exactly being in love, Lily did not presume thus to entitle her obsession with Crimond. It was more like being
Now she wrote a business-like letter saying (which was untrue) that she did a lot of typing for writers and scholars and would be glad to type anything for him. This received no answer. But when, after ajudicious interval, Lily arrived early and sat in the front row of one of Crimond's meetings, he recognised her and smiled. She then wrote again simply ring 'typing service' and sending good wishes. An impersonal communication from a secretarial agency asked her to Iii rush job for Mr Crimond. Lily, taking leave from her office worked demonically, then took the perfected typescript round in person. Someone took it from her and paid her, Crimond, glimpsed through a door, shouted thanks. Meanwhile, in real life, Lily was submitting to the embraces of'sweet rime James Farling, whom, still Crimond's slave and valuing herself at nothing, so it didn't matter, she married. There followed the almost instant widowhood which left her with fame and fortune, at any rate with money (she could never get clear how much) and the tattered fame of some, not pys friendly, references in the press. Presuming upon the degree of real being conferred by these assets she began to send mond occasional postcards with little messages of good lies and references to her 'typing bureau'. Time passed during which she went on through euphoria into depression. She hegan to feel that everyone was 'after her money', declared she was 'through with men' and would become a ‘recluse’. She renewed a friendship with a painter called Angela Parke whom she had known as a student, but quarelled with her because of some imagined 'slight'. She began to believe that 'people' now thought of her as a stupid, vulgar pushing woman who thought that money would 'get her in anywhere'. She did a lot of solitary drinking. She worried ineffectually about her money which seemed to be disappearing. She felt continually snubbed, she had no friends and no world.
Lily was however, during this period, perceptibly ported by her curious one-sided relationship with Crini. This was the one thing which remained intact and p,, Crimond played for her, during this time, the role of God. Here was one relation which required of her only the best which could not be degraded. It was also of course a source of fear, since the power of this remote being over her woo terrifying. Her postcards were of course never answered, hill some more typing turned up, and she managed actually to see, Crimond a few times and have brief conversations with him On one happy day he called her 'Lily'. She took in that At need fear no rebuff. Crimond, of whom so many robust peopif were afraid, could afford to be casually kind to the wrsskr Gradually she was able to frame more sensible plans for lief immediate existence. She made spasmodic attempts to ‘improve her mind', read a few high- brow novels and watched the `better' programmes on television. She even attended (though briefly) evening classes in French. She felt she was actuallv changing a little. Earlier she would not have been capable of conceiving and achieving the odd little friendship she now had with Gulliver Ashe. Meanwhile her relation with Jean's 'set', of which she had hoped much, remained disappointingly undeveloped. Jean had virtually dropped her, only Rose Curtland kept hold of her, inviting her to occasional gatherings of which nothing further came.
The gods, who in their bored way arrange such things in the destinies of mortal men, brought it about that as soon as Lily had, after prolonged and risky trying, established a very small real relationship with Crimond, her period of enslavement came to an end. Of course she still loved and valued Crimond more than anything in the world, but she was no longer the it he was not perfect, was able to criticise him to other people, even to enquire boldly about his sex life, of which ever little was known. A lot of fear disappeared from her tence and she felt generally better. In the innumerable hours of reflection which Lily had of course devoted to the itrr, she had turned over the idea that she 'meant something' to Crimond because of a presumed connection with it. She did not know what to make of this hypothesis, even ruler or not she liked it. She told herself sensibly that really she meant nothing to Crimond, who casually tolerated her as did innumerable other insignificant hangers-on. But still, half in secret from herself, she developed the idea that Crimond was somehow
Her joy was less as, on reflection, she saw at once that the purpose of the expedition must be exactly what it turned out fit be, and that she was being used at last, as she had long wanted to be, only now it did not feel so consoling, as a tool lying to hand. She even wondered whether Crimond imagined dim Lily was actually
During the days and weeks after the dance Lily remained in a state of shock. She soon learnt, from Rose whom