understand.
He also needed her to keep a very calm mind and to think: to work it out detail by detail and not act before she was certain—not only of the truth, but that she could prove it so it could not be ignored. It is very difficult indeed to make people believe what is against all their emotions: the conviction of friend and enemy years-deep, paid for in blood and loss.
She was still standing on the pavement. A small crowd had gathered because of the violence and the police just over a hundred yards away. They were staring, wondering what was the matter with her.
She swallowed, straightened her skirt, then turned yet again and walked back toward where she judged to be the best place to find a carriage to take her to Molesworth Street. There were many practical considerations to weigh very carefully. She was completely alone now. There was no one at all she could trust. She must consider whether to remain at Mrs. Hogan’s or if it would be safer to move somewhere else where she would be less exposed. Everyone knew she was Narraway’s sister.
But where else could she go? How long would it take anyone to find her again in a town the size of Dublin? She was a stranger, an Englishwoman, on her own. She knew no one except those Narraway had introduced her to. A couple of hours’ inquiries would find her again, and she would merely look ridiculous, and evasive, as if she had something of which to be ashamed.
She was walking briskly along the pavement, trying to appear to know precisely where she was going and to what purpose. The former was true. There was a carriage ahead of her setting down a fare, and she could hire it if she was quick enough. She reached the carriage just as it began to move.
“Sir!” she called out. “Will you be good enough to take me to Molesworth Street?”
“Sure, an’ I’ll be happy to,” the driver responded, completing his turn and pulling the horse up.
She thanked him and climbed up into the carriage, feeling intensely grateful as the wheels rumbled over the cobbles and they picked up speed. She did not turn to look behind her; she could picture the scene just as clearly as if she were gazing upon it. Narraway should still be in the house, manacled like any other dangerous criminal. He must feel desperately alone. Was he frightened? Certainly he would never show any such weakness.
She told herself abruptly to stop being so useless and self-indulgent. Pitt was somewhere in France with nobody else to rely on, believing Narraway was still at Lisson Grove. Not even in his nightmares would he suppose Narraway could be in Ireland under arrest for murder, and Lisson Grove in the hands of traitors. Whatever she felt was irrelevant. The only task ahead was to rescue Narraway, and to do that she must find the truth and prove it.
Talulla Lawless knew who had killed Cormac because it had to be someone the dog would not bark at: therefore someone who had a right to be in Cormac’s home. The clearest answer was Talulla herself. Cormac lived alone; he had said so the previous evening when Charlotte had asked him. No doubt a local woman would come in every so often and clean for him, and do the laundry.
Why would Talulla kill him? He was her uncle. But then how often was murder a family matter? She knew from Pitt’s cases in the past, very much too often. The next most likely answer would be a robbery, but any thief breaking in would have set the dog into a frenzy.
Still, why would Talulla kill him, and why now? Not purely to blame Narraway, surely? How could she even know that he would be there to be blamed?
The answer to that was obvious: It must have been she who had sent the letter luring Narraway to Cormac’s house. She of all people would be able to imitate his hand. Narraway might recall it from twenty years ago, but not in such minute detail that he would recognize a good forgery.
That still left the question as to why she had chosen to do it now. Cormac was her uncle; they were the only two still alive from the tragedy of twenty years ago. Cormac had no children, and her parents were dead. Surely both of them believed Narraway responsible for that? Why would she kill Cormac?
Was Narraway on the brink of finding out something Talulla could not afford him to know?
That made incomplete sense. If it were true, then surely the obvious thing would be to have killed Narraway?
She recalled the look on Talulla’s face as she had seen Narraway standing near Cormac’s body. She had been almost hysterical. She might have a great ability to act, but surely not great enough to effect the sweat on her lip and brow, the wildness in her eyes, the catch in her voice as it soared out of control? And yet never once had she looked at Cormac’s body—perhaps she already knew exactly what she would see? She had not gone to him even to assure herself that he was beyond help. There had been nothing in her face but hate—no grief, no denial.
Charlotte was oblivious to the handsome streets of Dublin as the carriage drove on. It could have been any city on earth, so absorbed was she in thought. She was startled by a spatter of cold rain through the open window that wet her face and shoulder.
How much of this whole thing was Talulla responsible for? What about the issue of Mulhare and the embezzled money? She could not possibly have arranged that.
Or was someone in Lisson Grove using Irish passion and loyalties to further their own need to remove Narraway? Whom could she ask? Were any of Narraway’s supposed friends actually willing to help him? Or had he wounded or betrayed them all at one time or another, so that when it came to it they would take their revenge? He was totally vulnerable now. Could it be that at last they had stopped quarreling with one another long enough to conspire to ruin him?
Perhaps Charlotte had no right to judge Narraway’s Irish enemies. What would she have felt, or done, were it all the other way around: if Ireland were the foreigner, the occupier in England? If someone had used and betrayed her family, would she be so loyal to her beliefs in honesty or impartial justice? Perhaps—but perhaps not. It was impossible to know without one’s having lived that terrible reality.
Yet Narraway was innocent of killing Cormac—and she realized as she said this to herself that she thought he was no more than partially responsible for the downfall of Kate O’Neil. The O’Neils had tried to use him, turn him to betray his country. They might well be furious that they had failed, but had they the right to exact vengeance for losing?
She needed to ask help from someone, because alone she might as well simply give up and go back to London, leaving Narraway to his fate, and eventually Pitt to his. Before she reached Molesworth Street and even attempted to explain the situation to Mrs. Hogan, which she must do, she had decided to ask Fiachra McDaid for help.
“WHAT?” MCDAID SAID INCREDULOUSLY when she found him at his home and told him
