and the less confident. It was something he disliked, and of which he could at last admit, even if only to himself, he was ashamed. A quick temper was one thing, to demand high standards of courage and honesty was good, but to ask of a man more than his ability to give was not only pointless, it was cruel, and in the end destructive.
Every time he went into an unfamiliar police station, he was aware of the possibility that he would meet another reflection of himself he would not like. He dreaded recognition. But he refused to let it shackle him. He went in through the door and up to the desk.
The sergeant was a tall man, middle-aged, with thin hair. There was no expression in his face but polite interest.
Monk breathed a sigh of relief.
“Mornin’, sir,” the sergeant said pleasantly. “What can I do to help you?”
“Good morning,” Monk replied. “I need some information about an incident that happened in your area some months ago. A friend of mine is threatened with involvement in a scandal. Before I undertake to protect him, if I can, I should like to be certain of the facts. All I am looking for is what is recorded.” He smiled. “But from an unimpeachable source.”
The sergeant’s polite skepticism was replaced by a certain understanding.
“I see, sir. And which particular incident would that be?” A look crossed his eyes as if he might already have a good idea, at least of its nature, if not specifically which occasion.
Monk smiled apologetically. “The death of Alexander Gilmer in Little Sutton Street. I am sure you will have records of it and someone who knows the truth.” It was at times like these he missed the authority he used to have when he could simply have demanded the papers.
“Well, sir, the records are here, sure enough, but they won’t be open to the public, like. I’m sure you’ll understand that, Mr.…?”
“I’m sorry. Monk, William Monk.”
“Monk?” Interest flared in the sergeant’s eyes. “Would you be the Mr. Monk as worked on the Carlyon case?”
Monk was startled. “Yes. That was a few years ago now.”
“Terrible thing,” the sergeant said gravely. “Well, I s’pect since you used to be one of us, like, we could tell you all we know. I’ll find Sergeant Walters as was on the case.” And he disappeared for several minutes, leaving Monk to look around at the various wanted posters on the walls, relieved that the sergeant knew of him only since the accident.
Sergeant Walters was a thin, dark man with an enthusiastic manner. He took Monk to a small, chaotic room with books and papers piled everywhere, and cleared a chair by lifting everything off it and putting it all on the floor. He invited Monk to sit down, then perched on the windowsill, the only other space available.
“Right!” he said with a smile. “What do you wanter know about Gilmer, poor devil?”
“Everything you know,” Monk said. “Or as much as you have time and inclination to tell me.”
“Ah! Well.” Walters settled himself more comfortably. It seemed he often sat on the sill. This was apparently the normal state of the room. How he found anything was a miracle.
Monk leaned back hopefully.
Walters stared at the ceiling. “About twenty-nine when he died. Tubercular. Thin. Haunted sort of look to his face, but good features. Not surprised artists wanted to paint him. That’s what he did, you know? Yes, I suppose you do know.” He seemed to be waiting for confirmation.
Monk nodded. “I was told that.”
“Only saw him when he was dead,” Walters went on. He spoke quite casually, but his eyes never left Monk’s face, and Monk formed the very clear impression that he was being measured and nothing about him taken for granted. He could imagine Walters writing notes on him the moment he was gone, and adding them to the file on Gilmer, and that Walters would know exactly where in this chaos the file was.
Monk already knew the name of the artist from Casbolt, but he did not say so.
“Fellow called FitzAlan,” Walters went on when Monk did not speak. “Quite famous. Found Gilmer in Edinburgh, or somewhere up that way. Brought him down here and took him in. Paid him a lot. Then grew tired of him, for whatever reason, and threw him out.” He waited to see Monk’s reaction to this piece of information.
Monk said nothing, keeping his expression bland.
Walters understood, and smiled. It was a measuring of wits, of professionalism, and now they both acknowledged it.
“He drifted from one artist to another,” Walters said with a little shake of his head. “Downhill all the time. Be all right for a while, then he seemed to quarrel and get thrown out again. Could’ve left of his own choice, of course, but since he had nowhere to go, and his health was getting worse, seems unlikely.”
Monk tried to imagine the young man, alone, far from home and increasingly ill. Why would he keep provoking such disagreements? He could not afford it, and he must have known that. Was he a man of ungoverned temper? Had he become an unusable model, the ravages of his disease spoiling his looks? Or were the relationships those of lovers, or by then simply user and used, and when the user grew bored the used was discarded for someone else? It was a sad and ugly picture, whichever of these answers was true.
“How did he die?” he asked.
Walters watched him very steadily, his eyes almost unblinking. “Doctor said it was consumption,” he replied. “But he’d been knocked around pretty badly as well. Not exactly murder, not technically, but morally I reckon it was. I’d find a way to beat the daylights out of any man who treated a dog like that man’d been used. I don’t care what he did to get by or what his nature was.” Under the calm of his manner there was an anger so hot he dared not let it go, but Monk saw it behind his eyes, and in the rigid set of his shoulders and in his arms where the fingers were stiff on the windowsill, knuckles white.
He had found Walters instantly agreeable. Now he liked him the more.
