Ratcatcher

impossible to tell how distant they were. The rain was steady, soft, its drumming setting up low-grade interference both visually and aurally.

Purkiss glanced behind him. Kendrick was already gone, invisible somewhere in the shadows.

They moved forwards, closer to the tower. Purkiss had one hand in his pocket, his fingertips touching his phone.

‘There,’ breathed Elle. He crouched as she did, arm coming up with the SIG Sauer extended. It was a man’s shape, emerging from the shadows and standing at the foot of the tower, perhaps sixty feet away.

‘Purkiss.’

The voice was quiet but carried against the rain. He recognised it: Dobrynin, the man they’d met at the offices of Rodina Security.

‘Where is she?’

‘Your friend’s here. Is it just the two of you?’

‘Of course not.’

Because of the rain it was difficult to tell if the man laughed. ‘Point taken. I have back up myself.’

‘Where’s Fallon?’

‘You’re here to trade yourself for the woman. It doesn’t matter where Fallon is.’

‘Bring her out, then.’

Dobrynin looked to one side, over to the trees. Two men stepped out, sandwiching a smaller figure as though in a rugby scrum.

‘Her?’ Elle murmured. He nodded.

The men gave Abby a push. She staggered but kept her footing. One of the men said something harsh. Over to the right Dobrynin made motions with his good hand: go on, walk. Behind her, the men had handguns drawn.

Purkiss looked up and off to the left and the right, making a show of it, as if he had an army hidden in the darkness waiting for their orders. He had no idea where Kendrick had positioned himself. With his hand still in his pocket Purkiss used his fingernails to prise the SIM card from his phone and wrap the plastic around it. He brought it up to his mouth and swallowed, wincing at the hardness, feeling it scrape as it went down.

Abby began to take slow steps in his direction. He realised her wrists were bound together behind her back and she had some sort of gag in her mouth. She was too far away for him to be sure, but she didn’t look marked.

Dobrynin called out, in English, ‘Stop.’ She did. Her eyes were on Purkiss.

Dobrynin said, ‘Now Purkiss. Gun on the ground, hands raised, and approach those two men.’

He kept his gaze on the two men. Abby was in his line of sight, nearer, out of focus. He knelt, laid the gun on the ground, folded his hands on top of his head, and began to walk.

The two men raised their guns to shoulder height, both adopting the Weaver stance, free hands cupping the ones that held their pistols. Purkiss watched them over the tousle of Abby’s hair.

As if obeying some unseen choreographer, Purkiss and Abby timed their progress so that they reached one another at what appeared to be the midpoint between the two men and Elle. For a moment Purkiss took his gaze off the two men with the guns and looked down at Abby’s face. He realised she’d been trying to get his attention. Her eyes were flashing frantically above the gag, and he could see the dirty material billowing and sucking as she tried to articulate words. Low sounds came from her throat.

Just as he passed her he lowered his head to catch what she was saying, but it was no good, the gag was too secure. He whispered, ‘Tell Kendrick.’

Then she was out of sight behind him.

Later he had time, plenty of it, to reflect on what happened, on whether he could have averted it in some way with a shouted instruction, a warning of some sort. Whether, indeed, he was responsible for it by omission. But as the men shifted their stance and tightened their grips on their weapons and he drew close enough to see the dilation of their pupils in the darkness, all Purkiss was thinking of were the chances of not only taking down two armed men who were fully expecting him to make such a move, but also surviving the assault from whatever backup they had waiting in the shadows.

Signals were useful things when preparing for a combat situation. The fall of the drop of sweat that had been gathering in the armpit, the next cry of the owl off in the trees, the final chime of a clock striking the hour: all could provide a focus point for the launching of an attack. This time he was waiting for Elle’s shout, the sign that Abby had reached the point of safety.

And Elle’s voice came, high and clear against the thrumming of the rain, though it wasn’t the word they’d agreed — now — but rather one that while sounding similar carried an altogether more terrible significance.

‘No.’

Thirty

Purkiss had once read about the intriguing hypothesis that time was an entirely human construct, and did not, in any valid sense, exist. Instead, what people regarded as units of time — minutes, seconds, moments or instants — were really quantum states that happened to be stacked up alongside one another in space (which did exist, provably), like the infinitesimally altered series of pictures that when run together tricked the human eye and became a cartoon.

He’d found the concept a tricky one to get to grips with. He came close to grasping it during the events that followed Elle’s cry. The free flow of time became a series of snapshot images that engrained themselves on his memory.

In the first picture, the two men immediately in front of him were bracing their bent legs and sighting horizontally down their arms, their eyes widened slightly, ready to fire imminently; but one of the men had his gaze fixed not on Purkiss’s face but on a point past his left shoulder.

In the next picture Purkiss, whose head was now turned slightly to the left, was looking at a human figure in the sparse trees over to his left, a black-clad man with a rifle gripped in his hands, not Kendrick. In the corner of his vision was Abby’s small figure.

In the third picture the man among the trees had lifted the rifle and was taking aim at a point off to Purkiss’s left, while a second man beside him held a pistol in a two-handed grip and aimed in the same direction. Still on the periphery of Purkiss’s visual field, Abby’s leg was extended behind her in the first thrust of a running movement.

Picture number four: Purkiss was in the middle of a lunge towards the trees and the men among the trees were larger and one, the man with the handgun, was facing Purkiss, his mouth an O of surprise and anger, his gun arm lagging and still pointed away. In the left corner of the visual field Abby was several yards further with her run. On the right, one of the two gunmen towards whom Purkiss had been walking was airborne, diving towards him at an angle to head him off.

In the fifth picture, Purkiss was half-turned towards the man diving from his right, his fist inches past the man’s jaw. The man’s head was snapped sideways, while among the trees the men were looking back in Abby’s direction.

In the sixth picture Purkiss was almost at the trees. The man with the rifle was ducking and looking askance at the other man, the one with the handgun in the two-handed grip, whose head was shearing in a fan of blood and bone.

In the seventh picture Purkiss was on the ground, felled, and looking with his head to one side along the expanse of lawn and path away from the tower. Far on the edge of the pool of light was Kendrick, tiny and beetly at this distance, his mouth stretched wide, the flash from his gun’s muzzle a bright star above his hands.

In the eighth picture Purkiss, still on the ground, saw beyond the towering forest of lawn grass Abby’s shape suspended in the air, legs buckled and hands still trussed behind her.

In the ninth and final picture: the same landscape of grass blades made huge by nearness, but no