potent enough to consume many a victim upon its altar. Gianapolis' yellow skin assumed a faintly mottled appearance.
'Whatever is the matter?' he inquired plaintively.
'So you must be off—yes? I hear you say it; I asking you who to meet?'
'Why do you speak in English?' said Gianapolis with a faint irritation. 'Let us talk… '
She struck him lightly on the face with her fan; but he clenched his teeth and suppressed an ugly exclamation.
'Who was it?' she asked, musically, 'that say to me, 'to hear you speaking English—like rippling water'?'
'You are mad!' muttered Gianapolis, beginning to drill the points of his mustache as was his manner in moments of agitation. His crooked eyes were fixed upon the face of the girl. 'You go too far.'
'Be watching, my friend, that you also go not too far.'
The tones were silvery as ever, but the menace unmistakable. Gianapolis forced a harsh laugh and brushed up his mustache furiously.
'What are you driving at?' he demanded, with some return of self-confidence. 'Am I to be treated to another exhibition of your insane jealousies?'…
'AH!' The girl's eyes opened widely; she darted another venomous glance at him. 'I am sure now, I am SURE!'
'My dear Mahara, you talk nonsense!'
'Ah!'
She glided sinuously toward him, still with one hand resting upon her hip, stood almost touching his shoulder and raised her beautiful wicked face to his, peering at him through half-closed eyes, and resting the hand which grasped the fan lightly upon his arm.
'You think I do not see? You think I do not watch?'—softer and softer grew the silvery voice—'at Olaf van Noord's studio you think I do not hear? Perhaps you not thinking to care if I see and hear—for it seem you not seeing nor hearing ME. I watch and I see. Is it her so soft brown hair? That color of hair is so more prettier than ugly black! Is it her English eyes? Eyes that born in the dark forests of Burma so hideous and so like the eyes of the apes! Is it her white skin and her red cheeks? A brown skin—though someone, there was, that say it is satin of heaven—is so tiresome; when no more it is a new toy it does not interest'…
'Really,' muttered Gianapolis, uneasily, 'I think you must be mad! I don't know what you are talking about.'
'LIAR!'
One lithe step forward the Eurasian sprang, and, at the word, brought down the fan with all her strength across Gianapolis' eyes!
He staggered away from her, uttering a hoarse cry and instinctively raising his arms to guard himself from further attack; but the girl stood poised again, her hand upon her hip; and swinging her right toe to and fro. Gianapolis, applying his handkerchief to his eyes, squinted at her furiously.
'Liar!' she repeated, and her voice had something of a soothing whisper. 'I say to you, be so careful that you go not too far—with me! I do what I do, not because I am a poor fool'…
'It's funny,' declared Gianapolis, an emotional catch in his voice—'it's damn funny for you—for YOU—to adopt these airs with me! Why, you went to Olaf van'…
'Stop!' cried the girl furiously, and sprang at him panther-like so that he fell back again in confusion, stumbled and collapsed upon a divan, with upraised, warding arms. 'You Greek rat! you skinny Greek rat! Be careful what you think to say to me—to ME! to ME! Olaf van Noord—the poor, white-faced corpse-man! He is only one of Said's mummies! Be careful what you think to say to me… Oh! be careful—be very careful! It is dangerous of any friend of—MR. KING'…
Gianapolis glanced at her furtively.
'It is dangerous of anyone in a house of—MR. KING to think to make attachments,'—she hissed the words beneath her breath—'outside of ourselves. MR. KING would not be glad to hear of it… I do not like to tell it to MR. KING'…
Gianapolis rose to his feet, unsteadily, and stretched out his arms in supplication.
'Mahara!' he said, 'don't treat me like this! dear little Mahara! what have I done to you? Tell me!—only tell me!'
'Shall I tell it in English?' asked the Eurasian softly. Her eyes now were nearly closed; 'or does it worry you that I speak so ugly'…
'Mahara!'…
'I only say, be so very careful.'
He made a final, bold attempt to throw his arms about her, but she slipped from his grasp and ran lightly across the room.
'Go! hurry off!' she said, bending forward and pointing at him with her fan, her eyes widely opened and blazing—'but remember—there is danger! There is Said, who creeps silently, like the jackal'…
She opened the ebony door and darted into the corridor beyond, closing the door behind her.
Gianapolis looked about him in a dazed manner, and yet again applied his handkerchief to his stinging eyes. Whoever could have seen him now must have failed to recognize the radiant Gianapolis so well-known in Bohemian society, the Gianapolis about whom floated a halo of mystery, but who at all times was such a good fellow and so debonair. He took up his hat and gloves, turned, and resolutely strode to the door. Once he glanced back over his shoulder, but shrugged with a sort of self-contempt, and ascended to the top of the steps.
With a key which he selected from a large bunch in his pocket, he opened the door, and stepped out into the garage, carefully closing the door behind him. An electric pocket-lamp served him with sufficient light to find his way out into the lane, and very shortly he was proceeding along Limehouse Causeway. At the moment, indignation was the major emotion ruling his mind; he resented the form which his anger assumed, for it was a passion of rebellion, and rebellion is only possible in servants. It is the part of a slave resenting the lash. He was an unscrupulous, unmoral man, not lacking in courage of a sort; and upon the conquest of Mahara, the visible mouthpiece of Mr. King, he had entered in much the same spirit as that actuating a Kanaka who dives for pearls in a shark-infested lagoon. He had sought a slave, and lo! the slave was become the master! Otherwise whence this spirit of rebellion… this fear?
He occupied himself with such profitless reflections up to the time that he came to the electric trains; but, from thence onward, his mind became otherwise engaged. On his way to Piccadilly Circus that same evening, he had chanced to find himself upon a crowded pavement walking immediately behind Denise Ryland and Helen Cumberly. His esthetic, Greek soul had been fired at first sight of the beauty of the latter; and now, his heart had leaped ecstatically. His first impulse, of course, had been to join the two ladies; but Gianapolis had trained himself to suspect all impulses.
Therefore he had drawn near—near enough to overhear their conversation without proclaiming himself. What he had learned by this eavesdropping he counted of peculiar value.
Helen Cumberly was arranging to dine with her friend at the latter's hotel that evening. 'But I want to be home early,' he had heard the girl say, 'so if I leave you at about ten o'clock I can walk to Palace Mansions. No! you need not come with me; I enjoy a lonely walk through the streets of London in the evening'…
Gianapolis registered a mental vow that Helen's walk should not be a lonely one. He did not flatter himself upon the possession of a pleasing exterior, but, from experience, he knew that with women he had a winning way.
Now, his mind aglow with roseate possibilities, he stepped from the tram in the neighborhood of Shoreditch, and chartered a taxi-cab. From this he descended at the corner of Arundel Street and strolled along westward in the direction of the hotel patronized by Miss Ryland. At a corner from which he could command a view of the entrance, he paused and consulted his watch.
It was nearly twenty minutes past ten. Mentally, he cursed Mahara, who perhaps had caused him to let slip this golden opportunity. But his was not a character easily discouraged; he lighted a cigarette and prepared himself to wait, in the hope that the girl had not yet left her friend.
Gianapolis was a man capable of the uttermost sacrifices upon either of two shrines; that of Mammon, or that of Eros. His was a temperament (truly characteristic of his race) which can build up a structure painfully, year
