rolling up the sleeve, and bends as if to kiss her hand. He looks at CHARLES and PENELOPE, eyes flashing red, teeth extending.

ARTHUR

Charles, Penelope, I drink to you...

Opening his mouth wide on jaw-hinges like a cobra, ARTHUR fastens on BESSIE’s wrist, lightly puncturing the skin. He licks away a blood trickle. The company watch, CHARLES swallowing distaste, PENELOPE fascinated. ARTHUR drinks. BESSIE, eyes fluttering somewhere between pain and pleasure, swoons in ARTHUR’s arms.

ARTHUR (smiling bloodily)

I have this effect on women. It’s most inconvenient.

He deposits BESSIE on a divan. In the background, a BUTLER waves smelling salts under her nose, reviving her. PENELOPE links arms with CHARLES, who is momentarily distracted. She smiles, and he is jollied out of his perturbation.

FLORENCE

Now, now. There’ll be plenty of time for that after the wedding. In the mean time, you must be unselfish and share yourselves with the rest of us...

ARTHUR

I claim my right as the vanquished sir knight. A kiss! I claim a kiss from the bride.

CHARLES blanches but PENELOPE lets ARTHUR kiss her cheek, leaving an unremarked blush of blood. Guests press around, separating PENELOPE from CHARLES. He watches her display her engagement ring. Suddenly, swiftly, disturbingly, ARTHUR is beside him. His fangs are vestigial, but the blood has enlivened him.

ARTHUR

Sincerely, Charles, my congratulations. You and Penny must be happy. It is an order. We need more like you. You must turn soon. Things are getting exciting.

CHARLES

Turn?

ARTHUR

You understand, Charles. You must become... as I am.

CHARLES

A vampire.

ARTHUR

Indeed. You can’t know what it’s like. It’s life.

CHARLES

Some say it’s death.

ARTHUR

Pshaw. Penny is lovely, Charles. Loveliness should not be permitted to fade. And we need men of your sort. We’ve an opportunity to make the country strong. The Prince Consort has given us this chance.

CHARLES

Dracula?

ARTHUR

We were so wrong about him in the beginning. Van Helsing and Jack Seward and myself. He came not as a conqueror but as our saviour.

During this exchange, a bell has rung in the hallway. A BUTLER, having answered the door, returns with a note for CHARLES. ARTHUR is interested. CHARLES reads and lets nothing on.

CHARLES

You’ll excuse me, Art.

FLORENCE’S HALLWAY. INT. NIGHT.

A COACHMAN waits. CHARLES puts on his cloak and hat, and draws a cane from the umbrella stand. PENELOPE comes to detain him.

PENELOPE (annoyed)

Charles, you’re not leaving so soon.

CHARLES

Sometimes my time is not my own. I’m sure Art, or Kate, will see you home.

CHARLES kisses her and tastes salt. He wipes the trace of blood off her cheek, smiles, and leaves with the COACHMAN.

PENELOPE (determined)

Charles Beauregard, things will be different once we are married.

ALLEY, WHITECHAPEL. EXT. NIGHT.

LULU lies dissected in a pool of fog that obscures her most hideous wounds. LESTRADE, a vampire, directs two CONSTABLES in examining the body. LESTRADE has rat-whiskers, a bowler hat and a sour expression. A peering mob is held back by policemen. CHARLES makes his way through.

CHARLES

Inspector Lestrade, of Scotland Yard.

LESTRADE

Mr Beauregard. It’s a bad business. (To the CONSTABLES) Let him look.

The CONSTABLES stand aside.

CHARLES (not flinching)

Like the others? Heart cut out?

LESTRADE

Neatly done with a silver scalpel. None of your wooden stake nonsense.

CHARLES

Who was she?

LESTRADE

Lulu Schon. A new-born vampire. German, we think. Common prostitute, like the others.

CHARLES

This is... what, the fourth?

LESTRADE

No one is sure. The sensation press have exhumed every unsolved East End killing of the past thirty years.

CHARLES

How many are you certain of?

LESTRADE

We’ll not even be certain of Schon until the inquest, though I’ll lay my pension on her. I make her the third, after Annie Chapman and Polly Nichols.

CHARLES

They were all, ah...

LESTRADE

Vampires, sir? Yes. Silver Knife is a vampire killer. Van Helsing would have been proud of him.

CHARLES (looking close at the remains)

This man hates. With a passion. The murders must be committed in a frenzy, yet there’s a coolness to the work. He kills out on the street in the open. He doesn’t just butcher, he dissects. And vampires are not easy to kill.

LESTRADE (holds up LULU’s clawed hand)

He surprises them, sir. Or they’d tear him apart.

CHARLES

Our Silver Knife is not just a simple lunatic, Inspector. He has a reason.

The CONSTABLES lift LULU, shifting the corpse into a horse-drawn wagon. The crowd hisses. CHARLES looks at the cobbles and is reflected in moonlit blood.

LESTRADE

He must be stopped before there’s general panic. The situation is unbalanced enough as it is. These killings

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