someone with a coffee bean stuck up her nose.
Remedios rises slowly, unused to the weight and friction of a body, and as she does she notices the time. She’s overslept! What is she, a teenager? By the oracles of Habakkuk, it’s almost seven-thirty! She wanted to be on the road by seven, safely out of the way before Gabriela and Beth woke up and discovered the swap, and before there could be any chance of Otto seeing either of them. Not with his eye for detail and his suspicious mind. It could ruin everything. What she wants is to get him out of here and to leave Beth and Gabriela to their own devices. She can switch them back at school on Monday.
But where is Otto? They were going to get up at six. What if he
Remedios leaps over the coffee table and, her feet barely touching the floor, sprints across the room.
He’s lying flat on his back, still as a statue, sound asleep.
“Otto! Otto! Get up!” calls Remedios. “We have to go!”
He doesn’t move or mumble.
“Otto!” she shouts. “Otto, get out of that bed!” She knows he can’t be dead, but you’d be forgiven for wondering. “Otto!” She goes over and yanks off the covers, shaking him by the shoulder. “Otto! Wake up!”
“What?” He opens his eyes. He was, in fact, having a very pleasant dream. Needless to say, Remedios wasn’t in it. “What’s wrong? What have you done now?”
Even though he’s no longer asleep, she gives him another shake. “I haven’t done anything. You overslept! We have to get going.”
He glances over at the old-fashioned travel clock on the bedside table. “It’s not that late. What’s the hurry?”
“I thought you wanted to get out of here.” Remedios looks and sounds indignantly reasonable. “I thought you didn’t want to spend one more nanosecond in Los Angeles than you had to.”
This was true yesterday, of course; but it is less true now. Comfort is a powerful force. Otto had a very good night’s sleep on the orthopedic mattress. The Hotel Xanadu is not so bad. Their suite is cosy and attractive. The wide-screen TV is in the living room, but there is a smaller one in each of the bedrooms on which, he discovered, it is possible to watch nature programmes all night long (which explains why Otto overslept). If you don’t look out of the window or sit on the terrace, you can forget that you’re right smack in the middle of a sprawling, twenty-first- century city; belching and bleating and complicating life.
“Well, we’re here now, aren’t we?” asks Otto. Inertia being another powerful force. “So why hurry? We don’t have to check out till noon.” His stomach growls. And that’s the other thing. Apparently, he underestimated just how much food a human body needs. More than a cup of broth and a roll. Or even the remains of Remedios’ deluxe nachos. He can smell fried potatoes and toasted bagels and strawberry jam. “I’m going to take a shower, and then I’m going to the restaurant for breakfast.”
Oh, that’s terrific. That’s great. That’s just what she wanted to hear.
“But we can be back in Jeremiah in no time,” argues Remedios. “You can have breakfast there.”
“You have breakfast there.” He is on his feet now, easing her towards the door. “I’m eating downstairs.”
“Why don’t I just call room service?” Remedios suggests, walking backwards. “Tell me what you want and it’ll be here as soon as you’re finished with your shower. Then we won’t waste so much time.”
Like many of us, Remedios’ first reaction when caught out is to lie. “Nothing. We’ve been together since we got here. How could I do anything?”
This is true. Except for the few minutes it took her to join him in their suite, she hasn’t left his side. Nonetheless…
“I don’t know,” says Otto. “But I’m not leaving till I find out what it is.”
It becomes apparent that a certain amount of personal adjustment may be necessary
Lucinda carefully places the tray that’s just been delivered on her bed and picks up one of the cups. “Here. Drink this,” she orders. “It’ll make you feel better.”
Sniffling, Beth wipes the last tears away with her sleeve and obediently grasps the cup, taking a large swallow. She nearly gags. “What is
“Double espresso.” Lucinda hands her a napkin. “I know … I know … it’ll make your teeth beige if you drink too much of it, but I figure just this once it’ll be OK. It’s good for your nerves.”
Good in what sense? Every nerve Beth has is ringing like an alarm bell. “I— I’m sorry, but it’s so strong.” It’s only a guess, of course, but she’s fairly certain that it tastes like liquid plant food, too. She wipes coffee from her chin and dabs, futilely, at the stains on the silk pyjama top. “I don’t think I can drink it.”
“Well, do you want my skinny latte?” Lucinda holds out her own cup. “You should have something. You’re pretty frazzled.”
She is that. Frazzled as an overloaded circuit. “No, thank you. It’s OK.” She swipes at the last few tears. “Really. I’m all right now.”
“Are you sure? I’ve never heard anybody cry like that except in a movie. You know, when all hope is lost.” Because Lucinda has her sleep mask pushed up on her head, she looks as if she has two pairs of eyes that are staring down at Beth – one blankly and one with concern. Her smile is sympathetic. “You scared me even more than when the bear got into the garbage that time and I thought it was a terrorist or something. I didn’t know what was going on when I heard you bawling.”
“I’m so sorry. It must have been awful—” Every time Beth speaks she hears a voice that isn’t hers. Compared to that, the bear doesn’t sound very scary at all. “I just… I’m really sorry. I didn’t mean to wake you up.”
“Oh, that’s OK. I had to get up anyway, right?” Lucinda’s smile shrugs. “It’s you I’m worried about, Gab. Are you sure you’re all right? You’re not sick, are you?”
“No.” And whenever she moves her head, a curtain of hair that also isn’t hers sways with her. “I’m not sick.”
“So why were you crying like that? It sounded like you woke up with a pimple as big as Bangor or that somebody stole all our clothes or something. What happened?”
Beth blows her nose on the napkin. Now there’s a good question. What’s she supposed to say?
Lucinda fiddles with her hair. “Did you have a nightmare? Is that what happened?”
A nightmare. Of course. The number of people who have nightmares has to be a lot greater than the number of people who transmutate like this. With that thought, Beth suddenly realizes that there must be one other person in this very hotel who knows exactly what she’s going through. Gab. Gabriela Menz. For the love of Zeus! That, if nothing else, makes sense. Why didn’t she think of that before? If she’s in Gabriela Menz’s body, then it stands to reason that Gabriela Menz must be in hers! Right at this minute, Gabriela must be in Beth’s room, in Beth’s pyjamas, probably sitting on Beth’s bed – and probably wiping the tears from her eyes, too. And all at once Beth, who a second ago wanted only to crawl back into bed, has a plan of action: she has to talk to Gabriela.