Not quickly enough.
Not knowing where Jonathan Bell might emerge, Gabriel has Betsy join him outside Dawg Days Theatre. He’d have preferred to draw another shooter off one of the remaining teams, thinks he can probably afford to do it, but he doesn’t like the idea of leaving any of the hostages under weak guard, especially now that Alpha and Charlie have been broken into separate elements. Up until now, he’s kept the faith in the Uzbek’s plan, trusting that both he and the Shadow Man know what they’re doing, that there is a purpose to everything they have asked Gabriel to do.
Now, for the first time, Gabriel Fuller is beginning to have doubts. Seventeen men to take and hold the park? A dirty bomb that might or might not be real, that might or might not be armed? Almost thirty hostages, but no orders to ransom or release them, and one of them already murdered for display?
It doesn’t make sense. None of it makes sense. He doesn’t understand.
And the nagging, persistent, and now growing fear that the egress plan isn’t much of a plan at all. That despite the Uzbek’s assurances that Gabriel is too valuable to leave to die here in WilsonVille, his escape is anything but assured.
All these things, and this variable, this Jonathan Bell and his friend in the Star System Alliance Defense coveralls. Friends and Management, bullshit. They were in the park, they were armed, they took down Bravo before any of Gabriel’s own people could fire a shot. That means only one thing.
That means someone knew they were coming.
There was never supposed to be opposition
Thus far, Gabriel has done everything right, everything the Uzbek ordered. He’s done everything right.
But it feels like it’s all going wrong.
The only thing to do, then, is to kill Jonathan Bell and his Star System mechanic friend, and hope that puts the plan back on track. But he’s down five men, and he can’t spare any from the hostage groups, so finally he orders Betsy to join him, and tells himself that, when the time comes, they’ll have the element of surprise.
They wait in the foyer of the theater. Betsy has brought the submachine gun that Stripe was using, has one of his own. Gabriel watches as the other man leans back against the wall, beneath a painting of Willis Wilson with his arms spread wide and welcoming, pulls a pack of cigarettes from a pocket, and knocks one free. Betsy lights it, then offers the pack to Gabriel, who just shakes his head, thinking that there’s no smoking allowed in the park.
He keys his radio. “Any movement?”
“Nothing. No sign of him or the other one anywhere.”
“Check the teams. I want their status.”
“Hold on.”
Betsy flicks ash onto the royal blue carpet, squints out the open doors at Town Square, sunlight kicking back off the bronze heads of Gordo, Betsy, and Pooch, where their statues stand at the heart of Wilson Town. Gabriel shifts the submachine gun in his hands, looking down at the weapon, not quite seeing it. It was the same when he was in Afghanistan. The waiting is always the worst.
“Charlie has broken into two groups,” Hendar says. “Six and seven hostages each. Alpha’s the same. Have three of the elements on camera as well, so we can monitor.”
“Why only three?”
“Alpha Two, the one that took the panda, they’re holding their group in one of the backstage areas of some animal show, out of camera. Why the fuck aren’t there any cameras backstage?”
“The same reason there aren’t any cameras in the tunnels.” Gabriel stops for a moment, steps out from the theater a couple of steps, into the sunlight, looking around. The sun beats down so hard it feels like his hair is aflame. “The cameras are for the guests, not the Friends.”
“The Friends?”
“Employees. Staff.”
Hendar chuckles, says, in Russian, “Fucking Americans.”
“Keep it in English,” Gabriel snaps. “Tell Alpha Two to move into camera range. We need to see them.”
“Understood.”
“Just two guys,” Betsy says, stepping up beside him and flicking his butt away. “You’re too tense. Just two guys, we can take them.”
Gabriel gives him a look that says exactly what he thinks of this unsolicited opinion. Betsy shrugs.
“We may have a problem,” Hendar says slowly.
“What?”
“Second Alpha element…they’re not responding.”
Immediately, Gabriel starts running, cutting between the Wilson Restaurant and the Sweets Emporium, Betsy close on his heels. “Get them on radio!”
“That’s what I’m fucking trying to do!”
Betsy stays close at his heels, following as Gabriel vaults the turnstiles at Cannonball Plunge, runs alongside the waterfall, feels its spray on his skin, feels the water evaporate almost instantly. Cuts between two concession stands, submachine gun in his hands, legs pumping. Hendar is silent in his ear, the whole park silent, and he realizes he hasn’t heard gunfire, no shots, and for a moment he can allow himself to believe this is just a coms error, a clusterfuck breakdown. It could be perfectly innocent, if innocence still manages to reside anywhere within WilsonVille.
This doesn’t have to belong to Jonathan Bell.
Then he hears the gunfire, the reports rolling through the park, distant, its direction impossible to determine. But he knows where it’s coming from, he knows where it has to be. Just as he knows the source, and the reason.
“Still no response,” Hendar reports. “Nothing, not a thing-”
“Watch the perimeter!” He’s rounding the cluster of giant mushrooms that house the toilets between the two live animal shows, realizes he doesn’t know which one he’s heading for. “Where are they? Exactly!”
“The animal show, they’re-”
“There are two of them!”
Hendar says “Shit” in Russian, shouts to Gordo. There’s another battery of shots, this time quicker, a three- round burst, and Gabriel immediately cups one of his ears, closes his eyes. A breath later, a single report, and he
“Watch the perimeter,” Gabriel says. “Watch the fucking perimeter, I don’t want any more surprises!”
Then he’s threading the chain-marked queue at Wild World, half spinning as he comes through the entrance at the side of the amphitheater. He pauses here, presses himself against the wall just outside the seats. Benches rise along one side of the bowl, allowing an unobstructed view of the stage below. There’s no movement, no motion that he can see. With his left hand, Gabriel signals to Betsy, orders him to move around to the other side, to take a flanking position. He hears an echo, faint, the source lost in the acoustics of the amphitheater; metal clanging on metal, then nothing more.
“Tell me you have something,” Gabriel hisses to his radio. His hands are perspiring around the submachine gun, and he shifts his grip, wipes his palms against his T-shirt. “Tell me you have something.”
“Nothing, no movement.”
Across the bowl, opposite him, Gabriel sees Betsy raise a hand in signal, in position. He raises a fist in response, indicates the direction he wants Betsy to take. Settles his grip on the submachine gun, begins to advance in parallel, both men working their way down the aisle, toward the stage. Closing, he catches the scent of the animals, hears them in the distance. The radios have gone silent, no traffic, and Gabriel feels the same adrenaline apprehension he would feel on patrol, in the dust and scrub. Search and destroy, and the environs have changed,