New York analyst summering in rural Connecticut, but otherwise he seemed at once dignified and without airs-a tall, quiet, decorous man, growing stout in his middle forties, with a mild German accent and that anomalous yachting cap. I never even noticed which woman was his wife; I discovered later that he had noticed which was mine.
When, in June of ‘62, it became necessary, according to my brother, for me to remain in New York and turn myself over to a psychiatrist, I came up with Spielvogel’s name; friends in Connecticut that summer had spoken well of him, and, if I remembered right, treating “creative” people was supposed to be his specialty. Not that that made much difference to me in the shape I was in. Though I continued to write every day, I had really stopped thinking of myself as capable of creating anything other than misery for myself. I was not a writer any longer, no matter how I filled the daylight hours-I was Maureen’s husband, and I could not imagine how I could get to be anything else ever again.
His appearance, like mine, had changed for the worse in three years. While I had been battling with Maureen, Spielvogel had been up against cancer.
Maureen and I had lived a year in western Connecticut, a year at the American Academy in Rome, and a year at the university in Madison, and as a result of all that moving around I had never been able to find anyone in whom I was willing to confide. By the end of three years I had convinced myself that it would be “disloyal,” a “betrayal,” to tell even the closest friends I had made in our wanderings what went on between Maureen and me in private, though I imagined they could guess plenty from what often took place right out on the street or in other people’s houses. Mostly I didn’t open up to anyone because I was so ashamed of my defenselessness before her wrath and frightened of what she might do either to herself or to me, or to the person in whom I’d confided, if she ever found out what I had said. Sitting in a chair immediately across from Spielvogel, looking in embarrassment from his shrunken skull to the framed photograph of the Acropolis that was the only picture on his cluttered desk, I realized that I still couldn’t do it: indeed, to tell
“You remember Maureen?” I asked. “My wife?”
“I do. Quite well.” His voice, in contrast to his appearance, was strong and vigorous, causing me to feel even more puny and self-conscious…the little stool pigeon about to sing. My impulse was to get up and leave, my shame and humiliation (and my disaster) still my own-and simultaneously to crawl into his lap. “A small, pretty, dark- haired young woman,” he said. “Very determined looking.”
“Very.”
“A lot of spunk there, I would think.”
“She’s a lunatic, Doctor!” I began to cry. For fully five minutes I sobbed into my hands-until Spielvogel asked, “Are you finished?”
There are lines from my five years of psychoanalysis as memorable to me as the opening sentence of
Yes, yes, I was finished. “All I do these days is collapse in tears…” I wiped my face with a Kleenex from a box that he offered me and proceeded to “spill”-though not about Maureen (I couldn’t, right off) but about Karen Oakes, the Wisconsin coed with whom I had been maniacally in love during the winter and early spring of that year. I had been watching her bicycle around the campus for months before she showed up in my undergraduate writing section in the second semester to become the smartest girl in the class. Good-natured, gentle, a beguiling mix of assertive innocence and shy adventurousness, Karen had a small lyrical gift as a poet and wrote clever, somewhat magisterial literary analyses of the fiction that we read in class; her candor and lucidity, I told Spielvogel, were as much a balm to me as her mild temperament, her slender limbs, her pretty and composed American girl’s face. Oh, I went on and on about Ka-reen (the pet name for the pillow talk), growing increasingly intoxicated, as I spoke, with memories of our ardent “passion” and brimming “love”-I did not mention that in all we probably had not been alone with one another more than forty-eight hours over the course of the three months, and rarely for more than forty-five minutes at a clip; we were together either in the classroom with fifteen undergraduates for chaperones, or in her bed. Nonetheless she was, I said, “the first good thing” to happen in my private life since I’d been discharged from the army and come to New York to write. I told Spielvogel how she had called herself “Miss Demi-Womanhood of 1962”; he did not appear to be one-hundredth as charmed by the remark as I had been, but then he had not just disrobed for the first time the demi-woman who had said it. I recounted to him the agonies of doubt and longing that I had experienced before I went ahead, three weeks into the semester, and wrote “See me” across the face of one of her A+ papers. She came, as directed, to my office, and accepted my courtly, professorial invitation to be seated. In the first moments, courtliness was rampant, as a matter of fact. “You wanted to see me?” “Yes, I did, Miss Oakes.” A silence ensued, long and opaquely eloquent enough to satisfy Anton Chekhov. “Where do you come from, Miss Oakes?” “Racine.” “And what does your father do?” “He’s a physician.” And then, as though hurling myself off a bridge, I did it: reached forward and laid a hand upon her straw-colored hair. Miss Oakes swallowed and said nothing. “I’m sorry,” I told her, “I couldn’t help it.” She said: “Professor Tarnopol, I’m not a sophisticated person.” Whereupon I proceeded to apologize profusely. “Oh, please, don’t worry,” she said, when I wouldn’t stop, “a lot of teachers do it.” “Do they?” the award-winning novelist asked. “Every semester so far,” said she, nodding a little wearily; “and usually it’s English.” “What happens then, usually?” “I tell them I’m not a sophisticated person. Because I’m not.” “And then?” “That’s it, generally.” “They get conscience-stricken and apologize profusely.” “They have second thoughts, I suppose.” “Just like me.” “And me,” she said, without blinking; “the doctrine of