And God save the Queen. Pittle wasn't kidding when he described Dundurn's work as amateur. White Man came, White Man saw, White Man sold it all off cheap. The same story that could apply to virtually every Canadian town.
Scan down through the rest of the Economic Origins section and start again at Social Character.
I skip ahead again to what Pittle must have wanted me to find in the first place: Appendix: Murdoch's Lady in the Lake. The whole section taking up only a page and a half, but more or less summarizing events as Mrs. Arthurs related them to me. Dundurn's tone is just as serious with this material, though, treating it with the same sober consideration as Murdoch's honored contributions to both World Wars, the suffering during the Depression, and the Queen Mum's ribbon-cutting visit at the new, ''state-of-the-art'' high school in the early sixties. At moments the writing even slides into obvious sentiment, an effort to capture the dramatic details with a flourish of language.
No mention of the daytime skinny-dips or the male visitors she may have entertained. Nothing about the state-sanctioned hysterectomy or the townsmen who flushed her out onto the ice. But there is a brief telling of her escape from Bishop's Hospital, the ''mysterious'' and ''accidental'' drowning, her voice calling out to any who might have heard on the shore, to her daughters, to ''the wicked, war-torn world.'' Then there's a double-spaced gap separating all of the preceding from a rather strange summation:
The chapter ends here, with this insertion of amateur metaphysics to go along with the amateur history. Still, there's something in this section of Dundurn's writing that feels different from the rest. The brief emergence of a voice. Intent, fervent. Something personal.
There's nothing to do but go to bed myself now. Empty my pockets out onto the flaky varnished surface of the dresser. The sound the coins make like an ancient machine clattering to its final stop.
I place Dundurn's book there on top of the change and spiraled tufts of lint, but something in the angle of the spine flips the back cover open a second after I pull my hand away. There, glued to the inside of the last page, a small yellow envelope holding the Due Date card.
Pull it out with my thumb and lay it flat, run my finger under the stamped dates and handwritten names. Last borrowed only six months ago. The signature the same as the one beside the X at the bottom of my Form of Retainer. My client. Thomas R. Tripp.
Iconfess it's something of a personal lawyer joke that my worst mark at law school was in Professional Ethics. Would never have taken it at all if it hadn't been mandatory, which could be said for most of my colleagues as well. But at least they went to the trouble of faking it, offering up the ''right'' answer for every hypothetical put to them by the forty-five-grand-a-year Justice Ministry schmuck hauled in to teach it. From what little I can recall, the entire course could be broken down into a handful of fundamental rules one had to repeat a dozen times out loud in order to pass:
Don't take
Take a good long look before accepting sex from clients in exchange for fees.
Try not to lie, but if you feel you must, try first to say nothing at all.
And this: If a young lawyer ever feels he's losing control of a case--however slightly--he should seek the advice of a senior member of the bar before things are allowed to go any farther.
That would be me.
So it is that the next morning I call Graham with the intention of talking to him one-on-one, but he's not in. And when he calls back I can tell immediately it's from the boardroom, over the speakerphone, and that Bert's there, too, the clicking of his lighter and bubbly throat clearings giving him away.
''So, Bartholomew, how goes it? Everything in order and geared up, I trust?'' Graham sings, using the same voice he uses on his most humorless clients.
''Pretty much. I mean, there's nothing in the disclosure materials that we didn't know already. And although the DNA results aren't back yet, no matter what they say I think we still look good.''
''Of
''Cooperative wouldn't be quite the word, no. He's not entirely stable, actually, although he'd fall well short of insanity on a psychiatric assessment. But he does claim to hear voices.''
''What kind of voices?'' Bert joins in from what sounds like the farthest corner of the room.
''It's not clear. A woman, I think he said. Or a group of women, talking together all at once.''
''Sounds like the definition of hell to me.'' Bert coughs.
''Is he going to be
''I shouldn't have to call him to testify, if that's what you mean.''
''That's
''I wouldn't call them
''Bartholomew, what
''It's not love. It's little things. Coincidences. Funny stuff.''
''Intriguing,'' Graham says, sounding not at all intrigued. ''Do go on.''
''Well, for example, there's this stripper who was working in the bar downstairs who's been calling the hotel