would necessarily have thought the worse of him.”

“You said he was complex,” Monk prompted. “That sounds like a fairly simple heroism to me.”

Pendreigh stared into the distance. “I knew only what she told me. But even the most idealistic battles are seldom as easy as imagined by those not involved. There are good people on the enemy side also, and at times weak and evil people on one’s own.”

Runcorn shifted position a little uncomfortably, but he did not interrupt, nor did he look away from Pendreigh.

“And battle requires sacrifice,” Pendreigh continued, “not always of oneself, sometimes of others. She told me what a fine leader Kristian was, decisive, farsighted. Where some men would see what would happen one or two moves ahead, he could see a dozen. There was strength in him that set him apart from those less able to keep a cause in mind and understand the cost of victory as well as that of defeat.” His voice was edged with admiration, and now even his shoulders were straight, as if an inner courage had been imparted to him by the thought.

Monk admired it, too, but he was confused. Pendreigh was painting a picture of a man utterly unlike the compassionate and scrupulous person Monk had seen in the fever hospital in Limehouse, or all that he had heard from Callandra. The leader of such inner certainty and strength was of a nature unlike the doctor who labored without judgment of any kind, risking his own life as much for the fever- and lice-ridden beggar as for the nurse like Enid Ravensbrook. How had Hester seen him? A man of compassion, idealism, dedication, moral courage perhaps, but not a man capable of the ruthless leadership Pendreigh described. The Kristian Beck that Hester saw would not have raised his hand against anyone, much less with a sword or a gun in it.

He looked at Runcorn. His face was only slightly puckered. But then he did not know Kristian, he had not even met him until today. This picture that Pendreigh had received from Elissa, and re-created for them, did not contradict any image in his mind.

Could Kristian have changed so much in thirteen years? Or was he a man of two natures, and showed the one that suited his purpose or the need of the time?

Runcorn was staring at him impatiently, waiting for him to say something.

Monk looked directly at Pendreigh. “I’m deeply sorry for your loss, sir. Mrs. Beck was obviously a person of extraordinary courage and honor.”

“Thank you,” Pendreigh said, turning at last to face them fully. “I feel as if the world is darkening, and there will not now be another summer. She had such laughter, such hunger for life. I have no other family left. My wife has been gone many years, and my sister also.” He said the words with very little expression, which made their impact the greater. It was not self-pity but a bleak statement of fact. He spoke with neither courage nor despair but a kind of numbness.

Monk was overtaken by anger on Pendreigh’s behalf, for the profound foolishness of an action which in a moment’s violence had robbed him of so much. He turned to Runcorn, expecting to see him preparing to make their excuses and leave. He was startled to see a confusion of emotions in his face, embarrassment and alarm, an acute knowledge that he was out of his depth. Monk turned back to Pendreigh. “I assume that had you any idea who might be responsible you would have spoken of it?” he asked.

“What? Oh, yes, of course I would. I can only imagine that there was some quarrel with the other poor woman, a lover or whatever, and Elissa was unfortunate enough to witness it.”

“You commissioned the portrait?” Monk continued.

“Yes. Allardyce is a very fine artist.”

“What do you know about him personally?”

“Nothing. But I’ve seen his work in several places. I wasn’t interested in his morality, only his skill. My daughter did not sit alone for him, Mr. Monk, if that is what you are wondering. She took a woman friend with her.”

“Do you know who?”

“No, of course I don’t! I imagine it was not always the same person. If I knew who it was this time, I would have told you. I assume she went to some assignation of her own, and is too shocked and ashamed of having left Elissa to come forward yet.”

Runcorn turned abruptly to Monk, annoyance in his eyes. He should have thought of that himself. “Naturally!” he said, looking back to Pendreigh. “We’ll see if we can learn who it was. We will ask Dr. Beck for a list of possibilities. Thank you, sir. We’ll not disturb you any further.”

“Please . . . let me know what else you learn?” Pendreigh asked, his face stiff with the effort of control.

“Yes sir. As soon as there is anything,” Runcorn promised. “Good day.”

Outside on the pavement, Runcorn started to speak again, then changed his mind and marched down the street in the hope of finding a hansom. Monk followed after, deep in thought.

CHAPTER FOUR

The funeral of Elissa Beck was held the following day, and Monk and Hester attended, although they were unrelated to the deceased. Hester went largely to support Callandra, who would go as someone who had long been a friend of the widower and had worked beside him at the hospital. No one else would know the crushing loneliness she could feel, watching him in this agonizing ritual and excluded by propriety from offering more than a few formal phrases. She must not linger or show more than the usual emotion anyone might feel.

Monk went to observe, in the vague hope that he might see an expression or overhear a word which would lead him closer to the truth. He hoped profoundly it was as Fuller Pendreigh had said: Sarah Mackeson was the intended victim, Elissa only a tragic intrusion at the worst possible moment.

It was a very moving affair, held in the High Anglican Church with all the weight of spectacle accorded the death of someone who had been brave and beautiful, and deeply loved.

The fog had closed in again, thick yellow-gray in the weak daylight. One of the feathermen waving the black ostrich plumes began to cough as the chill of it caught in his throat. Another stood red-nosed and shivering.

Like everyone else, Hester was dressed in black, not the dead, light-consuming fabric of true mourning, where

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