wouldn't say, or had forgotten altogether. And of course there was her
''Behavior?''
She peers into the rain that falls between us, pulls tight the scaffolding of lines inscribed over her forehead and empty cheeks.
''Indecency. Lived like a gypsy. Camping out in the woods here. And when they bathed, they'd just go down to the water without a stitch on and wash themselves right out there in plain sight. In the middle of the day. Starkers.''
''And this--''
''Was a terrible
I say nothing to this, but she must take it as solemn agreement, because she draws a racking breath and continues with renewed volume. Behind her something scuttles away through the leaves.
''Well, there wasn't anything for us to do, was there? We had those poor kids of hers to consider in the long term, you see. So we got her put away at Bishop's Hospital up the road there, which isn't a real hospital at all, it being nothing more than where the old folks with no family were put and some of the boys that came back not quite right from the war. And which would've been all right if she hadn't busted out.''
The old woman coughs once and sends a pearl of spit tumbling through the air at such velocity that my ducking lunge comes a full second too late.
'' 'Twas the winter after she was put away that she went and escaped and she was
''Mrs. Arthurs, I really must be getting--'' I start, but a drop of rain that lands directly in my eye cuts me off and for a moment Mrs. Arthurs is washed away in tears. When they clear I see that she now struggles to hold back her own.
''There was nothing else for it,'' she goes on finally. ''And so it was that my own Duncan along with some of the other men in town got together and went into the woods--these woods right round here--to find her out. Hunt her down. And when they came upon her they found her lying in the tree trunk she'd made as her bed, talking to herself like the madwoman she was. Well, the men had a meeting right there among themselves and decided that instead of taking her back to the hospital where she'd just get out again, they might as well go ahead and put an end to the matter.''
''An end to
She glances out at the lake again, nods once as though answering a question distinct from my own.
''But she was fast. Faster than any of them expected. Chased her all the way down out of the bush and onto the ice that was breaking up under the first days of spring sun, though all the men had the sense to stop at the bank. Stood there and watched her, just like I did, for I'd heard all their whooping from up here and come down to see for myself. All of them there--the bank manager and the fellows who ran the town stores and the ones who worked the quarry--all the men of Murdoch watching her out on the middle of the ice. We could see it was cracking, the water bubbling up dark around her feet. But that wretched woman, do you know what she did? Turned round to us and gave us a look. Just gave us this long
She smacks her lips closed, presses them white.
''That's quite a story, Mrs. Arthurs.''
'' 'Tisn't a story.''
I take another step and pull up my lapel to combat the cold that's now reached below my skin to the bones. Only now does the old woman move aside to let me pass.
''A question,'' I say when I'm standing beside her at the top of the slope, surprised to find that on even ground she's not much broader than the trees around her and little more than half my height. ''Why do you believe the Lady in the Lake has anything to do with this? I mean, you have to admit, the likelihood--''
''Do you have any children of your own, Mr. Crane?''
''No, I don't.''
''Ah, well then,'' she says, and shoos me off with a wave of her hand. ''You wouldn't know then, would you?''
''Know what, Mrs. Arthurs?''
''What a mother or father will do.''
I head back into the trees, leave her to collect whatever wood she'd require to cook her dinner, to her crossword puzzle and view of the weed-choked shore. It isn't until I've found the path again that I call back to her.
''About the Lady. How many children did she have?''
''Two girls,'' the old woman shouts through the trees. ''Isn't that a pickle?''
chapter 13
When I get back to the hotel I open the binder marked WITNESS INTERVIEWS and scribble Helen Arthurs's name at the top of the first page. She is, after all, the first person who'd spoken to me about the case, not to mention the first to provide me with an alternative theory outside of those I'd already come up with. Unfortunately for Thom Tripp, that theory involved a woman who'd been dead for over fifty years rising out of the lake and taking her victims back down with her. Not the sort of thing that meets the credibility threshold of the dimwits of a typical jury, let alone most senior members of the judiciary. Nevertheless, I end up transcribing the whole of Mrs. Arthurs's quaint rural myth in as much detail as I can recall. An hour later I've filled twelve handwritten pages, having thrown in a few supplementary details of my own for the hell of it. When I'm finished, however, I realize the morning's totally shot and I haven't yet performed a minute of useful work for my client.
The list of potential witnesses Goodwin provided me with is composed almost entirely of those who can only support the Crown's case and do no good to my own. Not surprising, given that there's only three people who can speak directly to what happened that Thursday in May: two have disappeared and the other appears to be in the process of losing his mind. So, more to avoid continuing the labored review of documentary evidence than for any other reason, I start to call some of the victims' school friends to see if I can arrange an interview.
The first four numbers yield only startled mothers explaining that their kids are in school, each of them demanding, ''Who