I Shall Wear Midnight

Fash:

worry, upset

Geas:

a very important obligation, backed up by tradition and magic. Not a bird

Gonnagle:

the bard of the clan, skilled in musical instruments, poems, stories and songs

Hag:

a witch, of any age

Hag o’ hags:

a very important witch

Hagging/Haggling:

anything a witch does

Hiddlins:

secrets

Kelda:

the female head of the clan, and eventually the mother of most of it. Feegle babies are very small, and a kelda will have hundreds in her lifetime

Lang syne:

long ago

Last World:

the Feegles believe that they are dead. This world is so nice, they argue, that they must have been really good in a past life and then died and ended up here. Appearing to die here means merely going back to the Last World, which they believe is rather dull

Mudlin:

useless person

Pished:

I am assured that this means ‘tired’

Schemie:

an unpleasant person

Scuggan:

a really unpleasant person

Scunner:

a generally unpleasant person

Ships:

woolly things that eat grass and go baa. Easily confused with the other kind

Spavie:

see

Mudlin

Special Sheep Liniment:

probably moonshine whisky, I am very sorry to say. No one knows what it’d do to sheep, but it is said that a drop of it is good for shepherds on a cold winter’s night and for Feegles at any time at all. Do not try to make this at home

Spog:

a small leather bag at the front of a Feegle’s kilt, which covers whatever he presumably thinks needs to be hidden, and generally holds things like something he is halfway through eating,

something he’d found that now therefore belongs to him, and quite often — because even a Feegle can catch a cold — it might hold whatever he was using as a handkerchief, which might not necessarily be dead

Steamie:

only found in the big Feegle mounds in the mountains, where there’s enough water to allow regular bathing; it’s a kind of sauna. Feegles on the Chalk tend to rely on the fact that you can only get so much dirt on you before it starts to fall off of its own accord

Waily:

a general cry of despair

Author's Note

AUTHOR’S NOTE

My job is to make things up, and the best way to make things up is to make them out of real things …

When I was a small boy, just after the last Ice Age, we lived in a cottage that Tiffany Aching would recognize: we had cold water, no electricity, and took a bath once a week, because the tin bath had to be brought in from its nail, which was outside on the back of the kitchen wall; and it took a long time to fill it, when all my mother had to heat water with was one kettle. Then I, as the youngest, had the first bath, followed by Mum and then Dad, and finally the dog if Dad thought it was getting a bit niffy.

There were old men in the village who had been born in the Jurassic period and looked, to me, all the same, with flat caps and serious trousers held up with very thick leather belts. One of them was called Mr Allen, who wouldn’t drink water from a tap because, he said, ‘It’s got neither taste nor smell.’ He drank water from the roof of his house, which fed a rain barrel.

Presumably he drank more than rainwater, because he had a nose that looked like two strawberries that had crashed into one another.³¹

Mr Allen used to sit out in the sun in front of his cottage on an old kitchen chair, watching the world go by, and we kids used to watch his nose, in case it exploded. One day I was chatting to him, and out of the blue he said to me, ‘You seen stubbles burning, boy?’

I certainly had: not near our home, but when we drove down to the coast on holiday, though sometimes the smoke from the burning stubbles was so thick that it looked like a fog. The stubbles were what was left in the ground after most of the corn stems had been cut. The burning was said to be good for getting rid of pests and diseases, but the process meant lots of small birds and animals were burned. The practice has long since been banned, for that very reason.

One day, when the harvest wagon went down our lane, Mr Allen said to me, ‘You ever seen a hare, boy?’

I said, ‘Yes, of course.’ (If you haven’t seen a hare, then imagine a rabbit crossed with a greyhound, one that can leap magnificently.) Mr Allen said, ‘The hare ain’t afraid of fire. She stares it down, and jumps over it, and lands safe on the other side.’

I must have been about six or seven years old, but I remembered it, because Mr Allen died not long afterwards. Then when I was much older, I found in a second-hand bookshop a book called The Leaping Hare written by George Ewart Evans and David Thomson, and I learned things that I would not have dared to make up.

Mr Evans, who died in 1988, spoke — during his long life — to the men who worked on the land: not from the cab of a tractor, but with horses, and they saw the wildlife around them. I suspect that maybe they had put a little bit of a shine on the things they told him, but everything is all the better for a little bit of shine, and I have not hesitated to polish up the legend of the hare for you. If it is not the truth, then it is what the truth ought to be.

I dedicate this book to Mr Evans, a wonderful man who helped many of us of us to learn about the depths of history over which we float. It is important that we know where we come from, because if you do not know where