Timbal’s spirits. She was reluctant to bid them farewell and lingered as long as she could. It was evening when they set out for the Smithfield inn where Gissel’s carter was going to pick them up for the ride home.

“Oh, and if I’d known, I’d have sent you on your way sooner, so you could have had a bit of music there, too,” Gissel’s cousin told her. “I’ve heard rumors of the minstrel playing at the inn. Tall and dark he is, and setting all the girls to swooning over his voice, but not a one of them will he look at! They say he mourns a lost lover, and always plays his last song to her memory.”

That was enough to pique the curiosity of both girls, and they hurried, shawls up against the light rain, until they came to the inn. Gissel’s carter was late, but they found a table near the back. Gissel’s cousin had been right. The inn was crowded with a mostly female population. The minstrel was repairing a harp string when they came in, his head bent over his work. “I’ll get us some cider while we wait for your carter,” Timbal offered, and Gissel declared, “He’s not ‘my’ carter. Not quite yet!”

“Oh, but he will be,” Timbal called over her shoulder and made her way through the throng to reach the tavern keeper.

The minstrel struck up while she was trying to get the man’s attention. The chords rang strangely familiar to her ears. She did not recall learning the song, but she knew it. It was about a warrior come home from his wandering too late. His love was lost to him, carried off by death. A strange prickling ran over her skin, lifting the hair on her scalp. Slowly she turned as he sang of his lost love, and her raven hair and her tiny hands. Then he sang of her blue boots.

Cider forgotten, she pushed her way slowly through the crowd, ignoring the unkind comments of those she jostled. She found him by the hearth, seated on a low stool, his harp leaned against his shoulder as he played. His fingers knew his strings, and as he played, his eyes rested only on the chair before him. Enthroned on the chair were a pair of blue boots. They were clean, but water stained. She knew them. Then suddenly she knew herself. She looked at the minstrel. Her eyes devoured him, and at the sight of him, a flood of memories thundered through her blood.

Azen did not see her. Not until she reached the chair and took the blue boots from the seat. Wordless and pale, he said nothing as she sat down and pulled them onto her feet. But when she stood, he was waiting for her. He was shaking as he embraced her. “I thought I had lost you!” he managed to say through the uproar of the crowd’s delighted response. “Gretcha told me you were dead. That they’d found your boots on the riverbank, that you’d thrown yourself in!”

“Gretcha lies about many things.”

“Yes. She does. Blue boots, you must never go away from me again.” He folded her close and held her tight.

“Eda willing, I never shall,” she promised him.

Neil Gaiman

As demonstrated by the subtle and melancholy story that follows, memory can be a very unreliable thing, even in matters of the heart. Or perhaps particularly in matters of the heart…

One of the hottest stars in science fiction, fantasy, and horror today, Neil Gaiman has won four Hugo Awards, two Nebula Awards, one World Fantasy Award, seven Locus Awards, four Bram Stoker Awards, four Geffen Awards, one Mythopoeic Fantasy Award, and a Newbery Medal. Gaiman first came to wide public attention as the creator of the graphic novel series The Sandman, still one of the most acclaimed graphic novel series of all time. Gaiman remains a superstar in the graphic novel field. His graphic novels include Breakthrough, Death Talks about Life, Legend of the Green Flame, The Last Temptation, Only the End of the World Again, MirrorMask, and a slew of books in collaboration with Dave McKean, including Black Orchid, Violent Cases, Signal to Noise, The Tragical Comedy or Comical Tragedy of Mr. Punch, The Wolves in the Walls, and The Day I Swapped My Dad for Two Goldfish.

In recent years he’s enjoyed equal success in the science fiction and fantasy fields with his bestselling novel American Gods winning the 2002 Hugo, Nebula, and Bram Stoker Awards, Coraline winning both Hugo (2003) and Nebula (2004), and his story “A Study in Emerald” winning the Hugo in 2004. His novel The Graveyard Book won the Hugo and the Newbery Medal in 2009. He also won the World Fantasy Award for his story with Charles Vess, “A Midsummer Night’s Dream,” and won the International Horror Guild Award for his collection Angels & Visitations: A Miscellany. Gaiman’s other novels include Good Omens (written with Terry Pratchett), Neverwhere, Stardust, and, most recently, Anansi Boys. In addition to Angels & Visitations, his short fiction has been collected in Smoke and Mirrors: Short Fictions & Illusions, Midnight Days, Warning: Contains Language, Creatures of the Night, Two Plays for Voices, and Adventures in the Dream Trade, and Fragile Things. He’s also written Don’t Panic: The Official Hitchiker’s Guide to the Galaxy Companion, A Walking Tour of the Shambles (with Gene Wolfe), Batman and Babylon 5 novelizations, and edited Ghastly Beyond Belief (with Kim Newman), Book of Dreams (with Edward Kramer), and Now We Are Sick: An Anthology of Nasty Verse (with Stephen Jones). His most recent books are The Graveyard Book, and two YA novels, Odd and the Frost Giants, and, with Gris Grimly, The Dangerous Alphabet. A movie based on his novel Stardust was in theaters worldwide in 2007, and an animated movie based on Coraline was in theaters in 2009.

The Thing About Cassandra

So there’s Scallie and me wearing Starsky-and-Hutch wigs, complete with sideburns, at five o’clock in the morning by the side of a canal in Amsterdam. There had been ten of us that night, including Rob, the groom, last seen handcuffed to a bed in the Red Light District with shaving foam covering his nether regions and his brother-in- law giggling and patting the hooker holding the straight razor on the arse, which was the point I looked at Scallie and he looked at me, and he said, “Maximum deniability?” and I nodded, because there are some questions you don’t want to be able to answer when a bride starts asking pointed questions about the stag weekend, so we slipped off for a drink, leaving eight men in Starsky-and-Hutch wigs (one of whom was mostly naked, attached to a bed by fluffy pink handcuffs, and seemed to be starting to think that this adventure wasn’t such a good idea after all) behind us, in a room that smelled of disinfectant and cheap incense, and we went and sat by a canal and drank cans of Danish lager and talked about the old days.

Scallie—whose real name is Jeremy Porter, and these days people call him Jeremy, but he had been Scallie when we were eleven—and the groom to be, Rob Cunningham, had been at school with me. We had drifted out of touch, more or less, had found each other the lazy way you do these days, through Friends Reunited and Facebook and such, and now Scallie and I were together for the first time since we were nineteen. The Starsky-and-Hutch wigs, which had been Scallie’s idea, made us look like we were playing brothers in some made-for-TV movie— Scallie the short, stocky brother with the thick moustache, me, the tall one. Given that I’ve made a significant part of my income since leaving school modeling, I’d add the tall good-looking one, but nobody looks good in a Starsky- and-Hutch wig, complete with sideburns.

Also, the wig itched.

We sat by the canal, and when the lager had all gone we kept talking and we watched the sun come up.

Last time I saw Scallie he was nineteen and filled with big plans. He had just joined the RAF as a cadet. He was going to fly planes, and do double duty using the flights to smuggle drugs, and so get incredibly rich while helping his country. It was the kind of mad idea he used to have all the way through school. Usually the whole thing would fall apart. Sometimes he’d get the rest of us into trouble on the way.

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