I wasn’t sure whether it was with regret that she hadn’t, or astonishment that such a thing had occurred to her while her husband lay unconscious on the floor, and I decided that it didn’t really matter right now and that I was in no position to judge anyway. Don’t think it had escaped my notice that I’d have been there to help if I hadn’t been probing Auntie Rita at the time, lifting stories from my mum’s past.

A doctor came down the corridor towards us and Mum knotted her fingers. I half stood, but he didn’t slow, striding across the waiting room to disappear through another door.

‘Won’t be long now, Mum.’ The weight of unspoken apology curled my words and I felt utterly helpless.

There’s only one photograph from my mum and dad’s wedding. I mean, presumably there are more, gathering dust somewhere in a forgotten white album, but there’s only one image I know of that’s survived the passage of years.

It’s just the two of them in it, not one of those typical wedding photos where the bride and groom’s families fan out in either direction providing wings to the couple in the centre; unbalanced wings so you suspect the creature would never be able to fly. In this photo their mismatched families have melted away and it’s just the two of them, and the way she’s staring at his face it’s like she’s enraptured. As if he glows, which he sort of does: an effect of the old lights photographers used back then, I suppose.

And he’s so impossibly young, they both are; he still has hair, right across the top of his head, and no idea that it’s not going to stick around. No idea that he will have a son, then lose him; that his future daughter will so bewilder him and that his wife will come to ignore him, that one day his heart will seize up and he’ll be taken to hospital in an ambulance and that same wife will sit in the waiting room with the daughter he can’t understand, waiting for him to wake up.

None of that is present in the photo, not even a hint. That photo is a frozen moment; their whole future lies unknown and ahead, just as it should. But at the same time, the future is in that photo, a version of it at any rate. It’s in their eyes, hers especially. For the photographer has captured more than two young people on their wedding day, he’s captured a threshold being crossed, an ocean wave at the precise moment before it turns to foam and begins its crash towards the ground. And the young woman, my mum, is seeing more than just the young man standing beside her, the fellow she’s in love with, she’s seeing their whole life together, stretching out ahead…

Then again, perhaps I’m romanticizing; perhaps she’s just admiring his hair, or looking forward to the reception, or the honeymoon… You create your own fiction around photos like that, images that become iconic within a family, and I realized as I sat there in the hospital that there was only one way of knowing for sure how she’d felt, what she’d hoped for when she looked at him that way; whether her life was more complicated, her past more complex, than her sweet expression suggests. And all I had to do was ask; strange that I’d never thought of it before. I suppose it’s the light on my father’s face that’s to blame. The way Mum’s looking at him draws the attention his way, so it’s easy to dismiss her as a young and innocent girl of unremarkable origins whose life is only just now beginning. It was a myth Mum had done her best to propagate, I realized; for whenever she spoke of their lives before they met it was always my dad’s stories she told.

But as I conjured the image to mind, fresh from my visit to Rita, it was Mum’s face I brought into focus; back in the shadows, a little smaller than his. Was it possible that the young woman with the wide eyes had a secret? That a decade before her wedding to the solid, glowing man beside her, she’d enjoyed a furtive love affair with her school teacher, a man engaged to her older friend? She’d have been fifteen or so at the time, and Meredith Burchill was certainly not the kind of woman to have a teenage love affair, but what about Meredith Baker? When I was growing up one of Mum’s favourite lectures was on the sorts of things good girls did not do: was it possible she’d been speaking from experience?

I was sunk then by the sense that I knew everything and nothing of the person sitting next to me. The woman in whose body I had grown and whose house I’d been raised was in some vital ways a stranger to me; I’d gone thirty years without ascribing her any more dimension than the paper dollies I’d played with as a girl, with the pasted-on smiles and the folding-tab dresses. What was more, I’d spent the past few months recklessly seeking to unlock her deepest secrets when I’d never really bothered to ask her much about the rest. Sitting there in the hospital, though, as Dad lay in an emergency bed somewhere, it suddenly seemed very important that I learn more about them. About her. The mysterious woman who made allusions to Shakespeare, who’d once sent articles to newspapers for publication.

‘Mum?’

‘Hmm?’

‘How did you and Dad meet?’

Her voice was brittle from lack of use and she cleared her throat before saying, ‘At the cinema. A screening of The Holly and the Ivy. You know that.’

A silence.

‘What I mean is, how did you meet? Did you see him? Did he see you? Who spoke first?’

‘Oh, Edie, I can’t remember. Him; no, me. I forget.’ She moved the fingers of one hand a little, like a puppeteer dangling stars on strings. ‘We were the only two there. Imagine that.’

A look had come upon Mum’s face as we spoke, a distance, but a fond one, a release almost from the discombobulating present, where her husband was clinging to life in a nearby room. ‘Was he handsome?’ I prodded gently. ‘Was it love at first sight?’

‘Hardly. I mistook him for a murderer at first.’

‘What? Dad?’

I don’t think she even heard me, so lost was she in her own memory. ‘It’s spooky being in a cinema by yourself. All those rows of empty seats, the darkened room, the enormous screen. It’s designed to be a communal experience and the effect when it’s not is uncannily detaching. Anything could happen when it’s dark.’

‘Did he sit right by you?’

‘Oh no. He kept a polite distance – he’s a gentleman, your father – but we started talking afterwards, in the foyer. He’d been expecting someone to meet him-’

‘A woman?’

She paid undue attention to the fabric of her skirt and said, with gentle reproach, ‘Oh, Edie.’

‘I’m only asking.’

‘I believe it was a woman, but she didn’t show. And that – ’ Mum pressed her hands against her knees, lifted her head with a delicate sniff – ‘was that. He asked me out to tea and I accepted. We went to the Lyons Corner House in the Strand. I had a slice of pear cake and I remember thinking it was very fancy.’

I smiled. ‘And he was your first boyfriend?’

Did I imagine the hesitation? ‘Yes.’

‘You stole another woman’s boyfriend.’ I was teasing, trying to keep things light, but the moment I said it I thought of Juniper Blythe and Thomas Cavill and my cheeks burned. I was too flustered by my own faux pas to pay much attention to Mum’s reaction, hurrying on before she had time to reply: ‘How old were you then?’

‘Twenty-five. It was 1952 and I’d just turned twenty-five.’

I nodded like I was doing the maths in my head, when really I was listening to the little voice that whispered: Might this not be a good time, seeing as we’re on the subject, to ask a little more about Thomas Cavill? Wicked little voice and shameful of me to pay it any heed; while I’m not proud of it, the opportunity was just too tempting. I told myself I was taking my mum’s mind off Dad’s condition, and with barely a pause, I said, ‘Twenty-five. That’s sort of late for a first boyfriend, isn’t it?’

‘Not really.’ She said it quickly. ‘It was a different time. I had been busy with other things.’

‘But then you met Dad.’

‘Yes.’

‘And you fell in love.’

Her voice was so soft I read her lips rather than heard her when she said, ‘Yes.’

‘Was he your first love, Mum?’

She inhaled a sharp little breath and her face looked as if I’d slapped her. ‘Edie – don’t!’

So. Auntie Rita had been right, he wasn’t.

‘Don’t talk about him in the past tense like that.’ Tears were brimming over the folds around her eyes. And I felt as bad as if I had slapped her, especially when she started to weep quietly against my shoulder, leaking more

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