'Stop them!' Wolfe ordered me.

Talbott's right glanced off of Safford's cheek, and Safford got in another one over the kidney. They were operating properly and in an orderly manner, but Wolfe was the boss and he hated commotion in the office, so I stepped across, grabbed Talbott's coat collar and yanked him back so hard he fell over a chair, and faced Safford to block him. For a second I thought Safford was going to paste me with one he had waiting, but he let it drop.

'What started it so quick?' I wanted to know.

Audrey was there, clutching my sleeve, protesting fiercely, 'You shouldn't have stopped him! Wayne could have knocked him down! He did before!' She sounded more bloodthirsty than milkthirsty.

'He made a remark about Miss Rooney,' Broadyke permitted himself to say.

'Get him out of here!' Wolfe spluttered.

'Which one?' I asked, watching Safford with one eye and Talbott with the other.

'Mr. Talbott!'

'You did very well, Vie,' Dorothy was saying. 'You were fantastically handsome with the gleam of battle in your eye.' She put her palms against Talbott's cheeks, pulled his head forward, and stretched her neck to kiss him on the lips--a quick one. 'There!'

'Vie is going now,' I told her. 'Come on, Talbott, I'll let you out.'

Before he came he enfolded Dorothy in his arms. I glanced at Safford, expecting him to counter by enfolding Audrey, but he was standing by with his fists still doubled up. So I herded Talbott out of the room ahead of me. In the hall, while he was getting his hat and coat, I took a look through the one-way panel, saw

Curtains for Three 93

that the stoop was clear, and opened the door. As he crossed the sill I told him, 'You go for the head too much. You'll break a hand that way someday.'

Back in the office someone had righted the overturned chair, and they were all seated again. Apparently, though her knight had been given the boot, Dorothy was going to stick. As I crossed to resume my place at my desk Wolfe was saying, 'We got interrupted, Miss Rooney. As I said, you seem to be the most vulnerable, since you were on the scene. Will you please move a little closer--that chair there? Archie, your notebook.'

VI

At 10:55 the next morning I was sitting in the office-- not still, but again--waiting for Wolfe to come down from the plant rooms on the roof, where he keeps ten thousand orchids and an assortment of other specimens of vegetation. I was playing three-handed pinochle with Saul Panzer and Orrie Gather, who had been phoned to come in for a job. Saul always wore an old brown cap, was undersized and homely, with a big nose, and was the best field man in the world for everything that could be done without a dinner jacket. Orrie, who would be able to get along without a hairbrush in a few years, was by no means up to Saul but was a good all-round man.

At 10:55 I was three bucks down.

In a drawer of my desk were two notebookfuls. Wolfe hadn't kept the clients all night, but there hadn't been much left of it when he let them go, and we now knew a good deal more about all of them than any of the papers had printed. In some respects they were all

94 Rex Stout

alike, as they told it. For instance, none of them had killed Sigmund Keyes; none was heartbroken over his death, not even his daughter; none had ever owned a revolver or knew much about shooting one; none could produce any evidence that would help to convict Talbott or even get him arrested; none had an airtight alibi; and each had a motive of his own which might not have been the best in the world, like Talbott's, but was nothing to sneeze at.

So they said.

Ferdinand Pohl had been indignant. He couldn't see why time should be wasted on them and theirs, since the proper and sole objective was to bust Talbott's alibi and nab him. But he came through with his facts. Ten years previously he had furnished the hundred thousand dollars that had been needed to get Sigmund Keyes started with the style of setup suitable for a big-time industrial designer. In the past couple of years the Keyes profits had been up above the clouds, and Pohl had wanted an even split and hadn't got it. Keyes had ladled out a measly annual five per cent on Pohl's ante, five thousand a year, whereas half the profits would have been ten times that, and Pohl couldn't confront him with the classic alternative, buy my share or sell me yours, because Pohl had been making bad guesses on other matters and was deep in debt. The law wouldn't have helped, since the partnership agreement had guaranteed Pohl only the five per cent and Keyes had given the profits an alias by taking the gravy as salary, claiming it was his designing ability that made the money. It had been, Pohl said, a case of misjudging a man's character. Now that Keyes was dead it would be a different story, with the contracts on hand and royalties to come for periods up to twenty years. If Pohl and Dorothy, who inherited, couldn't

Curtains for Three 95

come to an understanding, it would be up to a judge to make the divvy, and Pohl would get, he thought, at least two hundred thousand, and probably a lot more.

He denied that that was a good motive for murder --not for him, and anyway it was silly to discuss it, because that Tuesday morning at 7:28 he had taken a train to Larchmont to sail his boat. Had he boarded the train at Grand Central or One Hundred and Twenty fifth Street? Grand Central, he said. Had he been alone? Yes. He had left his apartment on East Eighty fourth Street at seven o'clock and taken the subway. Did he often ride the subway? Yes, fairly frequently, when it wasn't a rush hour. And so on, for fourteen pages of a notebook. I gave him a D minus, even granting that he could cinch it that he reached Larchmont on that train, since it would have stopped at One Hundred and Twenty-fifth Street at 7:38, ten minutes after it left Grand Central.

With Dorothy Keyes the big question was how much of the Keyes profits had been coming her way. Part of the time she seemed to have the idea that her father had been fairly liberal with the dough, and then she would toss in a comment which indicated that he had been as tight-fisted as a baby hanging onto another baby's toy. It was confusing because she had no head for figures. The conclusion I reached was that her take had averaged somewhere between five hundred and twenty thousand a year, which was a wide gap. The point was, which way was she sitting prettier, with her father alive and making plenty of dough and shelling it out, or with him dead and everything hers after Pohl had been attended to? She saw the point all right, and I must say it didn't seem to shock

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