grouchily. A makeup man walked over and powdered her neck. She made him hold up a mirror so she could check his work.
'Remember, Fletcher,' Lloyd went on, 'I don't want you to actually kiss her neck-just anticipate the kiss. All right, then; let's walk it through.'
Francesca took her place, only to suffer through another interminable delay while more lighting adjustments were made. Then someone noticed a damp patch on the back of Fletcher's morning coat where he had sweat through, and Sally had to bring a substitute coat from the costume trailer.
Francesca stamped her foot. 'How much longer do you expect to keep me standing here? I won't put up with it! I'll give you exactly five more minutes, Lloyd, and then I'm leaving!'
He gave her a chilly glare. 'Now, Francesca, we have to be professional. All these other people are tired, too.'
'All these other people aren't wearing ten pounds of costume. I'd like to see how professional they'd be
if they were bloody well suffocating to death!'
'Just a few more minutes,' he said placatingly, and then he clutched his hands into fists and pulled them dramatically toward his chest. 'Use the tension you're feeling, Francesca. Use the tension in your scene. Pass your tension on to Lucinda-a young girl sent to a new land to marry a man who is a stranger. Everyone quiet. Quiet, quiet, quiet. Let Francesca feel her tension.'
The boom man, who'd been preoccupied with Francesca's cantilevered breasts for the better part of the day, leaned toward the cameraman. 'I'd like to feel her tension.'
'Stand in line, bro.'
Finally the new morning coat arrived and the scene was shot. 'Don't move!' Lloyd called out as soon they were done. 'All we need is one close-up of Fletcher kissing Francesca's neck and we'll wrap for
the day. It'll only take a second. Everybody ready?'
Francesca groaned, but she held her position. She'd suffered this long-a few more minutes wouldn't matter. Fletcher put his hands on her shoulders and picked up her hair. She hated having him touch her. He was definitely common, not her sort of man at all.
'Curve your neck a little more, Francesca,' Lloyd instructed. 'Makeup, where are you?'
'Right here, Lloyd.'
'Come on, then.'
The makeup man looked vague. 'What do you need?'
'What do I
'Oh, ri-i-ight.' The makeup man grimaced apologetically, then called out to Sally, who was standing just behind the camera. 'Hey, Calaverro, reach into my box, will you, and toss me over Fletcher's fangs?'
Fletcher's
Francesca felt the bottom drop out of her stomach.
Chapter 7
'Fangs!' Francesca screeched. 'Why is Fletcher wearing fangs?'
Sally slapped the odious objects into the makeup matfs hand. 'It's a vampire picture, sweetie. What do you expect him to wear-a G-string?'
Francesca felt as if she'd stumbled into some terrible nightmare. Jerking away from Fletcher Hall, she rounded on Byron. 'You lied to me!' she shouted. 'Why didn't you tell me this was a vampire picture? Of all the miserable, rotten- My God, I'll sue you for this; I'll sue you to within an inch of your ridiculous life. If you think for one moment I'll let my name appear on-on-' She couldn't say the word again, she absolutely couldn't! A vision of Marisa Berenson flicked into her mind, the exquisite Marisa hearing about what had happened to poor Francesca Day and laughing until rivulets of tears ran down her alabaster cheeks.
Clenching her fists, Francesca cried, 'You tell me right this minute exactly what this odious film is about!'
Lloyd sniffed, clearly offended. 'It's about life and death, the transfer of blood, the very essence of life passing from one person to another. Metaphysical events of which you apparently know nothing.' He stalked away in a huff.
Sally stepped forward and crossed her arms, obviously enjoying herself. 'The film's about a bunch of stewardesses who rent a mansion that's supposed to be haunted. One by one they get their blood sucked by the former owner-good old Fletcher, who's spent the last century or so pining for his lost love Lucinda. There's a subplot with a female vampire and a male stripper, but that's closer to the end.'
Francesca didn't wait to hear any more. Shooting a furious glance at all of them, she swept from the set. Her hoopskirt rocked from side to side and the blood boiled in her veins as she dashed out of the mansion and toward the trailers in search of Lew Steiner. They'd made a fool of her! She had sold her clothes and traveled halfway around the world to play a minor part in a vampire movie!
Quivering with rage, she found Steiner sitting at a metal table under the trees near the food truck. Her hoopskirt tilted up in the back as she came to a sudden stop, banging against the table leg. 'I accepted this job because I heard Mr. Byron had a reputation as a quality director!' she declared, stabbing the air with a harsh gesture directed roughly toward the plantation house.
He looked up from a half-eaten ham on rye. 'Who told you that?'
An image of Miranda Gwynwyck's face, smug and self-satisfied, swam before her eyes, and everything became blindingly clear. Miranda, who was supposed to be a feminist, had sabotaged another woman in
a misguided attempt to protect her brother.
'He told me he was making a spiritual statement!' she exclaimed. 'What does any of this have to do
with spiritual statements-or life force or Fellini, for God's sake!'
Steiner smirked. 'Why do you think we call him Lord Byron? He makes crap sound like poetry. Of course, it's still crap when he's done with it, but we don't tell him that. He's cheap and he works fast.'
Francesca searched for some misunderstanding, for the small ray of hope her optimistic soul demanded. 'What about the Golden Palm?' she asked stiffly.
'The Golden what?'
'Palm.' She felt like a fool. 'The Cannes Film Festival.'
Lew Steiner stared at her for a moment before he released a belly laugh that brought with it a small
chunk of ham. 'Honey, the only 'can' Lord Byron's ever had anything to do with is the kind that flushes. The last picture he did for me was
Francesca could barely force the words from her mouth. 'And he actually expected me to appear in a vampire picture?'
'You're here, aren't you?'
She made up her mind immediately. 'Not for long! I'll be back with my suitcases in exactly ten minutes, and I expect you to have a draft waiting for me to cover my expenses as well as a driver to take me to
the airport. And if you use a single frame of that film you shot today, I'll bloody well sue you to within
an inch of your worthless life.'
'You signed a contract, so you won't have much luck.'
'I signed a contract under false pretenses.'
'Bullshit. Nobody lied to you. And you can forget about any money until you're finished shooting.'
'I demand to be paid what you owe me!' She felt like some dreadful fishwife bargaining on a street corner. 'You have to pay me for my travel. We had an agreement!'
'You're not getting a penny until you're done with your last scene tomorrow.' He raked his eyes over her unpleasantly. 'That's the one Lloyd wants you to do nude. The deflowering of innocence, he calls it.'
'Lioyd will see me nude the same day he wins the Golden Palm!' Turning on her heel, she began to storm away only to have one of the hateful pink flounces on her skirt catch on the corner of the metal table. She jerked it free, tearing it in the process.