work, eye water and face water, which I understand is the best that Basic English can do with five famous words.”
For all they did to argue for its virtues, neither Churchill nor Ogden actually used Basic English in their own writings. They rather took luxurious advantage of English vocabulary. But Ogden didn’t really intend for Basic English to replace full English. It was to serve as a second, auxiliary language, a utilitarian lingua franca. He advertised two other benefits. For foreigners, it would serve as an easy entree into fuller English. For English speakers, it would serve as “an apparatus for the development of clarity of thought and expression.”
I’m not so sure Basic English fit the bill on either point. Although sometimes the Basic English version is clearer (“First, God made the heaven and the earth.” I like that. It’s snappy), at other times it seems to strangle itself on its own restrictions:
Seven and eighty years have gone by from the day when our fathers gave to this land a new nation—a nation which came to birth in the thought that all men are free, a nation given up to the idea that all men are equal.
“Came to birth in the thought that all men are free”? How does that clarify things? And if you don’t speak English, how are you supposed to know that “given up to” means “dedicated to”? Just because you are familiar with the “operator” words that Ogden expected to bear the brunt of so much meaning, you don’t necessarily have any idea what they mean when put together. It is precisely those words, and the huge number of idioms they participate in, that make English such a headache for the non-native speaker. You haven’t really solved much by replacing “happen” with “come about,” “tease” with “make sport,” or “intend” with “have a mind to.”
In 1943, Churchill touted Basic English in a speech at Harvard, and soon the reporters were at Ogden’s doorstep. He received them wearing a mask and, over the course of the interview, exited and entered the room through different doors, each time wearing a different mask. This behavior was a symptom of his generally irreverent attitude and what friends called his “impish humor.” He wore masks on other occasions, explaining that when the speaker wears a mask, the listener is forced to pay attention to the content of the speech. Whatever the content of his speech that day, he did nothing to dispel the impression that Basic English was kind of a kooky idea. When Churchill left office in 1945, officials at the BBC suggested that Basic English be left “on a high shelf in a dark corner.”
Ogden’s plan wasn’t without merit. The promotion of plain language is a fine idea and I’m all for it. A simplified form of English is clearly a good thing for someone trying to learn the language. In 1959, two years after Ogden’s death, the Voice of America began broadcasting news stories in something they called Special English, and these programs are still popular today in non-English-speaking countries all over the world. Special English is simplified, but not according to any particular theory or rules. It doesn’t have anything against verbs, and while it has a core vocabulary of fifteen hundred words, other terms are introduced when they are needed, along with brief explanations. The few rules it does claim—no passive voice, one idea per sentence—are violated when they interfere with sensible judgment. It is what Basic English probably would have become if Ogden wasn’t so hung up on grand philosophical justifications for his system. Or with having it be a “system” rather than a loose set of guidelines.
Basic English also might have had a better chance if Ogden had been a little less eccentric. But it almost didn’t matter what his personality was like, for by the time he came along, the whole endeavor of inventing or even manipulating a language had been so thoroughly tainted with the eau de quackery that even the most sober, sensible language inventor had little hope of being taken seriously.
Language schemes had always been viewed a little skeptically. John Locke, a contemporary of Wilkins’s, said he didn’t think that anyone could “pretend to attempt the perfect reforming the languages of the world, no not so much as of his own country, without rendering himself ridiculous.” But in the seventeenth century, highly prestigious people were working on the development of philosophical languages, and their work was circulated and discussed among the biggest names of the day.
And although at the beginning of the era of international languages, plenty of jokes were made at the expense of Volapuk and Esperanto and other languages that came to public attention, they did get attention, and sometimes from quite esteemed sources. Respected institutions like the American Philosophical Association and the American Association for the Advancement of Science got involved in the international language question, and major papers reported on the different projects as they came out. Esperanto got a lot of press. In 1910, when the sixth universal Esperanto congress was held in Washington, D.C., the Washington
Public recognition of invented languages manifested itself in other ways, too. A Scottish company produced an Esperanto cigarette (“The international smoke”), and Cadbury manufactured an Esperanto chocolate. When the universal congress was held in Barcelona, the king of Spain sent a horse-drawn carriage to pick Zamenhof up on his arrival. Later, as Zamenhof traveled south to Valencia, groups of people came out to greet his train at different stations, waving and cheering him on.
As time went on and the crackpot element of Esperanto society became more pronounced, people concerned about their public image became less willing to be associated with it. And as the number of invented languages increased to the point where the language inventors were (in the words of one newspaper editorial) fixing to “out-Babel Babel,” the newspapers and the scientific academies stopped paying attention.
Hundreds of language projects were published at the beginning of the twentieth century, and many of them were second or third attempts by people who weren’t quite satisfied with their own original “optimal” solutions. Language inventors are, after all, motivated by the urge to reform and improve, and many of them, once they got going, found it hard to stop. They grew dissatisfied with their own projects and continued to tinker and adjust, publishing revised versions of their languages. Ernst Beermann, not satisfied with his Novilatiin (1895), later created Novilatin (1907). Woldemar Rosenberger (onetime director of the Volapuk Academy) created Idiom Neutral (1902), followed by Idiom Neutral Reformed (1907), followed by Reform-Neutral (1912). Some of the most prolific producers were former Volapukists, such as Julius Lott, who gave us Verkehrssprache (1888), Compromiss- Sprache (1889), Lingua Internazional (1890), Mundolingue (1890), and Lingue International (1899); or Esperantists, such as Rene de Saussure (brother of Ferdinand, the father of modern linguistics), who gave us Antido I (1907), Antido II (1910), Lingvo Kosmopolita (1912), Esperantida (1919), Nov-Esperanto (1925), Mondialo (1929), Universal-Esperanto (1935), and Esperanto II (1937).
One particularly productive multiple offender was Elias Molee, the author of American Language (1888), Pure Saxon English (1890), Tutonish (1902), Niu Teutonish (1906), Altuto-nish (1911), Alteutonik (1915), Dynamic Language (1921), and Toito Spike (1923). Molee was born in Muskego, Wisconsin, to recently arrived Norwegian immigrant parents. In his autobiography,
Molee later attended Luther College in Iowa and studied languages at Albion Academy and the University of Wisconsin. He did not like having to study Latin and Greek, and resented the way their influence made English more difficult than it needed to be. He once read a sermon and didn’t understand the word “cacophonous.” He “felt chagrined and humbled to think that after graduating at an American Academy and after having studied so as to speak and enjoy several languages, after having learned considerable Latin and a little Greek, yet I could not understand so popular a production as a sermon.” As far as he was concerned, English had ceased to be a great language with the Norman Conquest. Why couldn’t it be more like the “teutonic” languages, he thought, such as