You've Been Warned

My eyes start to well up. I can’t help it. The shakes are back, and I’m trying to control them. I don’t want his pity.

“Oh, spare me the waterworks, will you?” he groans. “And don’t try that insipid wink of yours either.”

“What’s happened to you, Dr. Corey?”

“Nothing. Nothing at all.”

“It’s clearly something, because you’re being an incredible jerk.”

“Better than an ungrateful bitch, I imagine.”

That does it!

I spring from the couch and race out of there, but not without a parting shot from the door.

“Fuck you!” I scream.

“Go to hell!” he screams back.

And then, just as I’m shutting the door to his office, “I still want to know what happened to you at the Falcon Hotel. Kristin? Kristin?”

Chapter 35

IT KEEPS GETTING WORSE.

The dream is even more vivid this morning. Actually, it’s excruciating.

I wake up and smell that same burning smell. It’s awful; I can’t stand it.

The hives are back too. They’re worse than ever, all over my hands, my arms, my face. I strip off my T-shirt, and there are red blotches on my chest and stomach, my legs, everywhere. I want to scratch my skin off.

And the music—that damn music—it’s back inside my head.

The only saving grace? It’s Sunday—I’m supposed to spend the day with Michael.

The phone rings at a few minutes after eight. The caller ID tells me it’s him. I bet he uses the line about the phone sex wake-up call.

“Hello?”

“Hi,” says Michael.

It’s only one little word, one meager syllable, and yet I realize right away from how he says it. Something’s wrong. Something else.

“I’m not going to like this, am I?”

“It’s fucking Penley,” he says. “When I told her about not going to her parents’, she went ballistic. She’s still in orbit. Sean is calling her Penley Neutron. You know, like—”

“Yeah, I know, the cartoon.” And his favorite socks, remember?

I feel like a fool standing in little else besides my socks, scratching red patches all over my body.

“You explained it was a work emergency, right, Michael?”

“Yes. But she didn’t want to hear it, especially since that was the reason I didn’t make the trip to Connecticut last time.”

“She really cares that much if you go?”

“Christ, I don’t know. She kept saying how much I’d be disappointing her parents.”

“That’s it, isn’t it? This is about her father.”

“You don’t have to say it like that.”

“Why do you kowtow to him so much?”

“It’s not so simple, Kristin.”

No, it isn’t. There’s a certain undercurrent to Michael and Penley’s marriage, all but unspoken. Michael makes a lot of money. In the millions. But it’s chicken feed compared with the fortune that Penley’s father, Conrad Bishop, sits on. The man was CEO of Trans-American Steel for twenty-five years. He’s worth north of $200 million. More to the point, thanks to his country club buddies, he’s thrown a lot of business Michael’s way. I mean, a lot of business.

“If anyone, Penley’s father would understand your having to work,” I say.

“Maybe the last time I canceled,” Michael replies. “Twice in a row, though, and it looks like I’m shunning him. It’s disrespectful.”

“So what are you telling me?”

He takes a deep breath and exhales. “That I’m going to Connecticut today.”

The words sting like a million bees.

“But I really need to see you,” I plead.

“I know, I know. I’ll make it up to you, I promise.”

The anger, the disappointment, the hurt—are too much for me, and I slam down the phone. It’s the first time I’ve ever hung up on Michael, and I feel absolutely terrible.

Like I could die.

And then I notice something—the hives, the burning odor, and the music are gone.

What’s up with that?

Chapter 36

THE ELEVATOR RIDE DOWN to the lobby feels as though it takes an eternity. I’m doing everything I can to keep my emotions in check.

I plead with myself, Think calm thoughts! Think good thoughts if that’s possible.

Dispensing with visions of babbling brooks and sleeping babies, I go straight to what always works. One after the other, I conjure up my favorite photographs.

The nudes of Edward Weston.

Avedon’s portrait of Truman Capote flashing his belly button.

And, of course, Annie Leibovitz’s incredible shot of Yoko Ono and a naked John Lennon cuddling.

It’s always about people with me, flesh and bone. I can appreciate Galen Rowell and Ansel Adams, but mountains and other landscapes never pack the same punch for me as a living, breathing person.

The mental slide show works, and I begin to settle down. That is, until I step off the elevator and spot my neighbor Mrs. Rosencrantz. Standing by her mailbox in an orange-and-blue circa 1973 muumuu, she looks up from a catalogue and shoots this incredibly evil sneer my way. What is her problem?

Clearly it’s me.

I try to ignore her as I head for the door, but I can feel her eyes boring into me from behind those cheap large-rimmed glasses she wears. Her stare is relentless, she won’t give it a rest; and as much as I want to keep walking out to the street, I can’t help making a little detour. Right up into her face.

Whipping out my camera, I aim the lens an inch away from her pointy nose.

“Take a picture, you old bag, it lasts longer!” I yell.

Click.

I spin around, not waiting for her angry reaction. Everyone else in the lobby is now staring at me, but I say nothing more. I aim for the exit and look straight ahead.

What’s come over you, Kristin?

This is so unlike me. I simply don’t do things like this, yelling at people, getting in their faces.

It’s scary.

And yet, scarier still is that I enjoyed it.

With everything happening lately, I’m acting more and more on impulse—thinking, saying, and doing things I normally don’t. Those little red flags, the ones that are supposed to pop up in my brain, have mysteriously disappeared.

“Hey, watch where you’re going, lady!”

It takes me a second to realize that the grunge-looking guy playing guitar for tips on the corner is talking to me. I nearly plowed right into him.

“Sorry,” I mutter.

I’m already a block from my building, head down and oblivious to everything and everyone. The guy’s right; I