“It makes all the difference between your world and my world! In your world there was a great physicist once… Dr. Italo Calvino.”
“Famous literary writer,” I said, “he died in the 1980s.”
“Calvino didn’t die in my Italy,” he said. “Because in my Italy, Italo Calvino completed his ‘Six Core Principles.’”
“Calvino wrote ‘Six Memos,’” I said. “He wrote ‘Six Memos for the Next Millennium.’ And he only finished five of those before he had a stroke and died.”
“In my world Calvino did not have a stroke. He had a stroke of genius, instead. When Calvino completed his work, those six lectures weren’t just ‘memos’. He delivered six major public addresses at Princeton. When Calvino gave that sixth, great, final speech, on ‘Consistency,’ the halls were crammed with physicists. Mathematicians, too. My father was there.”
I took refuge in my notebook. “Six Core Principles,” I scribbled hastily, “Calvino, Princeton, consilience.”
“Calvino’s parents were both scientists,” Massimo insisted. “Calvino’s brother was also a scientist. His Oulipo literary group was obsessed with mathematics. When Calvino delivered lectures worthy of a genius, nobody was surprised.”
“I knew Calvino was a genius,” I said. I’d been young, but you can’t write in Italian and not know Calvino. I’d seen him trudging the porticoes in Turin, hunch-shouldered, slapping his feet, always looking sly and preoccupied. You only had see the man to know that he had an agenda like no other writer in the world.
“When Calvino finished his six lectures,” mused Massimo, “they carried him off to CERN in Geneva and they made him work on the ‘Semantic Web.’ The Semantic Web works beautifully, by the way. It’s not like your foul little Inter-net-so full of spam and crime.” He wiped the sausage knife on an oil-stained napkin. “I should qualify that remark. The Semantic Web works beautifully- in the Italian language. Because the Semantic Web was built by Italians. They had a little bit of help from a few French Oulipo writers.”
“Can we leave this place now? And visit this Italy you boast so much about? And then drop by my Italy?”
“That situation is complicated,” Massimo hedged, and stood up. “Watch my bag, will you?”
He then departed to the toilet, leaving me to wonder about all the ways in which our situation could be complicated.
Now I was sitting alone, staring at that corked brandy bottle. My brain was boiling. The strangeness of my situation had broken some important throttle inside my head.
I considered myself bright-because I could write in three languages, and I understood technical matters. I could speak to engineers, designers, programmers, venture capitalists and government officials on serious, adult issues that we all agreed were important. So, yes, surely I was bright.
But I’d spent my whole life being far more stupid than I was at this moment.
In this terrible extremity, here in the cigarette-choked Elena, where the halfragged denizens pored over their grimy newspapers, I knew I possessed a true potential for genius. I was Italian, and, being Italian, I had the knack to shake the world to its roots. My genius had never embraced me, because genius had never been required of me. I had been stupid because I dwelled in a stupefied world.
I now lived in no world at all. I had no world. So my thoughts were rocketing through empty space.
Ideas changed the world. Thoughts changed the world-and thoughts could be written down. I had forgotten that writing could have such urgency, that writing could matter to history, that literature might have consequence. Strangely, tragically, I’d forgotten that such things were even possible.
Calvino had died of a stroke: I knew that. Some artery broke inside the man’s skull as he gamely struggled with his manifesto to transform the next millennium. Surely that was a great loss, but how could anybody guess the extent of that loss? A stroke of genius is a black swan, beyond prediction, beyond expectation. If a black swan never arrives, how on Earth could its absence be guessed?
The chasm between Massimo’s version of Italy and my Italy was invisible-yet all-encompassing. It was exactly like the stark difference between the man I was now, and the man I’d been one short hour ago.
A black swan can never be predicted, expected, or categorized. A black swan, when it arrives, cannot even be recognized as a black swan. When the black swan assaults us, with the wingbeats of some rapist Jupiter, then we must rewrite history.
Maybe a newsman writes a news story, which is history’s first draft.
Yet the news never shouts that history has black swans. The news never tells us that our universe is contingent, that our fate hinges on changes too huge for us to comprehend, or too small for us to see. We can never accept the black swan’s arbitrary carelessness. So our news is never about how the news can make no sense to human beings. Our news is always about how well we understand.
Whenever our wits are shattered by the impossible, we swiftly knit the world back together again, so that our wits can return to us. We pretend that we’ve lost nothing, not one single illusion. Especially, certainly, we never lose our minds. No matter how strange the news is, we’re always sane and sensible. That is what we tell each other.
Massimo returned to our table. He was very drunk, and he looked greenish.
“You ever been in a squat-down Turkish toilet?” he said, pinching his nose. “Trust me, don’t go in there.”
“I think we should go to your Italy now,” I said.
“I could do that,” he allowed idly,“although I’ve made some trouble for myself there… my real problem is you.”
“Why am I trouble?”
“There’s another Luca in my Italy. He’s not like you, because he’s a great author, and a very dignified and very wealthy man. He wouldn’t find you funny.”
I considered this. He was inviting me to be bitterly jealous of myself. I couldn’t manage that, yet I was angry anyway. “Am I funny, Massimo?”
He’d stopped drinking, but that killer brandy was still percolating through his gut.
“Yes, you’re funny, Luca. You’re weird. You’re a terrible joke. Especially in this version of Italy. And especially now that you’re finally catching on. You’ve got a look on your face now like a drowned fish.” He belched into his fist. “Now, at last, you think that you understand, but no, you don’t. Not yet. Listen, in order to arrive here-I created this world. When I press the Function-Three key, and the field transports me here-without me as the observer, this universe doesn’t even exist.”
I glanced around the thing that Massimo called a universe. It was an Italian cafe. The marble table in front of me was every bit as solid as a rock. Everything around me was very solid, normal, realistic, acceptable and predictable.
“Of course,” I told him. “And you also created my universe, too. Because you’re not just a black swan. You’re God.”
“‘Black swan,’ is that what you call me?” He smirked, and preened in the mirror. “You journalists need a tag- line for everything.”
“You always wear black,” I said. “Does that keep our dirt from showing?”
Massimo buttoned his black woolen jacket. “It gets worse,” he told me. “When I press that Function-Two key, before the field settles in… I generate millions of potential histories. Billions of histories. All with their souls, ethics, thoughts, histories, destinies-whatever. Worlds blink into existence for a few nanoseconds while the chip runs through the program-and then they all blink out. As if they never were.”
“That’s how you move? From world to world?”
“That’s right, my friend. This ugly duckling can fly.”
The Elena’s waiter arrived to tidy up our table. “A little rice pudding?” he asked.
Massimo was cordial. “No, thank you, sir.”
“Got some very nice chocolate in this week! All the way from South America.”
“My, that’s the very best kind of chocolate.” Massimo jabbed his hand into a cargo pocket. “I believe I need some chocolate. What will you give me for this?”
The waiter examined it carefully. “This is a woman’s engagement ring.”
“Yes, it is.”
“It can’t be a real diamond, though. This stone’s much too big to be a real diamond.”
