'Really you'd like the Bomb to fall and get rid of all that messy clutter of the past and all that kitsch and false morality you hate so much!'

'We are fat with false morality and inwardness and authenticity and decayed Christianity -'

'Yes, but there must be morality! After all you're a puritan, you detest pornography and promiscuity and -'

'It's the final orgy, the last stand of the so-called incarnate individual, who has withered into a little knot of egoism, even the concept stinks. It's the end of a civilisation which gloats over personal adventures.'

'Crimond! You're a person and an adventurer! You enjoy being an incarnate individual! Or do you let yourself off because you're a philosopher and can see it all – or because you can’t help being a product of a corrupt era? And you say’final’ but what next? We've got to clear it up, we can't rely on bombs or God! Sometimes I think you even want to hate sex, only you can't, you mixed-up son of a Galloway postman!'

Crimond, who had been holding her hand, released it. Their knees were not touching. Crimond out of bed was not a kisser or cuddler. He did not waste the electricity of passion by continual contact. Sometimes he seemed to treat Jean almost formally. Only occasionally, out of bed, did he signal her to come near, to hold his hand or gently caress his hair or face.

Crimond, ignoring Jean's unusual outburst, took a cue from her last words. 'I meant to tell you, I must go to Scotland next week.’

'How is he?'

'He's as usual. But I must go.'

Jean knew that Crimond worried continually about his father, now becoming bed-ridden and losing his wits. Crimond did not want to talk to her about this. She was becoming light-headed, almost weary, with her desire for him and with the incarnate joy of the nearness of satisfaction. She did not try to recover his hand.

Crimond then said, returning to their conversation: ‘Perhaps. The individual cannot overcome egoism, only society can aspire to do that. I have always, except in one miraculous instance, felt degraded by sex.'

'When you said it was necessary but impossible did you on because it's a miracle?'

'No -,just because – Let's stop talking.'

‘I wish you'd talk to me more about your ideas.'

‘My ideas only live in written words. Come, Jeanie, my queen, my falcon, my sweet goddess, my only love, come to me, come to bed, oh my sweetness, my food, my breath, life, my dear love, my last home -'

Any suffering which Gerard, at times, imagined Duncan to be enduring was less than the reality there of. Duncan's to keep up appearances, to put on a brave face and a cool manner, did in fact a little deceive his friends, though they were, they thought, believing the worst. Duncan went to the office, performed his duties creditably as before, smiled at his colleagues, joked and chatted, while all the time a black machine was working frenziedly inside his head. Blackness, that was what he experienced, a feeling of blackness over everything, a black veil over the lamp, black dust upon the furniture, black stains upon his hands, and a black cancerous lump in his stomach. He was not sure whether it was better to suffer the blackness as a great totality of deadly misery, or to analyse it into connected portions which could be separtely rehearsed. He did not deliberately banish hope; there was just on any view, nothing to hope for. He thought often about suicide and this sometimes very slightly eased the pain. It was possible to end this tortured consciousness.

His friends brought him, and he felt they were well aware of this, no relief, indeed made things, if this were possible, worse, by their assiduous attention and concern, their avoidance painful topics, together with their implied indignation on his behalf. They wanted him to fight; or rather they wanted io something, for which they required his support or impriniatur. The polite indifferent silence of his office colleagues irritated him less. Gerard and Rose continued to invite him to lunch, to dinner, to drinks, to the theatre, although he consistently and formally refused. Rose rang at carefully timed intervals and if she could drop in. Sometimes, not to be too boorish, he said yes, and she came with flowers, stayed for a drink, talked to him about indifferent matters (the news, a film, a book, her new dress) and looked at him with her gentle persuasive loving yes in a way which made him want to scream. She had also lately reminded him of two forthcoming events at which his presence was traditional, the Guy Fawkes night party at Gerard's, and the Reading Party at Rose's country house Boyars. Duncan to stop her talking about these festivals, which he had for so long attended with Jean, said he would come. Gerard, who evidently felt it his duty to force his company on his suffering friend, turned up more often, suggesting or announcing his arrival on various evenings just after Duncan's return from the office, staying for an hour, never for supper, to which Duncan never invited him. Gerard too talked of indifferent matters, the news, government policy, office life, but also at intervals made openings, ignored by Duncan, for discussion of 'the situation'. Jenkin did not come. No sent one letter in which he sent his love and said that, as Duncan knew, he would be very glad to see Duncan, if Duncan ever wished, either at his house or at Duncan's. After that he sent a few picture postcards, selected at the British Museum, mostly with classical Greek subjects, vaguely mentioning a possible meeting sometime. Duncan did not reply, but he kept the postcards.

Most evenings, therefore, since he tolerated no other visitors, Duncan was alone and spent the time drinking whisky. He had cashiered the cleaning woman and allowed the flat to descend into a disorder which he occasionally ameliorated for Rose's benefit and lest she should insist on dealing with it herself. He had endeavoured to strip the flat of any traces of Jean's presence. Soon after her defection Jean had returned during the day and removed her jewellery, a lot of her clothes and cosmetics, some books, some objects from her childhood home; but much of her had remained. Duncan gave away her remaining clothes to a charity shop, smashed or burnt a number of other things, and put away some books and pictures into his little study and locked the door. The places where these things had been remained however but too visible. He also gave away the china which she had bought and they had used, and brought out instead some Edwardian china which had belonged to his mother and which Jean had condemned as 'pretty-pretty'. He ate lunch in the office canteen and made himself a snack supper at home, drinking and watching television. He searched the programmes looking for disasters, earthquakes, nuclear accidents, floods, famines, murders, kidnappings, torture. He watched thrillers, especially violent ones. He shunned anything romantic or about animals. He had used to enjoy concerts and opera, but now hated to hear serious music, even a few bars of it would make him curse and reach for the switch. Bedtime was terrible. He took sleeping pills of course and not always with success. We are told to go to our grave as to a bed. Duncan went to his bed as to a grave, but one in which he lay active, struggling, suffocating, weeping.

There are states of obsession where it is, it seems, possible in think of one thing all the time. Duncan's obsessive subject was of course large and allowed him the activity of turning round its different facets. He enacted the whole story of Jean’s relation with Crimond, starting with trying to remember (which he could not) when and how at Oxford they had first met. Had Jean met Crimond before she met Duncan? It was his impression (but was he right?) that Jean and Crimond had paid no particular attention to each other at Oxford. Jean had been busy flirting with Sinclair who was in love with Gerard; while Duncan, already in love with Jean, was trying to kill his painful hopes by seeing her as Sinclair's wife. But must she not have noticed the clever and good-looking Crimond? Something certainly started later on when Crimond was famous and Jean was his research assistant. Was, Jean, then, already Crimond's mistress? This was poisonous food for much thought. Then they were abroad and Crimond was in eclipse. Duncan recalled the evening when, at the news that Crimond was coming to Dublin, Jean could not conceal her joy. Then there was on a later evening, again in company, that intense look, that stare, exchanged between them. Then waving them off together, departing in Crimond's car to explore Ireland. When did he know? Oh the certainty, the certainty, so often weakly thrust away, always renewed and increasing. Then, the hideous vividness of that memory picture, the ball of hair and Jean calling from below, a memory renewed daily with a ghastlyparticularity when Duncan combed his own hair which was now copiously falling out, drew the

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