rolling up the sleeve, and bends as if to kiss her hand. He looks at CHARLES and PENELOPE, eyes flashing red, teeth extending.
ARTHUR
Charles, Penelope, I drink to you...
Opening his mouth wide on jaw-hinges like a cobra, ARTHUR fastens on BESSIE’s wrist, lightly puncturing the skin. He licks away a blood trickle. The company watch, CHARLES swallowing distaste, PENELOPE fascinated. ARTHUR drinks. BESSIE, eyes fluttering somewhere between pain and pleasure, swoons in ARTHUR’s arms.
ARTHUR (smiling bloodily)
I have this effect on women. It’s most inconvenient.
He deposits BESSIE on a divan. In the background, a BUTLER waves smelling salts under her nose, reviving her. PENELOPE links arms with CHARLES, who is momentarily distracted. She smiles, and he is jollied out of his perturbation.
FLORENCE
Now, now. There’ll be plenty of time for that after the wedding. In the mean time, you must be unselfish and share yourselves with the rest of us...
ARTHUR
I claim my right as the vanquished sir knight. A kiss! I claim a kiss from the bride.
CHARLES blanches but PENELOPE lets ARTHUR kiss her cheek, leaving an unremarked blush of blood. Guests press around, separating PENELOPE from CHARLES. He watches her display her engagement ring. Suddenly, swiftly, disturbingly, ARTHUR is beside him. His fangs are vestigial, but the blood has enlivened him.
ARTHUR
Sincerely, Charles, my congratulations. You and Penny must be happy. It is an order. We need more like you. You must turn soon. Things are getting exciting.
CHARLES
Turn?
ARTHUR
You understand, Charles. You must become... as I am.
CHARLES
A vampire.
ARTHUR
Indeed. You can’t know what it’s like. It’s life.
CHARLES
Some say it’s death.
ARTHUR
Pshaw. Penny is lovely, Charles. Loveliness should not be permitted to fade. And we need men of your sort. We’ve an opportunity to make the country strong. The Prince Consort has given us this chance.
CHARLES
Dracula?
ARTHUR
We were so wrong about him in the beginning. Van Helsing and Jack Seward and myself. He came not as a conqueror but as our saviour.
During this exchange, a bell has rung in the hallway. A BUTLER, having answered the door, returns with a note for CHARLES. ARTHUR is interested. CHARLES reads and lets nothing on.
CHARLES
You’ll excuse me, Art.
FLORENCE’S HALLWAY. INT. NIGHT.
A COACHMAN waits. CHARLES puts on his cloak and hat, and draws a cane from the umbrella stand. PENELOPE comes to detain him.
PENELOPE (annoyed)
Charles, you’re not leaving so soon.
CHARLES
Sometimes my time is not my own. I’m sure Art, or Kate, will see you home.
CHARLES kisses her and tastes salt. He wipes the trace of blood off her cheek, smiles, and leaves with the COACHMAN.
PENELOPE (determined)
Charles Beauregard, things will be different once we are married.
ALLEY, WHITECHAPEL. EXT. NIGHT.
LULU lies dissected in a pool of fog that obscures her most hideous wounds. LESTRADE, a vampire, directs two CONSTABLES in examining the body. LESTRADE has rat-whiskers, a bowler hat and a sour expression. A peering mob is held back by policemen. CHARLES makes his way through.
CHARLES
Inspector Lestrade, of Scotland Yard.
LESTRADE
Mr Beauregard. It’s a bad business. (To the CONSTABLES) Let him look.
The CONSTABLES stand aside.
CHARLES (not flinching)
Like the others? Heart cut out?
LESTRADE
Neatly done with a silver scalpel. None of your wooden stake nonsense.
CHARLES
Who was she?
LESTRADE
Lulu Schon. A new-born vampire. German, we think. Common prostitute, like the others.
CHARLES
This is... what, the fourth?
LESTRADE
No one is sure. The sensation press have exhumed every unsolved East End killing of the past thirty years.
CHARLES
How many are you certain of?
LESTRADE
We’ll not even be certain of Schon until the inquest, though I’ll lay my pension on her. I make her the third, after Annie Chapman and Polly Nichols.
CHARLES
They were all, ah...
LESTRADE
Vampires, sir? Yes. Silver Knife is a vampire killer. Van Helsing would have been proud of him.
CHARLES (looking close at the remains)
This man
LESTRADE (holds up LULU’s clawed hand)
He surprises them, sir. Or they’d tear him apart.
CHARLES
Our Silver Knife is not just a simple lunatic, Inspector. He has a
The CONSTABLES lift LULU, shifting the corpse into a horse-drawn wagon. The crowd hisses. CHARLES looks at the cobbles and is reflected in moonlit blood.
LESTRADE
He must be stopped before there’s general panic. The situation is unbalanced enough as it is. These killings