shorts rode sidesaddle beside an enormous camera set on miniature railroad tracks.
A visiting film company had transformed Jefferson Street into a movie set.
Tim watched the actor in the seersucker suit trot up the red stone steps of the Millhaven Athletic Club and duck into the doorway to await the next take. Once again, the street looked empty. In a couple of minutes the old man would reappear on the red steps, the long car would begin rolling, the man and the car would come into conjunction, and what looked like murder would again take place; this would happen over and over again until the light changed.
Tim closed the window and went to the telephone beside his journal on the busy writing table. When the desk clerk answered, he asked what was going on outside. “I mean, is it a movie or a television episode?”
“A movie. Big-budget job. The director’s somebody like Scorsese or Coppola, someone like that. The crew will be outside there another two days, and then they’ll be shooting at a location down in the warehouse district.”
Tim remembered the warehouse district, a few blocks south of Grand, from when it still had warehouses and nobody called it anything at all. He also remembered a time when desk clerks at the Pforzheimer would mean something entirely different when they used the word “shooting.” “Ah,” he said. “Gas lamps and cobblestones. What is it, a Golden Days of the Mafia story?”
“Gangsters and tommy guns,” said the clerk. “Whenever they want to set a movie in old-time Chicago, they come to Millhaven.”
Tim moved back to the window. Here came the actor in his retired doctor getup, jerking his shoulders and elbows as he hitched himself off the curb; here was that impression of haste. Now the black dream-mobile, which had running boards and a spare-tire well on the trunk, gathered speed as it cruised southward on Jefferson Street, which would not be Jefferson now but a street in Chicago, South Dearborn or South Clark. The actor froze, glided backward, broad-jumped forward; the car twitched like a living thing, and the straw boater sailed off. The actor disappeared beneath the antique car. This time, Tim was able to see the second camera dollying in, accompanied by the man in the long-billed black cap. This, too, had happened the first time, but Tim had seen none of it.
Idly, his gaze drifted northward to the trim little park beyond the club’s parking lot. Angled paths intersected at a concrete circle with a wooden bench and a dead fountain. Beech trees cast angular shadows on the grass. An old woman scattered bread crumbs to several families of combative sparrows. At the top of the square, digital bells in the cathedral’s tower tolled three times, sending out a dull
The taller of the two had cropped dark hair and shoulders so broad his arms seemed to swing at a distance greater than usual from his slim body. He was walking backward and waving his arms. The smaller boy, wider, rounder, and with long, sandy-reddish hair, had the resigned, rubbery face of a comedian, but Tim saw that his instinctive equanimity was strained to the breaking point. He kept slowing the pace, jamming his hands into the deep, low pockets of his capacious jeans, then raising them in a gesture that said,
Tim thought he heard a wail of frustration and outrage.
The red-haired boy dodged around his gesticulating friend and continued up the sidewalk. The taller boy ran up to him and clouted his shoulder. Looking extraordinarily graceful in his pale blue and light yellow shirts, he shot out an arm and pointed at, or very near to, Tim Underhill’s window. Instinctively, Tim stepped back. Almost immediately, he moved forward again, drawn by an unexpected recognition. The taller of the two boys was strikingly handsome, even beautiful, in a dark-browed, clean-featured manner. A second later, Tim Underhill’s recognition system at last yielded the information that he was looking at his nephew, Mark. By a kind of generational enhancement, features that passed for pleasing but unremarkable in his mother emerged, virtually unchanged, as beautiful in her son. In all likelihood, Mark had no idea of how attractive he was.
The next message that came bubbling into consciousness was that just then Mark could have been speaking of him to his red-haired friend. Philip had probably mentioned that he would be in town for the funeral, and it would be like Philip to throw in a sneering reference to the Pforzheimer. That Mark was probably speaking of him meant that Tim had some role in the dispute between the two boys. What sort of role, he wondered: advice, direction, decision?
Whatever his point had been, Mark—for it really
It almost hurt, that Mark should have become so beautiful—the world at large had already begun to conspire against the straightforward destiny that would otherwise have been his. Would you just look at him, down there on the sidewalk? He’s pretending to be too tough to be wounded by his mother’s death.
Both boys stopped moving to watch the man in the seersucker suit and straw hat once again come hitching down the red steps of the MAC. There was always something horrible about catching an actor at work, suddenly becoming aware that he was after all merely playing a role.
Eight days after my last entry, and I must go back to Millhaven again. Philip told me that Mark has been missing for a couple of days, and he only called me
From what I could make of Philip’s rant, Mark vanished sometime in the evening of, I think, the 18th. Philip waited up for him until two in the morning, then retired in the reasonable certainty that before long Mark would be in his bed. In the morning, Mark’s bed was still empty. Philip called the police, who informed him of what he already knew, that two other boys recently had disappeared from that part of town, but added that he ought not jump to any conclusions. They added that most teenage runaways come back home within twenty-four hours and recommended patience. Philip drew on his capacity for patience and discovered that he possessed a limited supply. By noon he was calling the police again, with the same result. He had of course walked up the block to confront Jimbo Monaghan, Mark’s best friend, but Jimbo either knew nothing about the disappearance or pretended he knew nothing. Thinking he smelled complicity, Philip accused the boy of lying. Jimbo’s mother, Margo, ordered him out of the house—threw him out, really. For a couple of hours, Philip drove around Millhaven, looking for his son everywhere he thought his son might be, every place he had heard Mark speak of. He knew it was a hopeless effort, but he was unable to keep himself from cruising past playgrounds his son had not visited in years, staring in the windows of fast-food restaurants, driving around and around Sherman Park. He felt so desperate he wept. In the space of ten days, he had lost both wife and son.
Grimly, Philip bounced back and forth between two equally fearful notions: that Mark had been abducted by the “Sherman Park Killer,” who had already claimed two boys his age; and that Mark had killed himself, possibly in imitation of his mother, even more possibly out of the mixture of horror and despair set loose within him by what he had been obliged to witness. The police, being police, were concentrating on the first of these alternatives. They walked through the parks and searched the wooded areas in Millhaven but failed to uncover a body. They also checked the records at the airport, the train and bus stations; they, too, questioned Jimbo Monaghan, his parents, and other teenagers and parents Mark had known. When none of this yielded as much as a suggestion of the boy’s
