disappearance of Etta Place was the great mystery of the Butch Cassidy legend and no one knew what had happened to her. He said she left Patagonia around 1908 and she was carrying Sundance’s child. No one knew where she went, he said; they all assumed she went back to Kansas but he had found out that she caught the boat to Wales. He said she died on the crossing but gave birth to a daughter called Laura and this was Sundance’s daughter, and he wanted to find out what happened to her. So naturally I agreed to help him; wouldn’t that be a feather in my cap, I thought, if I helped find the Sundance Kid’s granddaughter in Aberystwyth? Well, it wasn’t too difficult to find out what happened to the girl – born out of wedlock wasn’t she? I sent him to Jezebel College in Lampeter. They’ve got all sorts of advanced techniques for tracing girls like that.’ She paused and took a breath as if the next bit was particularly difficult. ‘A week later he came back with a photocopy from the workhouse records, and if a marriage register. He also had a photo of a grave. He told me Etta Place died on the voyage and her daughter went to the workhouse. When she left she married a plumber.’ She stood up, went over to a sideboard and opened a drawer. She brought an envelope over and handed it to me.
‘I found that chit to the Pier cloakroom in the alley, you see, and redeemed it. There were three photos, the Butch Cassidy one and these.’
I took two photos from the envelope. One was a picture of the simpleton at Tadpole’s house. The other was a snap of a slate headstone: a plain mauve crooked slab of stone, surrounded by weeds, in a churchyard on a hill. The name was Laura Llantrisant. If it was the grave of Etta Place’s daughter, it meant she must have married and taken the name Llantrisant. Her daughter – the Sundance Kid’s granddaughter – was the woman who’d swabbed my step for twenty years, Mrs Llantrisant.
‘I removed them, you see. Just left the Sundance Kid picture and re-deposited it, then put the chit back in the alley.’ Mrs Jones’s voice broke into a flood of tears. ‘I had an arrangement with the girls out at Jezebel College. They were going to say it was . . . it was me. . . . Oh, it’s just not fair! Why couldn’t I be Sundance’s granddaughter?’ She sobbed into her hands. ‘Why not me instead of that silly bitch? That awful, step-swabbing, holier-than-thou, gossiping busybody, Mrs Llantrisant!’
Chapter 20
THE MAN IN the fedora hat was sitting at the desk writing a report when I returned. His briefcase was open, papers spilling out. The bottle of Captain Morgan was hardly touched. He looked up and smiled.
‘What happened, forget your umbrella?’
‘Something like that.’
‘I made a few calls, I’ve left some money.’
‘There’s no need; they’re on the house. Always happy to help an operative of the famous Pinkerton Detective Agency.’
He pushed the papers away, leaned back and grinned. ‘I knew you’d work it out pretty quickly.’
‘It wasn’t hard. As you said, Elijah went to see the world’s leading expert on Butch and Sundance.’
‘My name’s Joe Winckelmann.’ He held out his hand and we shook.
‘That your real name?’
He laughed. ‘One of them.’
‘Care to finish the story?’
‘There’s not much more to tell. I was a junior at the time, just joined the Pinkertons and I started at the bottom – everyone does. It was my job to deal with the cranks who walked in off the street from time to time with some dramatic new lead on the Butch Cassidy case. We used to get one or two a month. So when Elijah turned up, they sent him to see me. But I could see straight away he was different from the usual nuts. For a start, he didn’t give a damn about Butch Cassidy. He wouldn’t have cared if Butch Cassidy had turned up and danced a polka on his head. He had a different bee in his bonnet. He had this Hoffmann thing and his point was simple. He reasoned it out like this. How did Hoffmann know that Caleb Penpegws had the coat? The woman who stole it from Eichmann must have tipped him off. How did she know it was of any great significance? She didn’t, until the spooks tracked her down and asked what she did with it. She said she had sold it to a soldier, which was true. She said she didn’t know who he was. Maybe that was true, maybe it wasn’t. But she clearly wasn’t stupid. After those spooks left she must have thought about it and asked herself, what could be so important about the coat that some spies would track her down for it? So she sent someone to get the coat back. She sent Hoffmann. That means the woman researching her family tree in the library must know Hoffmann. Therefore, if you can find her, the granddaughter of Etta Place, you can solve the Hoffmann mystery. But, equally, if you could find him you could find her – it works both ways. It was a strange sort of symbiosis. Of course, Elijah didn’t deal straight goods with me; he didn’t tell me all this at the time. But I was young and ambitious and keen to progress in the organisation and I knew there was no better way to make a name for myself than by solving the Pinkerton’s most celebrated unsolved case. So I snooped on Elijah a bit.’ He took another long drink of rum.
‘I went to the hotel where he stayed and searched his room; listened in to his phone conversations; gradually built up the picture. Over the years we met a number of times. It was one of those strange relationships – I knew if he ever cracked the Hoffmann case it would lead to Etta Place; and he knew if I ever solved the Etta Place mystery it would lead to Hoffmann.
‘And so the years passed and we both grew old. I worked on plenty of other cases, and no doubt so did he in his world of smoke and shadows. But it always haunted me, that Hoffmann angle; in my heart it kept on bubbling away. Then earlier this month a clipping bureau sent me the story from the
‘So who was Absalom?’
‘I’m not sure. There have been a lot of spooks working the case over the years, so he could be anyone. Elijah says Absalom was his brother. It could be true.’
‘Why would he come to Wales now, after all these years?’
‘I don’t know. I have a hunch it must be something to do with the movie
‘I had the impression you’ve been following me for about a week.’
‘I have.’
‘You didn’t come because of the fax Calamity sent you, then?’
‘No, no faxes. As I said, I’m not here officially. This is a private matter.’
I refilled his glass and poured one for myself. ‘How would you like to meet the granddaughter of Etta Place and the Sundance Kid?’
He grinned.
‘She’s very old and frail. I’m not sure if she could take the publicity if this got out.’
‘It wouldn’t have to. As I said, this is a personal thing, the end of a lifetime’s quest. No one has to know.’
‘Have you got a manual in that briefcase?’
‘What sort of manual?’
‘You know, the standard-issue Pinkerton agent’s manual. Art and praxis of the hunch, interrogative misdirection, that sort of stuff.’
He reached into his case and pulled out a book. ‘Sure.’
‘A recent edition?’
‘The current one.’
‘Can I have it? It’s a present for someone.’
He slid the book across the desk. ‘Be my guest. I can always requisition a new one.’
‘If I take you to see Etta’s granddaughter, will you do something in return?’
