Lucchi was dangerous. He was something Mario had never anticipated, a throwback, a Sicilian like the ones who had gotten off the boat at Ellis Island before the First World War, lean, cunning, ambitious and utterly without compunction or reluctance.

Mario decided to let the implications of his discovery wait until the day was over. He was operating on his own already. The Carpaccio brothers would have no idea who the man was. When it was over Mario would be the only one in a position to take advantage of the accomplishment, and he would be transported to the United States and raised to the heights appropriate to young men who had initiative and decisiveness. Lucchi would be a fond memory.

“Come on,” Mario said. “Now that he can’t leave, he’s ours.” He walked out from the side of the shop onto the street, and he could hear the others’ footsteps following. He didn’t look back. He concentrated only on moving through the crowds of people toward the racecourse, where the Butcher’s Boy—Jesus, that was the best part; he must be forty by now—would be sitting in the grandstand with his girlfriend, never suspecting that the forces he had set in motion years ago had already stripped him of his soldiers and cut off his only means of escape. It was like that Shakespeare play they made everybody read in tenth grade. The bastard felt like a king, sitting there in the sunshine with a woman who wore the kind of jewelry a queen might have. Well, today was the day that Birnam Wood was coming to Dunsinane. The trees were closing in on the bastard. Mario smiled, and felt an impulse to say something about it to the others, but of course it would have been pointless. Baldwin was English but probably hadn’t made it to the tenth grade, and Lucchi wouldn’t even know who Shakespeare was.

Margaret Holroyd was fighting disappointment. She looked out across the field to where the beautiful horses were being steadied and reassured by jockeys and trainers. They were festooned with silks in gorgeous, gaudy colors, and the jockeys wore oddly clashing combinations, probably cut from the same ten bolts. They were so far away that she could see very little except the tiny spots of emerald, pink, crimson and gold. What in the world was she going to do without Michael? He had been gone for only ten minutes, and already she missed him and was feeling angry with him. She couldn’t go on playing with him much longer. Soon she would begin to get little wrinkles at the corners of her eyes like Aunt Caroline, and then she would have to be responsible and act as though she’d never had a time like this in her life.

There already was no doubt that she could change, and this was a sign too. Not so long ago, she wouldn’t have believed she could; people would have recognized the hypocrisy immediately and laughed about it. But now she was perfectly competent to carry it off. What a shame. If she had been at home now, she decided, she would have spent the afternoon in the big leather chair by the library window, wallowing in poetry, probably Ubi sunt poems: “Ou sont les neiges d’antan?” And she would have let the bright afternoon sun deepen to amber, then darker and darker shades of blue, as the light slowly dimmed the page and finally left her in darkness, a little rehearsal for getting old and dying. No, she wouldn’t, she admitted; it was a lie. She stood up and stepped quickly and recklessly down the steps to the grass. It felt good on her open toes, a little damp and tickly, and there was Michael already.

He was striding quickly toward her, as though he wanted to head her off and say something before she wandered away to the loo or the betting booths. Well, fine, she thought. She was perfectly willing to be distracted from whatever she would have found to pass the time. When he reached her, he didn’t stop walking, just took her arm and swept her along. She kept up with him, conducted smoothly by a gentle pressure that changed directions subtly, telling her where to go. “I was getting bored,” she said.

His face was empty, and he was looking ahead as they walked. “Don’t talk, just listen. We’ve got to get out of here right now. Some people are here to kill us.” He looked at her for a second. It sounded impersonal, as though he had overheard a weather report.

“What is it?” she whispered. “The IRA?”

Schaeffer didn’t understand the question at first. Even after all the years in England, the whole endless, bitter struggle had remained as remote to him as the wars in Lebanon or Mozambique or El Salvador. People had talked at dinners about The Irish Question and he had only been puzzled by what they thought the question was. “No,” he said after a moment. She certainly would know more about it than he did. “It’s my problem, but I’m sure they’ve seen you.”

“Are you trying to make me feel silly because I told you stories?”

“No,” he said. There was no change in his expression. He was still staring at the people they passed. In spite of her resolve not to be duped, she began to feel afraid. It was impossible, she told herself. Here they were, walking along in the middle of a huge gathering of perfectly respectable people on a sunny afternoon in Brighton. Working women and clerks in London shops loaded their children onto the train and took them here to toss pebbles into the sea and eat the dreadful candy.

But then she made the mistake of reaching to gather more evidence to bolster her cause, and thought about Michael Schaeffer. She knew nothing about him except what he had said. A cold feeling settled in her stomach. She had somehow gone too far, foolishly strayed across some invisible line, and now she was on the other side of it wishing she could scramble back. But she was already too far away, sinking with this man into some horror. She felt small and weak, and the world was sharp-edged and full of eyes watching her.

When Michael led her around the stands and up the road toward the city, she had a moment of relief. “Are Peter and Jimmy bringing the car?”

“They’re dead” he answered.

It hit her senses like a loud, sharp noise, and she felt herself fall another step downward into the horror, as though her foot had slipped on a ladder, before she stopped herself. When she did, she was surprised by her thought: Well, I’m alive. What it meant she didn’t know, but it reassured her in some simple-minded way. After a moment, she realized it had been a question, and since nobody had contradicted her, she began to feel stronger.

They walked along the road until they came to a row of curio shops. There were five of them, and the windows seemed to contain crowded troves of identical china souvenirs, postcards and embroidered placemats, all having to do with the seashore at Brighton. When Michael didn’t go inside the first shop or the second, it occurred to her that whatever was after them was too big for that: it wouldn’t wait, foiled by the simple ploy of hiding in a shop while they ordered a taxi on the proprietor’s telephone. It would roll over them like a tide, not delayed at all by the fear that the old ladies buying china would see it. The thought crossed her mind that Michael was being pursued by the police. But he had said, “Some people are here to kill us,” and the Brighton police didn’t do that; they lived in the same world she did. They tipped their hats and gave people directions. When the bomb had gone off in Mrs. Thatcher’s hotel, they had expressed the same surprise and distress that Margaret had felt. They didn’t think in those terms either.

Michael led her down a long passage between the second and third shops. The buildings were so tall and close, she could feel that the sunlight never fell here. The air was cool and damp and dark, and the stone foundations had a tracing of deep green moss up to where the clapboards began. At the end of the passage, Michael stopped. He put his hand on her shoulder, and she felt affection for him, but then he surprised her by grasping the shoulder strap of her purse and slipping it off.

He stepped forward into the sunlight, and she saw the white flash. It was a man’s arm, and it had a white sleeve on it, and the hand was in a fist. It punched at Michael, fast and hard, like a piston, but Michael had somehow known it was going to do that. He clutched her purse in both hands and caught the punch on it. Then it was all too fast. He had already wrapped the shoulder strap around the white arm, and now he tugged with all his strength.

She saw the man dragged across the entrance of the passage. He was thin and dark, and his hand was still in a fist, but somehow stuck on her purse. There was a strange, alert look on his face as he passed, and for that instant his eyes seemed to stare down the passage at her. She heard three distinct noises, hollow and sharp, like a croquet mallet hitting a ball. Then she heard a scraping sound, as though something were being dragged on the ground along the back of the next shop.

Michael reappeared. Now he was sweating and his hair was hanging in his eyes. He had her purse, and he jerked a knife out of the side of it and hung it on her shoulder. He swept his hair back with his hand. She looked at his face, but there was no expression she could identify as fear or remorse or disgust, which amazed her because she could still hear the three cracks and knew that they had been the sound a man’s head made when it was broken on concrete. Michael was already thinking about something ahead of them in time or space, like a cricket batsman anticipating where the bowler was going to throw the ball.

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