won't ever ask him, he thought (meaning Crimond), I don't want to know exactly what happened, because it doesn't matter now. At no point did it occur to Gerard to doubt that Crimond's sentence told the truth. To doubt it would have been to consent to soul-destroying madness, the whole of the rational world cohered with Crimond's truth-telling. He could not write such a letter arid it not be true. As Gerard took all this in he not only felt the
He sat once more and looked at the note. I t was evident that Crimond had been deeply disturbed, perhaps tormented, by wondering what Gerard was thinking about his friend's death. He had
Gerard took off his shirt and trousers and gradually enclosed himself in his pyjamas. There was also the question of how to reply to the missive. That would require some reflection. Crimond would have mitigated his distress by sending it. But he would also expect an acknowledgement. An interval would be necessary, then an equally brief note. I'll think about that tomorrow, thought Gerard. And he said to himself' of course I
As he sat on his bed he thought too, and the thought was disturbing: one day I shall see Crimond again. Certainly not soon. There is a strict decorum which must be kept between us. There is Jenkin's death, of which we will not speak, and there is the book.
He thought, I'll look after Rose too, I won't let her drift away into Curtland land, I'll make her happy. Rose is happiness – only it's never worked out like that. I can't do without her. He got into bed and turned out the light. He thrust his feet and the hot water bottle down into the icy nether regions of the bed. The wind was blowing in gusts and tossing the drops of rain like little weak pebbles onto the glass. In the dark, as sadness swept over him again, he began to think about his father, and what a gentle, kind, patient, good man he had been, and how he had given way, out of love, to his wife, sacrificing not only his wishes but sometimes even his principles. All that must have caused pain, and his children too, never quite in tune with him, must have grieved him as the years went by. I didn't try enough, thought Gerard, I didn't visit him enough or ask him to stay, I never seemed to have time for him. I should have made him a part of my life. And my mother – but he could not see his mother, that sad shade signalled to him in vain. He thought, they are dead, my father, my Sinclair, my Jenkin, my Levquist, all dead. And then it occurred to him for the very first time to wonder if, really and truly, Grey were dead too. Parrots live longer than we do, and Grey was a young bird then. But parrots in cages are helpless, they depend on the kindness of humans, and there are other ways they can die before they are old, by neglect, by illness, they can be forgotten in empty houses, they can starve. The thought that Grey might have starved to death was so terrible to Gerard that he suddenly sat bolt upright, and there flowed into him, as into a clear vessel, a sudden sense of all the agony and helpless suffering of created things. He felt the planet turning, and felt its pain, oh the planet, oh the poor pool planet. He lay back, turning on his side and burying his face ill the pillow. He let the moment pass. He thought, I've got to go on, or rather, if I can, up, because I'm not going to abandon my life-image, not for Levquist, not even for jenkin.
He thought to himself now, I'll never get to sleep. I'd better get up and do something. I wonder if I could mend that Staffordshire dog? It's not too badly broken. But he was already drowsy and beginning to dream. He fell asleep and dreamt that he was standing on that mountainside holding an open book upon whose pages was written
Lily Boyne was walking, with slow haste, along a shabby decrepit street in South London. Her haste was slow because her heart was beating violently and her mouth was open and she was panting with emotion and felt as if she might soon faint or at least have to sit down. Only there was nowhere to sit except on the kerb. She was anxious to arrive, yet afraid of arriving. Although she so much looked forward, she wished it was over and she was going home. When she went home would she be going in one piece or mangled? Was she sane now and would be mad later, or mad now and would be sane later? Or had madness entirely taken her over?
Lily was going to see Crimond. She had not seen him or sent him any communication since the awful occasion of the midsummer ball. The baneful memory of that night haunted her, sometimes tormented her, although she did not really imagine that, for her, it could have been different. Well, perhaps she did imagine a little, could not altogether banish beautiful painful fantasies of how on that evening Crimond could at last have 'found himself' in realising how much he cared for her. She had felt, still a little felt, with a kind of pride and a kind of terror, that it was 'all her fault', because it was she who had brought Jean and Crimond together. If she had not told him of the dance he would not have manifested himself in that kilt, radiant with godlike power. Although she had told no one about her own crucial role in that drama, she could not help feeling that someone or something would punish her for it – perhaps fate, perhaps Crimond. Yet also it was a bond, she had played the part of Love's messenger, and it was not because of her that Love had been, so mysteriously, vanquished. One of her present terrors, as she walked along the ragged street, was that Crimond might think that she had come to