Death in the Air

“Excellent, Mrs. Hawkins! Tender regions be gone!”

But the smile on her face doesn’t last long. As she turns, she spots a tall, dark-haired boy watching from the lab doorway. Her face turns crimson as she drops her dress.

“Sherlock!” exclaims Bell. “May I introduce Mrs. Hawkins.”

“I … I was assaulted in Soho Square,” she explains, “or nearly so. This kind old gentleman came to my rescue. He … knocked the man unconscious.”

“Merely doing what anyone would do.” “He is teaching me how to defend myself.” The boy has seen the alchemist hard at this sort of endeavor before, but never with a pupil. It is the defensive art of something Bell calls Bellitsu, which he has often invited Sherlock to learn. The boy-apprentice has always politely declined, but lately has been wondering if he should at least give it a try. Feeling the Grimsby-inflicted bruises on his face (which he can’t hide as he stands there), he thinks of how helpful it might be to become the master of such an art. “I once knew a customer, boils I believe he had,” the apothecary explained the first time this subject surfaced, “who spent two decades working as an engineer in the oriental country of Japan. There he learned the ancient Far Eastern secrets of fighting, grappling, and striking – martial arts – more specifically jujutsu and judo. Always interested in physical activity and called upon to visit patients in neighborhoods of less than salubrious variety, I was intrigued. Once he was well, I asked him to teach me his secrets. We spent many days in a local gymnasium beating the stuffing out of each other. It was grand! To these two Japanese arts, I melded the Swiss craft of stick-fighting and England’s own gentlemanly sport of pugilism to create the alloy I call … Bellitsu! It is adaptable to any situation: the use of the cane or umbrella at just beyond arms’ length, boxing in slightly nearer, and the oriental arts for combat at close quarters!”

Mrs. Hawkins reaches into the thick folds of her mauve-colored dress and takes out her coin purse. She snaps it open.

“No, no,” says Bell, holding up a hand.

“But I must pay you.”

“No, you must not. It was my pleasure, especially should what you have learned from your humble servant allow you to defend yourself with vigor some future day on the streets of this fair city.”

“Sir,” says Sherlock, “perhaps you should let …”

“Your face!” exclaims the old man, really looking at the boy for the first time.

Bell quickly and kindly ushers the woman from the shop, still refusing the money, and scurries back into the lab.

The old man gapes at the boy, then starts pacing, looking back at him from time to time. “You must reveal all to me!” he shouts, his stringy white hair flying and his spectacles almost falling off that bulbous red-tip at the end of his nose, as he shakes his head. “You are most evidently in growing danger!”

“I have another problem,” confesses Sherlock. There is no one he can speak to who is wiser than this old man. If anyone can come to Sherlock’s aid, he can. “I need your help.”

A smile spreads across Bell’s face.

“We shall concoct a solution!” he cries, then pauses. “Always minding what I said about having the Force with you. We shall plan nothing reckless!”

The apothecary listens carefully as Sherlock explains his situation. Then he drops dramatically into a flea- bitten old armchair in which he likes to ponder medical problems. His head sinks down onto his chest and his eyes appear to roll up into his head. But within minutes he has sprung to his feet again.

“We shall disguise you as Sigerson Bell!” he exclaims.

“We will do what?” asks Sherlock.

“You and I are about the same height, my boy. I am stooped, caused by the calcification of the lumbar vertebrae and lack of proper exercising of the latissimus dorsi muscles at the appropriate age.”

He stops to ponder this thought for a moment and appears to slip into the contemplation of long-gone activities.

“Sir?”

Bell and his brain jump back into the summer of 1867.

“Yes!” he exclaims. “Yes! Yourself in the character of one Sigerson Bell Esquire. Here we go!”

He turns and climbs his spiral staircase. Soon Sherlock hears all sorts of noise emanating from above: pots and pans appear to be rattling, heavy cases thumping on the floor, apparently the sound of glass shattering … Sherlock even thinks he hears some sort of animal growl. A few moments later Bell thuds down the stairs carrying more things in his hands, on his head, and even expertly balanced on his thighs than a dray horse could carry in a wagon. He deposits them all with a crash on the floor in front of the boy.

“Here we are!” he shouts. “Where shall we begin? I am considering not only dressing you in an exact replica of what I would wear for an evening’s consultation, but also designing a new nose for you to match mine and …”

“Sir?” interrupts Sherlock.

“Yes, my boy?”

“I think we need to simplify. Whomever might follow me will be doing so from a distance. He will be identifying me simply by my clothing. I doubt there is a need for the creation of an entirely new nose.”

“Ah!” says Bell, fingering his own substantial, red-tipped proboscis. He looks disappointed. “I suppose you are correct.”

He reaches in amongst the pile of clothing and pulls out three items: a dusty, green greatcoat very much like the one he wears to see patients, an older version of his red fez, and a battered black medical bag.

“How about these rags?”

“Perfect,” smiles Sherlock.

He will leave in a few hours. They spend the day together, trying to work. But it is difficult for either of them to concentrate. They are waiting for the sun to set. As it finally grows dark inside, Bell rushes around lighting gas lamps on the walls and a few candles on tables, muttering to himself about exactly how the clothes will be placed on Sherlock and little touches he might add. Meanwhile, the boy has slumped down into the arm chair, his fingertips playing on each other, deep in thought.

The apothecary can’t wait any longer.

“Are your ready, Master Holmes?” he asks, looking even more frenetic and nervous than usual.

Sherlock stands up. As he does, he realizes that his hands are even sweatier than they should be in this terrible heat wave.

Bell retrieves the coat, the hat, and the medical bag, placing the first around the boy’s shoulders, the second on his head, and handing him the last. Then he fusses with all three: adjusting the hat many times, trying different angles, wondering for brief silent moments about how he wears the same, lifting the coat’s collar up to hide the boy’s hair, smoothing it down, turning the handbag one way and then another in Sherlock’s grip. Finally, the boy steps away from him.

“I think I am fine, sir,” he says quietly.

“Well,” says Bell. “Well.” For an instant it seems as though he is going to hug the boy for he can see by the flushed young face that fear is growing in him by the second.

“You don’t need to go, Master Holmes, certainly not.”

“Yes I do, sir, if I may say so.”

Bell wags a finger at him.

“You shall only observe from a distance.”

“Yes sir.”

“Any sign of danger, any sign that you are being followed and you are to immediately retreat.”

Sherlock turns to go, but Bell stops him.

“I have two more items for you. First, this.”

He takes a handful of rags from the table, lifts Sherlock’s hat, sets them underneath, and then replaces the fez.

“Every medical man is marked by the sight of his stethoscope bulging under his hat.”

Sherlock smiles and doesn’t bother to object to this little, likely undetectable detail. But Bell’s other addition surprises him. He produces what looks like a horsewhip.

“This, my young friend, is a hunting crop. I was once told by a man who knew of what he spoke, that it is