUCKING PEOPLE had killed her. Oh, not directly. Those were punks. Nobody types on the outer rim of the mob. But they were working for his own fucking family. Ciprioni. The old man Sally Dago's people. Those sons of bitches. He could feel himself reddening with the madness of it. It was all he could do to think he wanted to taste the revenge so badly. He fought to stay cool as Troxell took him through the report of his daughter's murder.
It was critical that Troxell bought the scene so he took it by the numbers, drawing him out on details as he imagined a 'normal father' would in such circumstances. It was easy to do. His emotions were those of any father. Grief. Bitter sadness. Disbelief. Violent rage. Then crushing heartbreak. He feigned confusion at the chain of command, trying his best to muddy the waters with Mel Troxell wherever he could with regard to who was guilty.
'Do you mean those boys — those
'Yes, that's exactly what they did.' Troxell began explaining the sticky, red trail of abuse, torture, and death that began with the boys Dawkins and Nunnaly, and led into the sordid milieu of the most depraved porn merchants, and Spain winced as he heard names he knew so well. Punks who worked for the family. He had to fight from snarling at the name 'Blue Kriegal.' That piece of shit. He was
Dagatina in only the most remote way, but of course Troxell had no way of knowing that. The family
' — understand what I'm telling you, here.' Troxell's tone jolted him and he said, shaking his head in confusion, 'All these
'In a general sense we all are. Anybody who buys a videocassette that contains pornography is feeding that business. But this was a special subbranch of that particular world. Child porn is a bigger industry than most of us think. It has a relatively small but intensely active production and distribution chain. It is obviously aimed at the underground. The home market and the illegal subculture — and it's within that distribution and manufacture that the industry is tied to organized crime. The men who killed your daughter — Morales the cameraman, and Belmonte the packager, and, if you want to call him that, the producer — were making a snuff film for an outfit that is run by a man named Kriegal. He controls production for much of the mid-western and southern states.'
'If his identity is known, why don't the police arrest him?'
'It's not that easy. He's like most of the smart mob people now. He stays sufficiently insulated from the actual criminal acts that he remains just out of reach so far as the law goes.'
'I just don't see how that can be. I mean, pornography and — torture — and murder —'
'It is the same as the narcotics business. It is protected. Protected not just by dirty cops or politicians but by the green curtain of money that gets pulled across the face of any business with a semilegitimate facade. The crime families are enormous now.'
'This man — does he control the porn business for the Mafia here?'
'Yes, but he's just a soldier in an army of mob people, and the snuff movies and all of that are at the extreme outside of the circle of syndicate production. What is now sometimes called The Syrian Mafia, just a newspaper name, but it refers to the top men in the crime family here, two men named Rikla and Measure who control mixed ethnic factions of what is left of the old crime organizations.'
'And they specialize in porn with children?'
'I doubt if those men even realize the extent of Kriegal's kiddie-porn operation. They are older men — both in their seventies, and technically they are called 'crew bosses' for the top capos. A man named Salvatore Dagatina, now elderly and in prison. A man named Tony Cypriot, his real name is Ciprioni, who more or less controls the underworld in the Midwest, but their so-called 'underbosses' ' — he glanced at a piece of paper —'this James Russo and Lyie Venable, they take a part of Kriegal's profits, so presumably they, at least from a structural standpoint, oversee the operation for their higher-ups. It plays only the smallest part in the overall crime cartel.'
'How do you get justice for something like this? The real murderers are as much these men you've just been talking about as they are the ones who actually did it.'
Troxell saw what he thought might be the hint of total breakdown in the face of the man. His body suddenly had that brittle look a person sometimes gets before they come unglued. Spain let himself shake in an uncontrollable spasm. It didn't take much playacting on his part. Ever since he'd heard Ciprioni's name he'd been shaking visibly. That cocksucking scum. All the times he'd kissed that guinea ass. Yes sir, MISTER Ciprioni. The times he'd killed for him. Jesus CHRIST, it was too much.
He could hear himself telling the PI, 'I just can't . . . I can't go through it. No more. I've lost my wife and now my KID!' His body felt like it was going to self-destruct right then and there. Additionally, there was the curious sensation of watching himself putting it on for Troxell. He wondered for just a fleeting instant as he tried to manifest the signs of a nervous breakdown if indeed he
Troxell just looked across at his client and mentally shrugged. He couldn't put this guy through it. Here was a man on the brink of total collapse. One look and you could see he was unwrapping.
Now he could see he'd read Spain all wrong. The facade he'd thought was icy strength was just a persona — the frozen mask of a man wound tight, a main-spring about to break under pressure, a bereaved father strung out to his limits and beyond. Frank Spain was somebody balanced on the lip of a deep nervous breakdown.
Still, Mel Troxell tried to argue for the prosecution of the guilty as much as the system would allow. He gently tried to convince Spain that he was too far gone to handle this properly, which brought out all the stops. Spain went into a screaming rage about how he was the client paying the bills, he was the father who had lost a daughter, and he did such a job of portraying a mind about to snap that Troxell finally just shrugged one last time and left. The irony was that it was only an act in Spain's mind. The reason he'd been so convincing with Troxell was that he was