IN THE following days the world reached out to us. Neighbors dropped off casseroles on our doorstep, jars of homemade jam, loaves of fresh-baked bread, Pyrex containers full of soup. Acquaintances and coworkers called me up on the telephone, expressing sympathy. Strangers, moved by my story, wrote me letters, quoting psalms and self-help books on grief, offering advice and consolation. It was astonishingly generous, all this unsolicited solicitude, but it had a strangely unsettling effect on me, pointing as it did to an absence in my and Sarah's life that I hadn't really been conscious of before: we had no friends.

I couldn't exactly say how this had happened. We'd had friends in college; Sarah'd had whole troops of them. But somehow, after we'd moved to Delphia, they'd disappeared, and we hadn't replaced them with new ones. I didn't feel their lack -- I wasn't lonely -- I was simply surprised. It seemed like a bad sign, that we could exist all this time as a closed system, totally satisfying each other's needs, neither of us desiring any outside connection with the world. It seemed deviant, unhealthy. I could imagine what our neighbors would say if we were ever caught -- how they weren't at all astonished, how we'd been so reclusive, so antisocial, so secretive. It was always loners who you heard about committing murders, and that this label might apply to us led me on to further considerations. Perhaps we weren't the normal people trapped in extraordinary situations that we'd been pretending to be. Perhaps we'd done something ourselves to create these situations. Perhaps we were responsible for what had happened.

I only half-believed this, if at all. In my mind, I could still go through the long succession of events that had culminated, ultimately, in Jacob's funeral and logically explain how each one had led inexorably to the next, how there'd been no alternatives, no branches in the path, no opportunities to turn back and undo what we'd already done. I'd shot Jacob because he was going to break down because I'd shot Sonny because I needed to cover up shooting Nancy because she'd been about to shoot me because Jacob had shot Lou because he'd thought Lou was going to shoot me because Lou was threatening me with his shotgun because I'd tricked him into confessing to Dwight Pederson's murder because Lou'd been blackmailing me because I didn't want to give him his share of the money till the summer because I wanted to make sure no one was looking for the plane...

It seemed as though I could keep working my way back like that forever, each cause's existence obviating the need for me to accept responsibility for its effect. But the mere fact that I felt the need to do this -- and I was doing it frequently, obsessively, repeating it like a mantra in my head -- seemed reason enough for worry. I was starting, just perceptibly, to doubt myself. I was beginning to question our motives.

WITHIN a week of Jacob's funeral, the public attention suddenly faded.

I returned to work that Monday, and my life immediately resumed its daily routine. Every now and then I'd overhear people in town talking about what had happened, and invariably they used words like tragedy and shocking and horrible and senseless. No one seemed to suspect a thing. I was above suspicion: there was no motive; even to speak of the possibility would've been cruel, tactless. After all, I'd lost my brother.

They found Nancy's robe and lipstick in Sonny's trailer. I saw an interview with one of her coworkers, and she said she thought the affair had been going on for quite some time. She didn't say why she thought this, and the reporter didn't ask her; her retroactive suspicion was enough. People talked about how belligerent Lou had been at the Wrangler that night, how he'd accused some kid of trying to trip him. They remembered him as being angry, combative, a drunk teetering on the edge of violence. And finally, to add the last note of credence to our story, the Toledo Blade published an article about Lou's gambling debts. His life had been falling apart, they said, disintegrating. He'd been a time bomb, a calamity waiting to happen.

The baby grew. She learned to roll over, which her mother claimed was precocious. Sarah started her job at the Delphia library again, part-time. She brought Amanda with her and laid her on the floor behind the checkout counter while she worked.

February slowly passed.

I KEPT putting off cleaning out Jacob's apartment. Finally, toward the end of the month, his landlord sent me a note at the feedstore, saying it had to be done by the first of March.

I continued to procrastinate right up to the twenty-ninth. It was a Monday, and I left work an hour early, swinging by the grocery store first to pick up some old boxes. I carried these, along with a thick roll of tape from Raikley's, over to the hardware store and climbed the steep flight of stairs to Jacob's room.

Inside, I found things exactly as I'd remembered them. There was the same smell, the same sordidness, the same disarray. The same dust motes floated through the air, the same empty beer bottles studded the floor, the same dirty sheets sat half stripped in a shapeless mound at the foot of the bed.

I began with his clothes, since that seemed the easiest. I didn't fold them, I simply jammed them into boxes. There wasn't that much: six pairs of pants -- jeans and khaki dungarees -- a half dozen flannel shirts, a bright red turtleneck, a large, hooded sweatshirt, a motley assortment of T-shirts, socks, and underwear. There was a single blue tie hanging from a hook, a picture of a bounding deer embroidered across its front; there were two pairs of sneakers and a pair of boots; there were hats and gloves, a black ski mask, a pair of bathing trunks, jackets for the different seasons. There were the gray slacks and the brown leather shoes he'd worn the morning he asked me to help him buy back the farm. Whenever I filled a box, I took it downstairs to my car and loaded it in the back.

From the clothes I moved to the bathroom -- toiletries, towel, shaving kit, a plastic squirt gun, a stack of Mad magazines -- and from the bathroom to the little alcove Jacob had used as a kitchen -- two pots, a frying pan, a tray full of mismatched utensils, four glasses, a half dozen plates, a ragged-looking broom, and an empty can of Comet. Everything was greasy, grimy. I threw out the food -- a can of ravioli, a box of Frosted Flakes, a putrid carton of milk, an unopened bag of chocolate donuts, a molding loaf of bread, three slices of American cheese, a shriveled apple.

I cleaned out the trash next -- the beer bottles and old newspapers, the candy wrappers and empty bags of dog food. Then I moved to his bed. I stripped his sheets, wrapped his clock radio in a pair of thermal underwear, and stuffed it all into a box. I tossed his pillow over toward the door. Everything smelled faintly of Jacob.

The furniture in the apartment belonged to the landlord, so when I'd packed the sheets and pillow, there was nothing left to go through except his trunk. This was an old army footlocker -- it'd been our uncle's during the Second World War, and he'd given it to Jacob on his tenth birthday. I was planning on just taking it downstairs unexamined, but then, at the last moment, I changed my mind, dragged it over to the bed, and swung open its lid.

The trunk's interior was surprisingly tidy. On the left, neatly folded and stacked, was an extra set of sheets and bath towels. They were from our parents' house; I recognized them immediately: powder blue towels, worn looking, monogrammed with our mother's initials. The sheets had little roses on them. On the right-hand side of the trunk there was a red tackle box, an old Bible, a fielder's glove, a box of bullets for Jacob's rifle, and a machete. The machete had belonged to the same uncle who'd given my brother the trunk; he'd brought it back from somewhere in the Pacific. It was long and menacing looking, with a thick, delicately curving blade and a light brown, wooden handle. It looked like something you might see in a museum, primitive and deadly.

Beneath the machete was a large, ancient-looking book. Curious, I picked it up out of the trunk and sat down on the edge of Jacob's mattress. The sun had set since I arrived, and the apartment was dark. There was a light on in the bathroom, but that was all, so I had to strain to read the book's title. It was stamped in gold ink on the binding: Farm Management from A to Z.

I opened the cover, and on the inside, on the clean whiteness of the facing page, I found, written in pencil, our father's name. Beneath it, Jacob had scrawled his own name, in ink. I assumed that it must've been one of the trivialities granted to my brother in our father's will, a pathetic substitute for the promised farm itself. But when I began to flip through the pages, I saw that Jacob had treated this particular segment of his inheritance as anything but trivial. The book was heavily underlined, its margins clogged with scribbled notes. There were chapters on irrigation, drainage, equipment maintenance, fertilizers, grain markets, government regulations, shipping rates -- all the things I'd told Jacob he'd never understand.

He'd been studying to be a farmer.

I flipped back toward the front of the book and checked its copyright date. It had been published in 1936, more than fifty years ago. There was no mention in its pages of pesticides or herbicides or crop dusting. The

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