“No.” Cole’s wild blond hair danced at the suggestion. “I think he liked what you did to him. In fact, I think he liked you. Do you think he’l try to fol ow us?”
“Move fast,” I urged, pul ing him into the next al ey. It would mean doubling back, but Yousef was one freak worth losing. At the same time I asked, “Bergman, is our mark stil there?”
“He hasn’t moved.”
At the end of the al ey we turned into another neglected street. This one didn’t even have sidewalks to separate the painstakingly carved apartment doors from the hit-and-run lanes. A single light at midblock threw a weak glow onto the run-down two-stories, al owing for multiple hidden spaces where people could do their worst to each other without ever being witnessed.
Our heavy breathing combined with the stress we felt at having to confront our target should’ve alerted him. But feeding vamps are so immersed in the moment they rarely sense their hunters. Ours had stopped beside an empty donkey cart, a hulking shadow stooping next to the wheel like he was checking its integrity. Except that a man wearing a plain white shirt, wrinkled blue pants, and backless leather shoes that dangled from his toes like dead squirrels lay twitching on the cobblestones beneath him.
Movement at the corner of my eye sent my hand to Grief. But it was just one of the gaunt, raggedy- eared cats that stalked the streets for scraps. This one must be hoping for a feast. It darted away when Cole strode forward, switching off his gun’s safety as he said, “That’s enough.
Drop the guy before you kil him.”
The vampire turned. And my heart broke like it had every night I’d been forced to witness this scene. While Cole lifted the cart driver onto his seat and slipped him the wages we’d promised, I watched the creature that had shattered my defenses and made me fal in love lick the man’s blood from his lips.
“Madame Berggia,” Vayl said to me as he straightened. “Why are you interrupting my meal?”
“You could’ve kil ed the poor guy,” I said dul y.
“You saw him in the Djemaa el Fna,” he replied. “He shoved his wife. He was shouting at his children.”
I wanted to slap him with those words like a dueling glove. But he’d just look confused, and I’d be extra miserable. So I said, “The man’s family would starve without him.”
Vayl lowered his eyebrows. “I did not hire you to remind me of such things.”
I shoved my hands into the pockets of my sundress. It was one of his favorites, and I’d hoped seeing it would snap him out of his past. But he stil believed that I was his frumpy middle-aged housekeeper. He also thought Cole was my husband, his valet, who he simply cal ed Berggia. In his mind we’d just traveled to Morocco from his estate in England along with his beloved ward, Helena, whose part was played— grumpily—by Bergman.
My hands closed around the items most likely to console me. In my right pocket sat the long knife my great-great-grandpa, Samuel Parks, had used during his stint as a machine-gun operator in World War I. Mistress Kiss My Ass (my loudly suffering seam-stress) had skil ful y made a place for the sheath in al my clothes. My left pocket held eight poker chips that rang like bel s in my ear when I shuffled them. And on a silver hoop attached to the material so it wouldn’t get lost: my engagement ring. I hadn’t worn it long. But I cherished it now more than ever, because I was sure the man who’d slipped the pear-shaped emerald on my finger eighteen months ago would never forget me, no matter where he ended up.
On the other hand, my Granny May, who ruled my frontal lobe, couldn’t wait to comment.
I watched her manipulate the needle with one hand while the other steadied the hoop that framed her workspace. Why did I suddenly think she would’ve been just as precise with a throwing knife? I shook my head.
Granny May snapped,