ever been on has lasted more than a few days and who automatically expects her child to fail.
“Kind of.” Waneeda has recently watched a documentary with Clemens on, among other things, factory farming (in fact, the same documentary that so efficiently emptied the auditorium last year), and now knows that, if it is true that “you are what you eat”, she is a tortured, drugged and septic pool of misery. “I’ve kind of decided to stop eating meat for a while.”
“You what?” Mrs Huddlesfield laughs the way you might if you discovered a two-headed possum in your bed – in amazement, horror and disbelief. “And why in the name of all that is right and holy would you want to do a thing like that?” Waneeda’s mother looks over at Waneeda’s father, whose attention (up until now) has been fully absorbed by what’s happening on the television screen. “Oscar!” she bellows. “Oscar! Did you hear that? Now she isn’t eating meat!”
“What?” Waneeda’s father tears his eyes from the real police-chase taking place only a few feet away in the living room. “Who isn’t eating meat?”
“
“Really?” Mr Huddlesfield snaps a chicken wing in two. “What are you going to eat if you don’t eat meat?”
“Well, you know…” says Waneeda. “I guess I’ll just have to make do with the millions of other things there are to eat besides meat.” She takes a deep breath. “I’m going to be a vegetarian.”
From the look on her father’s face, you’d think Waneeda had just announced her intention to become a mercenary.
“I’ve never heard such nonsense.” Waneeda’s father is so appalled that he has actually forgotten about the hysterical chase on the Californian highway. “Don’t you know that if we didn’t eat them there’d be no cows or pigs or sheep? We’re doing them a favour. Without us they’d die.”
“And
“Don’t be a wise guy.” Mrs Huddlesfield has retrieved her fork and is pointing it at her daughter. “You know what your father means. That’s what animals are for. For us to eat.”
“Really?” Even the leaf of lettuce on the end of Waneeda’s fork looks sceptical. “Then how come, in nature, the chicken Dad’s breaking into pieces will talk to her chicks when they’re still in their eggs? And they’ll talk back? How do you explain that? You think she’s telling them they only have seven weeks to live and then they’re supper?”
“So they talk to each other.” Mr Huddlesfield waves half a wing at her. “What’s that prove, Waneeda? That instead of eating them we should send them all to Harvard?”
“Didn’t I say she’s been acting strange, Oscar?” interrupts Waneeda’s mother. “Have you noticed how she’s stopped flushing the toilet? Did you know she threw out all my air fresheners? Even that mountain pine you like so much? And she did something with the bleach. It’s disappeared into thin air.” It’s just as well she hasn’t been looking for the toilet cleaner in the last few days. “Didn’t I say that I don’t know what’s come over her?” Although her questions seem to be directed to him, Mrs Huddlesfield isn’t looking at her husband. She is looking at her only child – thoughtfully, trying to figure out what’s come over Waneeda that she can’t see. And then all the lights go on in the house that is Mrs Huddlesfield’s brain. “It’s that club, isn’t it?” This is in no way a question. “It’s that Clemens Reis! Isn’t he a vegetarian? I’ll bet he is. Look at those glasses of his. And that hat! He’s put you up to this, hasn’t he?” These aren’t questions, either.
Although you wouldn’t expect Waneeda’s mother to forget that Clemens once catapulted a large toy piano into her backyard, it has to be said that she has also never forgiven him for that event. From the moment the piano leg bounced against the back door and made her drop the pitcher of juice she was holding, Mrs Huddlesfield has thought of Clemens as an extremely peculiar boy. Trouble. Not normal. Not unless you live in another world. The kind of boy you want to keep your eye on – so that, years later, when he’s arrested for doing something outrageous and the reporters gather round the house and ask her what he was like as a child, Mrs Huddlesfield will be able to say,
“It has nothing to do with Clemens,” says Waneeda. “I’ve never even talked about it with him. I made up my own mind.”
This would be a good example of wasting your breath.
“I should’ve known!” cries her mother. “When he came over the other morning like that, I should’ve known something was going on.”
Mrs Huddlesfield is referring to the first day Waneeda went door-to-door with the oak-tree petition with Clemens. He came to get her by climbing over the fence and knocking on the back door. To Mrs Huddlesfield, of course, this was just another example of how peculiar Clemens is. In her retellings of this story, Clemens came over the fence like a gypsy or a burglar. Waneeda’s mother wanted to know why he couldn’t come to the front of the house like anybody else would. And Clemens, sitting down at the table as though he’d been invited, said that he did it because it was quicker.
“Oh, for Pete’s sake,” sighs Waneeda. “Nothing’s going on.”
Waneeda’s mother isn’t listening. Conversation is largely a solitary occupation for her. “I don’t know why we can’t have neighbours who have normal children,” she continues. “I wouldn’t mind if you were seeing a football player. Or a basketball star.”
“I’m not seeing anyone,” says Waneeda.
“Personally, I’m surprised he could get over the fence,” muses Mr Huddlesfield, who has yet to return to his television show. “He’s not what you’d call athletic, is he? Not exactly All-American material.”
“You wouldn’t say that if you’d seen him the other day,” says Waneeda. Surprising herself, she relates the story of Maya’s runaway bicycle and Clemens Reis’ quick thinking and acting. “It was like he was some kind of superhero. He just jumped for her and pulled her off the bike.”
“A superhero who doesn’t eat meat?” Waneeda’s father gives a short, sharp laugh. “That’ll be the day.”
Mrs Huddlesfield continues with her alternative conversation. “He’s not a good influence on you,” she says. “What’s next? That’s what I want to know. Are you going to protest outside of McDonald’s? Are you going to go on demonstrations dressed in a tutu? Is that what you’re going to do?”
As if giving up meat is the first step on the road to anarchy and chaos.
“I’m not sure.” Waneeda nibbles on her lettuce. “Maybe I’ll plant some stuff in the backyard.”
“Plant stuff?” Neither Mrs nor Mr Huddlesfield ever goes in the backyard because they’re afraid of catching Lyme disease. “Plant what?”
“Plants,” says Waneeda. “You know, flowers – and maybe a tree or two. Maybe I’ll even grow some vegetables.”
“Did you hear that Oscar?” shrieks Mrs Huddlesfield. “She’s going to plant vegetables.”
“That’s exactly what you’d expect from a vegetarian,” says Mr Huddlesfield.
Chapter Thirty-Four
It seems that Sicilee’s changed her mind about more than one thing
As Ms Kimodo has been heard to comment to friends and colleagues, Cody Lightfoot should be in the Foreign Service, not in high school. His ambassadorial skills are such that support among the students and faculty for Earth Day has grown steadily over the weeks – even to the point where the recycling bins Clemens fought to have put in the cafeteria are overflowing and teachers are sharing rides to school. He’s a born diplomat, a gifted schmoozer. Innately charming, Cody has persuaded every department in the school to make some kind of contribution to the event – from the bicycle-powered generator being built by the Science Club to the workshop on preparing vegetarian food promised by Consumer Sciences. Effortlessly charismatic, he has so inspired the other members of the Environmental Club that donations and workers are pouring in for the many activities and stalls that have been planned.
But nothing is without its problems, is it? For, despite all of this and the crates of used goods already locked
