ACKNOWLEDGMENTS
Of the many books I read while writing this novel, several stood out: Liza Picard’s
PREFACE
I
– Dr. Watson in
ENTER TERRIFIED
There have been many late knocks on the old apothecary’s door. Some even come, like this one, well past midnight. But this is a knock unlike any other. It is accompanied by a scream.
It is the last day of February 1868, a month after Sherlock Holmes’ fourteenth birthday. The Prime Minister of England has just resigned and his right-hand man, the remarkable Jew-turned-Anglican, Benjamin Disraeli, is taking his place. The empire stands on the brink of an historic moment, but some are ill at ease. There are whispers in the streets and taverns, and in the mansions of Mayfair and Belgravia, that the brilliant, black-haired Hebrew with the romantic background and flirtatious manners – he of foreign race – cannot be good for England. It is almost as if a Negro had become president of the United States. Amidst all of this, the country is nearing a turning point: the lower classes are rising, gaining power, demanding more; financial markets are unstable; Irish terrorists, seeking independence from the empire, are bringing their violence to the world’s greatest city. What will the future hold? Many fear that chaos is about to descend.
London is in a deep freeze tonight, but the tall, thin boy is warm and fast asleep in his wardrobe in the laboratory. The knock, though enacted by a slight arm and delicate fist, thunders through the shop. Sherlock gets to his feet in a flash. He pulls his trousers on under his oversized nightshirt, seizes his horsewhip, and rushes across the hard floor of the lab, sure that Sigerson Bell will be down the spiral staircase and by his side before he reaches the door. But there is no sound from the upper floor. In seconds, the boy stands poised at the entrance with his weapon, balanced on his feet, remembering Bell’s instructions. He raises the whip to strike.
“Who is there?”
“Let me in, Sherlock!”
It is a girl’s voice, but not one he knows. Darting to the latticed bow windows, he peeks outside. A young woman stands cowering there, looking behind her every few seconds, like a cornered fox at the end of the hunt. The boy can’t make out her face through the thick glass and darkness, but it appears pale under a red bonnet and her coal-black hair. She seems to be alone.
Sherlock unbolts the entrance with a snap and the girl falls into the shop, gripping his bare feet with her frigid hands, as if she will never let go. She kicks violently at the door, slamming it shut on her second try. Sherlock locks it, bends down, takes her head in his hands, and lifts her face toward him.
“Beatrice?”
“Sherlock! Save me! It took ’er. A fiend from ’ell!”
Her voice is so charged with emotion that it still doesn’t seem like hers. “Lock the door!”
“It’s done. Calm yourself.”
Beatrice Leckie, the plain-dressed hatter’s daughter with the sparkling black eyes and porcelain skin, who has always seemed so interested in everything Sherlock does, is shaking like a leaf.
“Calm yourself,” he repeats.
Sigerson Bell still hasn’t stirred. It seems incredible.
Sherlock lifts Beatrice to her feet. She feels delicate in his embrace and folds herself into him, clinging like a child might grip its father. He is surprised at how wonderful this feels. In fact, he has to remind himself to set aside the warm feelings invading his senses – they are far too emotional. She has had some terrible experience. He must help her.