Probably Violet's most terrible secret was that she had known Gideon when they were young, barely twenty, before he met Patricia, in fact Violet introduced them. Gideon, then it shy thin Jewish boy studying history at a London college, had made little impression. Gideon's father (a refugee who had adopted the name of Fairfax out of a Gilbert and Sullivan opera) had a junk shop in the New King's Road. Violet had been in love with a music student who was starting a pop group. By the time she was prepared to take an interest in Gideon Patricia had already appropriated him. The notion that Gideon had been a bit 'keen' on her, and proving unwelcome had transferred his attentions to her cousin, travelled with Violet, a dark cancerous nugget, which, as she grew older, became blacker and larger. For years she wondered if Gideon had ever said anything to Pat about that shadowy non-event, later she assumed he had not. She and Gideon never spoke of it, but, as Gideon progressed from pow student to tycoon, their mutual consciousness of this 'sonic thing' seemed to become, without ever really amounting it, 'anything', more substantial.
'You don't want to help us,' said Violet, 'it's just an exercise of your perpetual euphoria, you are in every way successful, your success shines brighter here by contrast. It’s a way of triumphing over us. We're to join the line behind your chariot. You want to make us look up at the sky and sing, but we can't, Some people have streams of' happiness laid on, others have the black river. We belong to another race.'
'The world of the happy is not the world of the unhappy, as Gerard often says, quoting some philosopher. But what that philosopher did not realise was that the happy can sometimes kidnap the unhappy and carry them kicking and screaming, into the world of happiness. That is what
'You love money, you love power, that's all. You are an utterly selfish person.'
‘Yes, all right, but can't you attribute any benevolent motive to me? You know how fond I am of Tamar.'
'Oh Tamar, Tamar. I expect you're in love with her, you find her physically attractive, you want to be her favourite uncle, and God knows what else -'
‘Oh shut up. Come on, Violet, just lift your head up, yes, look at the sky and the sunshine for a change. I hate that picture of you trudging behind the chariot. I want you and Tamar
' Here, as usual, of course.'
‘I won't try to imagine how ghastly that must be. Look – we don't have to spend Christmas at Bristol any more, now that poor old Matthew's gone, we can be anywhere. Why don't you and Tamar come with us? We could rent a house in Italy. star's never been to Italy. We'd have some fun. Why not, please?
'That's your idea, not Pat's, and it's a silly impertinent idea. We don't want to be patronised by you and Pat, we don't want to in play the humble grateful poor relations! Tamar wouldn't want to come anyway, she never wants to go anywhere now.'
It's Pat's idea too, as it happens, I wouldn't float it on my own!'
You want to share your happiness with the poor. Well, the poor don't want it. Pat's kindness humiliates me. Like last time, I was treated like a servant. It upsets Tamar very much. Pat just wants me there as a visible proof of how happy and lucky
'Your miseries are self-inflicted,' said Gideon, 'and you are very unjust. You were not treated like a servant. You make y sort of generosity or kindness impossible, and you do this it behalf of Tamar, as if she were as mean and suspicious and full of spiteful hatred as you are.'
'You despise me,' said Violet, 'you treat me like dust, and you seem to think you have a right to, you wouldn't speak in this outrageous way to anyone else.'
'No, I wouldn't, and maybe I have a right to.'
`You come here as a tourist to see how hideous this place is and how hideous I am so that you can go back and tell Pat!'
At that moment Tamar appeared at the kitchen door. Tamar did indeed look like a ghost, not a transparent wraith, but rather the substantial stick-like kind, which might be a broom handle or a signpost but clearly and terrifyingly is not. She was wearing a long brown overcoat, and a large brown beret which was pulled down over her ears and made her look like a weird pale-faced animal, faintly pathetic, faintly un pleasant. Only her large animal-like eyes, staring with hostility into the kitchen, conveyed, as animal eyes can do, a kind of spirit. Gideon, who had not seen her for some time, was instantly shocked, as by the sight of some unnatural mental- physical degeneration, even metamorphosis.
He immediately said, 'Oh Tamar, what a bit of luck, here you are! I was just saying to your mother how nice it would be if you were to spend Christmas with us in Italy, we're renting a house -'
Violet said, 'What are you doing here at this time, have you got the sack?'
`I've taken the afternoon off,' said Tamar.
`Tamar, what about Christmas, Italy?' cried Gideon, jumping up, as Tamar seemed to be turning to go.
, No thanks.' Tamar disappeared, banging the kitchen door behind her.
`You see?' said Violet.
As he walked away through the cold dark foggy London morning toward his car Gideon pondered upon the mystery of Violet and Tamar. How could people
Tamar had taken the half-day off in order to visit Lily Boyne. In her lonely agony, Lily seemed to be the only person who could organise the practical assistance which Tamar now urgently needed at least to consider.
When, after her visit to the chemist's shop, Tamar, alone her little bedroom, had established without doubt that she was carrying Duncan's child, she thought that she would go mad, she thought she would have to kill herself, the idea of doing so was indeed the only barrier against madness.