trying to control them, breaking up families, smashing things you don't understand! You all want to take my daughter away from me.'
`Nol.' said Gideon.
`She's all I've got and you want to steal her -'
`No, no,' said Father McAlister.
`Well, you can have her! I
with me and do as I want – but if she doesn't she can go and I'll
`Of course I've got to go,' said Tamar in a matter-of-fact tone, 'but what you say doesn't follow.'
`Oh yes it does. Go then,
`They are already packed,' said Tamar. 'You will change your mind.'
`I see, it's a conspiracy. It was all arranged beforehand. Wanting to help
'No.'
`I am left to burn, I am left to die -you know that. For God's sake, Tamar, don't leave me, stay with me, tell those
Tamar did not flinch. She gave her mother a sad gentle look, almost of curiosity, and said in a low resigned tone, 'Oh don't take on so – I'm going to Pat and Gideon – you'll come later – I'm sorry about this. I'm afraid it's the only way to do it.'
The original author of' this scene, which as Gideon felt afterwards had a curiously brittle theatrical quality, was Father McAlister. Reflecting upon Tamar's situation and her future he had had the excellent idea of appealing not to Gerard but to Gideon. The priest saw, rightly, in Gideon, the mixture of self-confidence, ruthlessness, stage-sense and shameless money required to carry off what might almost, in the end, amount to an abduction. He had however envisaged the plan as unfolding more slowly and under his own guidance. He had persuaded Tamar, more easily than he had expected, to play her part, emphasising that the great change would actually, also, constitute the rescue, perhaps even the salvation of her mother. Father McAlister's very brief' meetings with Violet had led him to a prognosis which was if anything grimmer than Tamar's own.
Gideon expected Violet to scream, and for a moment she seemed likely to as she drew her breath in a savage gasp like a fierce dog. She clenched her fists and actually bared her teeth. She said in a low voice, 'So you won't do anything for me, any more?'
`I am doing something for you,' said Tamar, 'as you will see later. But if you mean will I do whatever you want, no. I can't do that – and at the moment probably I can't do anything at all for you – I can do- nothing for you.' Tamar then turned her head away, looking at the window where net curtains, grey with dirt, hung in tatters. Then she. looked back, looking at Gideon with an alert prompting expression as if to say, can't we end this scene now?
Tamar had spoken so coldly, and now looked, as she ignored her mother and turned to Gideon, so ruthless, that a strange idea came into Father McAlister's head. Supposing it were all somehow false, the emotional drama, the passion play of salvation in which he and Tamar had been taking part? It was not that he thought that Tamar had been lying or play-acting. Her misery had been genuine, her obsession terrible. But in her desperation had she not
Violet, who had been glaring at Tamar open-mouthed, het eyes suddenly seeming like blazing rectangular holes, rear suddenly to her feet, rocking the table and making Gideon hastily shift his chair. She fumbled for her glasses in the pocket of her skirt. Taken by surprise by the intrusion, she was Gideon could see now, pathetically untidy, her blouse crumpled, her cardigan spotted with holes through which the colours of her blouse and skirt showed accusingly. She was raring down-at-heel slippers one of which had come off. She looked down, stabbing at it angrily with her foot. Gideon Moved the table. Violet went forward to the door. As she did so ohir composed her face. Patricia, who was standing in the hall, good hastily aside. Violet entered her bedroom, banged the door, and audibly locked it.
As soon as Violet's departing back was turned to her, Tamar too rose, and saying, 'Let's go,' darted to a cupboard td began pulling out her suitcases.
Gideon said, 'Oh dear!' and rose to his feet. Father McAlister automatically picked up one of the sugary cakes, a pink one and stuffed it whole into his mouth. They moved into the hall.
'Well,' said Patricia, 'you can't make an omelette without breaking eggs. Come on, let's get out, get Tamar away before she changes her mind.'
'She won't change her mind,' said Gideon.
'If only I'd got that sack out into the hall,' said Patricia, 'we could have taken it with us. I found such indescribable filth and mess in Violet's room, awful hairy decaying things under the bed, I couldn't even make out what they were.’
Patricia was putting her coat on. The priest picked up his. Tamar carried out three large suitcases and dumped them by the door. As she did so she looked at Father McAlister and an extraordinary glance passed between them. The priest thought, she has seen through me. Then: who has betrayed whom?
'I'm afraid the car's miles away,' said Patricia. 'Shall we all walk or shall I get it? We can carry the cases between us. I want to get out of here.' She said to the priest, 'Can I give you a lift?'
'No, thanks, I've got to see someone who lives nearby.'