Lone Wolf

“The temporary guardian, she said something today I can’t get out of my head. She said you would have been hurt because I left. I guess I always figured you were thrilled. That you’d gotten rid of the son who was nothing like you. But it turns out that I’m exactly like you. I walked away from my family, too. I realized too late I’d made the biggest mistake of my life. I didn’t belong in Thailand, and I didn’t belong here. I was just… caught somewhere in the middle.”

Breathe in, out. In, out.

“There’s something else I realized, too. You never said you wished I was more athletic or outdoorsy or straight. I was the one who was so sure I didn’t measure up. And that’s probably because there was nobody else like you. So how could I ever come close?”

I look down at him, still and slack. “What I’m trying to say is that I blamed you, when it was me all along.”

I reach for my father’s hand. The last time I held it I must have been very small, because I do not remember this at all. How weird, to start and end at the same place, to be the child hanging on to a parent for dear life. “I’m going to take care of her. No matter what happens tomorrow,” I tell him. “I thought you should know I’m back for good.”

My father doesn’t respond. But in my mind, I can hear his voice, booming and clear.

It’s about time.

Finally, I let myself cry.

By the time I return to the house, it is after midnight. Instead of falling into bed, though, or even just collapsing on the couch, I go to the attic. I haven’t been up there and I have to use my phone as a flashlight, but I manage to rummage through boxes of old tax documents and moth-eaten clothing, some DVD sets of the Animal Planet shows and a bin full of my high school notebooks before I find what I’m looking for. The frames are stacked in a corner with layers of newspaper between them.

The surge of relief I feel when I realize these weren’t thrown out is a shot of pure adrenaline. I carry them all downstairs.

There’s one hallway in my father’s house with photographs. They are all of Cara, except for two of my dad with some of his wolves, and one of them together.

Every year, my mother made us take a picture for our Christmas card. Usually it was August when she was inspired, and usually I had to wear the heaviest, itchiest sweater I owned. Since we didn’t have any snow then, she’d make us pose with all the trappings of Christmas, hats and scarves and mittens, as if our relatives and friends were too dumb to tell from the scenery that it was summer in New England. Every year, she framed the photo and gave it to my father for Christmas. And every January, he hung it in the stairwell.

I sort through the pictures of me and Cara. There’s one where she’s so little, I’m carrying her. Then the one where her pigtails stick out like silk tufts from each side of her head. There’s the one where I have braces and the one where she does. There’s the last photo we took together, before I left.

It’s strange to see myself six years younger. I look wiry and nervous. I’m staring at the camera, but Cara’s staring at me.

I hang the photographs up along the stairwell, taking down Cara’s individual school portraits. I leave up the two of my father with his wolves. Then I stand back, reading my history on the wall.

The last picture I hang is one I remember well. It was the last vacation we took as a family, before my father went to Quebec. My dad and I stand with our feet in the water on the beach at Hyannis. My mom is piggybacked on him, and Cara is piggybacked on me. Looking at us, with our tanned faces and our white teeth and our wide smiles, you’d never know that, in three years’ time, my father would go off to live in the woods. You’d never know that he would have an affair. That I would leave without saying good-bye to anyone. That there would be an accident that changed everything.

This is what I like about photographs. They’re proof that once, even if just for a heartbeat, everything was perfect.

The next morning I oversleep. I throw on the same shirt I was wearing the day before and my father’s buffalo plaid jacket and slide into a seat beside Joe as the clerk is telling us to rise for the Honorable Armand LaPierre.

“Nice of you to show up,” Joe murmurs.

For a long, silent minute, the judge sits with his head bowed, tearing at his hair. “In all my years of sitting on the bench,” he says finally, “this has been one of the most difficult cases over which I’ve presided. It’s not every day you have to make a decision about life and death. And I also realize that whatever decision I make will not be a happy decision for anyone.”

He takes a deep breath and perches his glasses on the edge of his nose. “The fact that Cara is only seventeen is immaterial to me, given the circumstances. She lived with her father, she had a close relationship with him, she is as competent of making a decision as she will be in three months’ time. Given her brother’s absence for six years, I consider her on an equal par with Edward in terms of her ability to act as guardian for her father. I cannot discount the fact that the decision I make today might take away a father from a young girl who gets great reassurance out of simply knowing he’s still part of her world, even if he is in a vegetative state. Furthermore, he’s only been in this state for thirteen days.

“Yet I am also cognizant of the irrefutable testimony of Dr. Saint-Clare, who has stated that it is beyond a reasonable doubt that Mr. Warren will not recover from his injuries and will continue to deteriorate. When you look at the precedents set by earlier decisions like this-Cruzan and Schiavo and Quinlan-the outcome has always been death. Mr. Warren is going to die. The question is, will it be tomorrow? A month from now? A year from now? You want me to make that decision, and in order to do that, I need to determine what Luke Warren would have wanted.”

Pursing his lips, he continues. “Ms. Bedd looked at the swath Mr. Warren cut through television and publishing media, and came to her conclusion. But to look at Mr. Warren in the public eye is not necessarily to see the man behind the celebrity. And the only concrete evidence I have of the way and manner in which Mr. Warren lived his life is a conversation he had with his son saying that if he were in this very situation, he’d want to terminate life- sustaining measures. A conversation that was reinforced on paper in a handwritten, signed advance directive.” He glances at me. “Moreover, on Mr. Warren’s driver’s license, he indicated a desire to be an organ donor. We can see this as further evidence of his personal wishes.”

The judge takes off his reading glasses and turns to Cara. “Honey, I know you don’t want to lose your father,” he says. “But yesterday, I spent an hour at his bedside, and I think you’d have to agree with me-your father’s not in that hospital anymore. He’s already gone.” He clears his throat. “For all of these reasons and after great consideration, I’m awarding permanent guardianship to Edward Warren.”

It’s not really the kind of verdict that you get congratulated on. A small knot of support forms around Cara, and before I can say anything to her, Joe takes me away to get the paperwork I’ll need to present to the hospital, so that they will terminate my father’s life support, and schedule an organ donation.

I drive myself to the hospital, and spend an hour talking to Dr. Saint-Clare and the donor coordinator. I sign my name to forms and nod as if I am taking in everything they say, going through the same motions I went through six days ago. The only difference is that this time, when I don’t have to talk to Cara, I know I want to.

She’s curled up on my father’s bed, her face still wet with tears. When I walk in, she doesn’t sit up. “I knew I’d find you here,” I say.

“When?” she asks.

I don’t pretend to misunderstand. “Tomorrow.”

Cara closes her eyes.

I imagine her staying here all night. My mom and Joe probably gave her permission, under the circumstances. And I can’t imagine any of the ICU nurses would kick her out. But if she wants to say good-bye to our father, I also know this isn’t the place she needs to be.

I reach into my pocket for my wallet and pull out the photo I took from my father’s billfold, the one of me as a little kid. I slip it underneath my dad’s pillow, and then hold out my hand to her, an invitation.

“Cara,” I say. “There’s something I think you should hear.”