with Crimond, sitting alone on the other side. Lily had taken off one of her sandals and was examining it, now smelling it. Tamar, who did not want to talk to Lily, hoped that Lily would not notice her. Of course she knew Lily Boyne, who was a friend, at any rate a sort of friend, of Rose Curtland and jean Cambus, but Lily made Tamar feel ill at case, slightly made her shudder. I n fact Tamar
Tamar was poised ready to fall in love. It is possible to plan to fall in love. Or perhaps what seems like planning is simply the excited anticipation of the moment, delayed so as to be perfected, of the unmistakable mutual gesture, when eyes meet, hands meet, words fail. It was thus, in these terms, in this expectant state of being, that Tamar had allowed herself to look forward to this evening. She had in fact met Conrad, who had been at Cambridge and was soon returning to America, only a few times, and usually in company. On the last occasion, seeing her home, he had kissed her ardently. Her cousin Leonard Fairfax, who was in America studying art history at Cornell, had introduced them by letter. Tamar had let herself like, then more than like, the tall American boy but had as yet made him no signal. She had dreamt about him. Tamar was twenty, at the end of her second year of studying history at Oxford. She was apparently grown up, but her shyness and her appearance made others, and indeed her Herself, think of her as younger, naive, not quite an adult. She had had two love affairs, the first inspired by anxiety, the second by pity, for which she blamed herself severely. She was a puritanical child, and she had never been in love.
Rose Curtland was dancing with Gerard Hernshaw. They were in the tent where 'sweet' old-fashioned music was being played, waltzes, tangos, and slow foxtrots, interspersed with eightsome reels, Gay Gordons, and ambiguous jigs which could be danced to taste. The sound of the famous pop group was now audible in the distance. In yet another tent there was traditional jazz, in another 'country music'. Rose and Gerard, who were good dancers, could cope with all these, but it was an evening of nostalgia. The college orchestra was playing Strauss. Rose inclined her head gently against Gerard's black-clad shoulder. She was tall but he was taller. They were a good-looking couple. Gerard's face, describable as 'rugged', had been better characterised by his brother-in-law the art dealer as 'cubist'. There were a number of strong dominant surfaces, a commanding bone structure, a square even brow, a nose that appeared to end in a blunt plane rather than a point. But what might have seemed a hard set of mathematical surfaces was animated and harmonised by the energy which blazed through it, rendering it into an ironic: face, whose smile was frequently a mad and zany grin. Gerard's eyes were a metallic blue, his curly hair was brown, now less than it used to be the colour of an undimmed chestnut, but still copious and ungreying although he was now over fifty. Rose's hair was blond and straight, plentiful and rising up sometimes into a fuzz or aureole. Looking lately into her mirror Rose had wondered if all those lively light brown locks were not,
`I know what you're thinking about,' said Gerard.
`Yes.'
`About Sinclair.'
`Yes.'
Rose had not just then been thinking about Sinclair, but the thought of him was so profoundly associated with the thought of Gerard that she felt no qualm in assenting. Sinclair was Rose's brother, 'the golden boy', so long dead. Of course she had thought about him earlier that evening when entering the college, remembering that other far off summer day when she had come visiting her undergraduate brother at the end of his first year, and Sinclair had said to her, 'Look, that tall chap over there, that's Gerard Hernshaw.' Rose, a little younger than Sinclair, had been still at school. Sinclair's recent letters had been full of Gerard, who was two years his senior. Rose inferred from the letters that Sinclair was in love with Gerard. It was only on that day in Oxford that she realised that Gerard was equally in love with Sinclair. That was all right. What was not so all right was that Rose had promptly fallen for Gerard herself, and remained, after all these years, hopelessly, permanently, in love. The extraordinary affair which she had had with Gerard less than two years after Sinclair's early death
was something they never spoke of afterwards, perhaps, such was their curious discipline, never even in their thoughts I urned over, as one turns over memories, reworking, reftir-hishing, exposing to air and change. It lay rather in their past.is a sealed package which they sometimes very gently touched hut never, alone or together, envisaged opening. Rose had had other lovers, but they were brief shadows, she had had proposals of marriage, but they did not interest her. Now, feeling the pressure of Gerard's hand upon hers very slightly increase,
she wondered if he were now thinking
The waltz had ended and they were standing together in the pleasant relaxed rather limp attitude of people who have suddenly stopped dancing. Rose said, 'I'm so glad Tamar has met such a nice boy at last.'
'I hope she'll grab him and hold on.'
'I can't see her doing anything so vigorous. He'll have to do the grabbing.'
`She's so gentle,' said Gerard, 'so simple in the best sense, so pure in heart. I hope that boy realises what a remarkable child she is.'
`You mean he might find her dull? She's not a bright young thing.'
'Oh, he couldn't find her
'I don't mean anything so banal!'
'Of course we're impressed by her,' said Rose, 'because we
know her background. And I mean rightly impressed.'
`Yes. Out of that mess she's come so extraordinarily intact.' `The illegitimate child of an illegitimate child.'
'I hate that terminology.'
'Well, I suppose people still think in these terms.'
Tamar's mother Violet, never married, was the child of Gerard's father's deplorable younger brother Benjamin Hernshaw, also never married, who abandoned Violet's mother. Tamar, who, it was said, only survived because Violet could not afford an abortion, was the result of an affair with a passing Scandinavian which was so brief that Violet, who claimed to have forgotten his name, was never sure whether he was Swedish, Danish or Norwegian.