corner where his garden met that of his neighbours. On the other side loomed the flyover with its cargo, even at this hour, of traffic tearing east and west. There, side by side, inside the shed, the door of which had long fallen off its hinges and got lost, stood the two chairs, one missing a leg, the other intact. Uncle Gib sat down in the chair that had all its legs and found he was trembling all over. It had been a shock.

But the spectacle before him was worth looking at. By this time Lance's window had split open and flames and smoke were spilling out, curved flames like waves in an orange sea, but waves that hissed and roared, licking the windowsills of the room above. The fire itself had reached there before them or the smoke had. Inside the closed window he could see dark clouds of it, still and thick.

It didn't occur to him to call anyone or attempt to phone the emergency services. Someone else would do that. In the midst of his wonder and astonishment he remembered that he had insured his house, had filled in the form, sent the cheque and received confirmation of his cover. It was wonderful, it was much better than trying to sell the place. With relish he stared at the window frames, the woodwork, the bricks and stone facing of his house beginning to glow red from the heat generated within.

'It's a goner,' he said aloud and then he heard the braying sirens of fire engines coming down from Great Western Road.

It would be best, when they came, to find him a broken defeated old man, feeble and helpless, shocked almost to death by the destruction of his home. Carefully he lowered himself to the ground and lay face-downwards, his bare feet on concrete, his head and upper body among the shaggy grass and weeds. He heard them come into the garden. Not through the house, that would have been impossible, but by climbing over the wall that divided his property from that of the people who had complained about the rats.

Someone said, 'We'll want an ambulance for the old chap.'

A woman's voice next, her next door, he thought. 'How dreadful for him. Losing his home like this. They can come in this way and get a stretcher over the wall.'

The rats were forgotten, she was all sympathy and concern. Uncle Gib stirred a little, aware after a few minutes that a paramedic was kneeling down beside him. The heat from the burning house was far from unpleasant, just what was needed, in fact, on a night in this unseasonable August.

'Can you tell me your name?'

They always said that, he'd seen it on the telly. It happened in nearly every instalment of Casualty. 'Gilbert,' he said in a quavering voice.

Hoisted on to a stretcher, wrapped in nice clean blankets, he took a look at his house or what remained of it as he was floated expertly over the wall. It was as well to make sure the place was a write-off, not that he could have done anything about it if it hadn't been. To maintain the pathos and the drama, he whispered to the kind paramedic, 'My whole life was in there, all my worldly goods.'

'Never you mind, Gilbert. You're all right and that's the main thing.'

He was driven away at high speed to St Mary's Hospital, the siren bellowing.

An hour after falling asleep Eugene woke up. The nearest packets of Chocorange were in the guest bathroom on the same floor. First dropping a light kiss on Ella's upturned cheek, he tiptoed out of the bedroom and across the landing. Still inviolate, the carefully hoarded packets sat inside their pink plastic Superdrug bag in the bottom drawer of the cabinet in the spare bathroom. He took momentary pleasure from looking at them, a glossy orange and chocolate-brown, each one sheathed in clear cellophane. So, he supposed, it must be for the druggie who contemplates a carefully hoarded jar of ecstasy tablets or a slab of hashish. The advantage to his habit was that it was harmless whereas theirs was destructive, damaging and often deadly. On the other hand, theirs was also glamorous, sexy and raffish while his was – what? There was no use in thinking along those lines, especially in the middle of the night. He put a sweet in his mouth, restored the rest to the cabinet and wandered into one of the spare bedrooms.

From there he could see across the gardens to the rear of Elizabeth Cherry's house. It was as he had left it earlier, still, silent, unlit. Street lamps gave enough light to see quite clearly at the front and, here at the back, a wall lantern, permanently kept on by the Sharpes as a security measure, shed a green radiance, half masked as it was by fronds of jasmine and ivy leaves. There was nothing to be done about it, one must indulge one's neighbours, but Eugene disliked that lantern burning there all night almost as much as he disliked Bathsheba. He could see her sitting on the shelf that ran along the wall, her deep furry blueness turned to emerald by the light, her cold eyes open and staring, themselves like lamps. Why not have another Chocorange? He took a second one out of the bathroom bag and walked softly into the bedroom next to his own.

Chepstow Villas, the finest houses of this part of elegant Notting Hill, slept behind their pillared walls, their exotic shrubs and their trimmed hedges. White stucco, most of them, Georgian, which really meant mid-Victorian, Italianate and the rare example from the Arts and Crafts era, all bathed in faint moonlight. The street was empty but for one incongruous figure. Plodding down towards Denbigh Road was a young man with a backpack. Even in the lamplit and moonlit dark, Eugene recognised that potato face and shock of straw-coloured hair. He could actually remember his name from the time he had sat in this house, nervous, not knowing what to do with his hands, as he tried to make his potential benefactor believe that he had lost ninety-five pounds.

What could he be doing here at this hour? He was walking in the Denbigh Road direction, heading perhaps for Westbourne Park Road and, ultimately, for the council housing in Wornington Road or Golborne Road. It's nothing to me, Eugene thought. He's not doing any harm. It's a bad way to live, searching for crime where none exists, suspecting innocent people. What did he know to make him think Lance Platt was anything but a harmless and somewhat gormless youth?

He was out of sight now and on the horizon there was something more interesting to look at. A red glow like a sunset – but the sun going down in a black sky? It was a fire. And a big one, someone's house on fire. As he gazed he heard the sirens of fire engines braying in the distance. He listened to the bray changing to a wail and then, finishing his sweet and rinsing his mouth under the tap, he went back into his bedroom.

Ella was sitting up in bed. 'Are you all right, Gene?'

'I'm fine. I was looking out of the window and who d'you think I saw go by? That pudding-faced boy who came here after that money I found in the street.'

'Well, the streets are free to all.'

'And there's a fire at the top of the Portobello Road.'

'Come back to bed.'

'You look so lovely sitting there.' Eugene took her in his arms. 'It's half-past two so it's your birthday now,' he said. 'Many happy returns of the day, darling.'

CHAPTER NINETEEN

It was almost dawn. The street lights had gone out and the sky was no longer quite dark. The woman from next door and her husband were standing outside in Blagrove Road. If they hadn't been there and hadn't spoken to him, if the street had been empty and stripped of everything familiar, Lance would have thought this was a dream. The nightmare unreality of the sight broke over him the moment he turned the corner; something that should have been there, was always there, as unchanging as the Westway, as the Earl of Lonsdale, was no longer there, was gone. Or half gone, unalterably destroyed. It was like those pictures you saw on the telly of places in Baghdad or Afghanistan where a bomb had fallen. All that remained was a blackened ruin, a wall standing here, half a wall there, glassless windows like potholes, and on those walls the old paper still clinging, halfburned pink roses and faded butterflies peeling off. He stared, silent and aghast.

The woman looked at him as if he were a ghost, taking a step backwards, putting her hands up to her face.

Then, 'Thank God you're all right,' she said, her tone heartfelt, her smile wide. It was rare for anyone to show so much joyful relief at the sight of him. For a moment he thought she was going to throw her arms round his neck.

His voice came out weak and thin. 'I've been out,' he said. 'I've been out for hours.' Now he wondered why he'd stopped for so long at an all-night open pub to spend the old woman's money on vodka and beer chasers.

The husband looked at him, looked at what remained of the house and back at him. 'If it wasn't you, who was

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